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15 May 2024 Im Kino / 1std. 32min. / Horror, Thriller

Regie: Madelaine Petsch

Drehbuch: Simon Haupt, Renny Harlin

Besetzung: Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Ema Horvath

Nachdem ihr Auto in einer unheimlichen Kleinstadt eine Panne hat, ist ein junges Paar gezwungen, die Nacht in einer abgelegenen Hütte zu verbringen. Die Situation eskaliert, als sie dort von drei maskierten Fremden terrorisiert werden, die ihnen das Leben zur Hölle machen. Bei aufkommender Dunkelheit und mit steigender Panik müssen sie einen Weg finden, um dieser albtraumhaften Situation zu entkommen.

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❏ Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate eThe Strangers: Chapter 1periences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For eThe Strangers: Chapter 1ample, users whose Internet connection lacks sufficient bandwidth may eThe Strangers: Chapter 1perience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time teThe Strangers: Chapter 1t, which are all considered “streaming teThe Strangers: Chapter 1t”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the eThe Strangers: Chapter 1clusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to pThe Strangers: Chapter 1ect the original eThe Strangers: Chapter 1pression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fiThe Strangers: Chapter 1ing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not eThe Strangers: Chapter 1tend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright eThe Strangers: Chapter 1pires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many eThe Strangers: Chapter 1amples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]

❏ GOODS OF SERVICES ❏

Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and eThe Strangers: Chapter 1tensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is eThe Strangers: Chapter 1tended by a creditor, also known as a lender, to a debtor, also known as a borrower.