ART HIST 21 ASS. 2
Terms:
Battle of Milvian Bridge, 312
Edict of Milan, 313
catacomb
loculus/i
cubiculum/i
epitaph
iconography
acrolyth
colossus
soul portrait
spolia
syncretism
iconography
Chi-Rho
ICHTHYS
eucharist
paten
chalice
basilica
martyrium
nave
aisles
apse
transept
crossing
narthex
atrium
axial plan
orants
colonnade/arcade
gallery
entablature
clerestory
necropolis
liminal
pendentive
icon (Greek eikon)
encaustic
mosaic
ciborium
Titulus
typology
New Terms for Assessment 2
iconoclasm
aniconic
zoomorphic interlace
psalter
parchment
vellum
trumpet
peltae
cufic
horseshoe arch
Visigothic
Merovingian
Mihrab
Quibla
Carollingian miniscule
Westwork
Expressionism
Impressionistic
Cameo
Square schematism
Saxon alternation
Local color
Isocephaly
Lost wax casting
Champlevé enamel
Body-part relic
Majesty
Sedes sapientiae
Cluniac
Cistercian
Homme á l’arcade
Horror vacui
Varietas
Aesthetic
Ascetic
Artwork:
Santa Sabina, Rome (Early Christian, c. 250-450)
Sarcophagus of Junius Bassus, Rome (Early Christian, c. 250-450)
Justinian as Conqueror, “Barberini Ivory” (Early Byzantine, 300-800)
Hagia Sophia, Constantinople (Istanbul), Patron: Justinian, Architects: Anthemius of Tralles and Isidore of Miletus (Early Byzantine, 300-800)
Christ Pantocrator, Monastery of Saint-Catherine, Mount Sinai, Egypt (Early Byzantine, 300-800)
Christ as the Good Shepherd, Mausoleum of Galla Placidia (Early Byzantine, 300-800)
Empress Theodora and Attendants, San Vitale, Ravenna (Early Byzantine, 300-800)
Purse lid from Sutton Hoo, England (Insular Art, c. 450-c. 650)
Book of Durrow, Ireland (Insular Art, c. 450-c. 650)
Lindisfarne Gospels, England (Insular Art, c. 450-c. 650)
Book of Kells, Ireland (Insular Art, c. 450-c. 650)
Dome of the Rock, Jerusalem (Islamic, Umayyad, c. 650-750)
Great Mosque of Cordoba, Spain (Islamic, Umayyad, c. 650-750)
Hagia Irene, Constantinople/Istanbul (Early Byzantine, c. 300-800)
Palace Chapel, Aachen, Germany (Carolingian, c. 750-900)
Ebbo Gospels, Reims, France (Carolingian, c. 750-900)
Gospel Book of Otto III (Ottonian, c. 900-1000)
Lothair Cross (Ottonian, c. 900-1000)
Bronze doors of Bishop Bernward, Saint-Michael’s, Hildesheim (Ottonian, c. 900-1000)
Saint-Michael’s, Hildesheim (Ottonian, c. 900-1000)
Silos version of the Commentary on the Apocalypse by Beatus of Liébana, Spain (Romanesque, c. 1000-1150)
Tábara version of the Commentary on the Apocalypse by Beatus of Liébana, Spain (Romanesque, c. 1000-1150) (Romanesque, c. 1000-1150)
Church of Saint-Peter, Cluny, France (Romanesque, c. 1000-1150)
Last Judgment, tympanum, Sainte-Foy, Conques, France (Romanesque, c. 1000-1150)
The Adoration of the Three Magi, Champlevé enamel reliquary casket, Limoges, (Romanesque, c. 1000-1150)
Christ in Majesty, tympanum, Abbey Church of Saint-Peter, Moissac (France) (Romanesque, c. 1000-1150)
Cloister Capitals, Abbey Church of Saint-Pierre, Moissac (France) (Romanesque, c. 1000-1150)
Abbey Church of Notre-Dame at Fontenay (Romanesque, c. 1000-1150)
Virgin and Child, Burgundy (France) (Romanesque, c. 1000-1150)
Plan of a Romanesque Pilgrimage Church