Author: Martin-Jones and Dina LordanovaSource: Cinema at the Fringe Global by Wayne State University Press, 2010.
Diverse Cinema Experiences Abroad
Travel Experience (2007-2008): The authors undertook an extensive journey across various countries to immerse themselves in local cinema cultures.
Sofia, Bulgaria: The cinema scene is predominantly filled with Hollywood films, reflecting a lack of local film production and a heavy reliance on American cinema for entertainment.
Variability in Other Cities:
Paris: Home to the local hit Welcome to the Sticks, which indicates a strong domestic film presence alongside international offerings.
Tokyo: Japan's cinematic landscape is highlighted by blockbusters like Hero and Always, showcasing the global influence of Japanese films.
Thessaloniki: The historical and artistic film El Greco leads the local box office, emphasizing Greece's rich cultural storytelling.
Hong Kong: Ang Lee’s Lust, Caution features prominently, showcasing Hong Kong's notable contributions to global cinema.
Copenhagen: Shown was Ken Loach's film It's a Free World, reflecting the acceptability of socially conscious themes in local theaters.
Berlin: Specialized cinemas exemplify the diverse offerings in the city by showcasing films like Tuya's Marriage and The Red Elvis.
The prevalent perspective divides the cinema landscape into two categories:
Hollywood: Often perceived as strong, dominant, and all-encompassing.
Rest of the World: Regarded as weak and diminishing, which undermines the rich tapestry of international cinema.
Call for Change: There is a strong advocacy for incorporating a peripheral vision in film studies to reflect on the vibrancy and significance of non-Hollywood cinema.
Emphasizing the importance of understanding diverse cinema through extensive global studies rather than the narrow confines of American-centric discourse.
The push is towards a more engaged and inclusive approach to film studies, recognizing the myriad voices in global cinema.
The need to reassess existing assumptions surrounding film strength, distribution, and accessibility is paramount in a globalized society.
Highlighting the emergence of various cinema traditions around the globe, the text urges researchers and film scholars to pay attention to local productions and their impacts in different regions.
This includes recognizing independent film movements, regional narratives, and the contributions of diaspora filmmakers that expand the global cinema landscape.
A broader understanding can facilitate richer conversations around global film, decoding how local and global influences intermingle within the cinematic experience.