Lecture 21 Overview
Focuses on the cultural significance and historical development of zombies, particularly in American popular culture.
Explores themes of race, oppression, and cultural appropriation.
Edited by Christopher M. Moreman and Cory James Rushton.
Main Themes:
Examines early Zombie cinema, particularly the film "White Zombie" (1932), as a reflection of societal anxieties regarding race, power, and immigration in early 20th-century America.
Discusses how Zombies symbolize race relations and identity struggles, linking folklore with historical tensions around slavery and white supremacy.
Analyzes the evolution of Zombie narratives through time, questioning whether contemporary stories still resonate with these early themes.
Investigates the representation of gender within Zombie narratives in the context of 1st wave feminism, illustrating how the "New Woman" concept intersects with Zombie tropes.
Focus on Zora Neale Hurston:
Reviews Hurston's work in Haiti, specifically her observations in "Tell My Horse: Voodoo and Life in Haiti and Jamaica" (1938).
Highlights the socio-political context of U.S. military occupation (1915-1934) and its implications on local structures of labor and power.
Key Insights from Keresztesi:
Zombies are described as "cyborgs", invoking the complexity of their representation in culture.
Photography plays a crucial role in Hurston’s documentation, providing a lens into the authentic existence of Zombies as cultural phenomena.
Explores the concept of "zombification" as a nuanced form of slavery tied to neocolonial exploitation and forced labor.
Hurston's work inspires later scholars, such as Wade Davis, influencing the study of Zombies in cultural anthropology.
Impact of Hurston's Work:
Keresztesi emphasizes how Hurston’s documentation reveals the intricate realities of Zombie rituals and their significance beyond folklore, influencing contemporary understandings of Zombie phenomena in cultural critique.