-The Four Properties of sound: Timbre, Pitch, Volume, Duration. Identify Italian terms for dynamics
and tempo markings, including the indications for gradual changes in both areas
-All instruments of the orchestra as well as keyboard instruments. Be able to identify them and put
them in the proper family.
-Defining parts of the Musical Score: Clef, Key Signature, Time Signature, Measure. Also, definitions
of melody and harmony.
-Define the different types of musical texture and basic types of musical form.
MIDDLE AGES (450 - 1450)
-Define Estampie, Gregorian Chant, and Drone. Also know the difference between Sacred and Secular
Music
-Know that churches were the centers of musical life.
-Define the term organum and its impact on Sacred Music
-Define the era of the Ars Nova and what it allowed composers to do.
-Know who Guillaume De Machaut is and why his Notre Dame Mass was so important
Important pieces of music:
1. Anon: “Alleluia vidimus stellam” (Early Middle Ages Gregorian Chant)
2. Hildegard of Bingen: “O Successores” (Late Middle Ages Gregorian Chant)
3. Guillaume de Machaut: “Kyrie from Notre Dame Mass” (Late Middle Ages Mass)
RENAISSANCE (1450 – 1600)
-Define Word Painting, Motet, Madrigal
-Be able to identify the Lute as an important string instrument of this period
-Know who Palestrina was and how he impacted Sacred Music (Council of Trent, etc.)
Important pieces of music:
1. Giovanni Perluigi de Palestrina: “Kyrie from Pope Marcellus Mass” (Renaissance Mass)
2. Thomas Weelkes: “As Vesta was Descending” (Renaissance Madrigal)
3. John Dowland: “Flow My Tears” (Renaissance Lute Song)
BAROQUE (1600 – 1750)
-Define Terraced Dynamics, Fugue, Basso Continuo.
-Know the difference between all the musical genres: Oratorio, Solo Concerto, Concerto Grosso,
Opera, Sonata, Suite.
-Give a good general definition of opera and the common piece types that exist.
-Know about J.S. Bach, George Handel, and Antonio Vivaldi (including the year they died)
Important pieces of music:
1. Johann Sebastian Bach: “Little Fugue in g minor” (Baroque Fugue)
2. Antonio Vivaldi: “La Primavera from The Four Seasons” (Baroque Solo Concerto)
3. Henry Purcell: “Dido and Aeneas (excerpts from class)” (Baroque Opera)
4. George Handel: “Excerpts from The Messiah” (Baroque Oratorio)
CLASSICAL (1750 – 1820)
-Define the forms and their basic outlines. Sonata, Rondo, Minuet and Trio, and Theme and
Variations.
-The big three: Haydn, Mozart, Beethoven. When they lived and died, where they were born, and also
where and how they worked.
Important pieces of music:
1. Joseph Haydn “Symphony #94 ‘Surprise’” (Classical Symphony Theme and Variations)
2. Ludwig van Beethoven: “Symphony #5” (Classical Symphony)
3. Wolfgang Amadeus Mozart: “Don Giovanni” and “The Magic Flute” (Classical Period Opera)
ROMANTIC (1820 – 1900)
-Definition of Art Song and know the difference between all the different types/settings.
-Define Nationalism, Exoticism, and Program Music. Give examples of specific pieces of music that
were great examples of these concepts/genres, including who composed the work.
-Define the terms leitmotif and Idee Fixe. Again, be able to tie in a composer and a piece to these
terms.
Important pieces of music:
1. Franz Schubert: “Erlkonig, or The Earlking” (Romantic Art Song)
2. Felix Mendelssohn: “Violin Concerto in e minor” (Romantic Concerto)
3. Hector Berlioz: “Symphonie Fantastique” (Romantic Program Symphony)
20th Century (1900 - )
-Define Neoclassicism, Impressionism, Chance Music, Twelve-Tone, Minimalism. Give examples of
specific pieces of music that were great examples of these concepts/genres, including the composer
of those works.
-Explain how the terms Experimental and New Tone Color fit into 20th Century compositions.
-Identify composers who lived in Soviet Union during Stalin era and composers that left to go
elsewhere (also applies to Nazi Germany)
-Identify Great American Born Composers (Aaron Copeland, George Gershwin, etc.) and the piece
that was their listening example.
-Know who John Williams is and his impact on movie music.
Important pieces of music:
1. Claude Debussy: “Prelude to the Afternoon of a Faun” (20th Century Tone Poem)
2. Igor Stravinsky: “The Rite of Spring” (20th Century Primitivism)
3. Arnold Schoenberg: “A Survivor from Warsaw” (20th Century 12 Tone Cantata)
4. Aaron Copeland: “Appalachian Spring” (20th Century Ballet)