Design elements
The things that go into creating a design
there are eight elements
Color and color theory
Visible Spectrum
Natural white light contains all the colors
when it is refracted through a prism all the colors become visible to the human eye
White, black, and grey are not included
Achromatic- without color
white is all the colors, black is no colors
grey is a combo of both black and white
Color vocab
Hue- a color of the spectrum; visible light
chroma- how pure a hue is in relation to grey
saturation- degree of purity of a hue
intensity- brightness or dullness of a hue
luminescence- a measure of light reflected from a hue
shade- a hue produced by the addition of black
tint- a hue produced by the addition of white
Subtractive color
the more you mix colors together, the darker the overall color becomes
primary colors are cyan, yellow and majenta
Additive color
color can be enhanced by adding light (white), as more light is added the colors become lighter and lighter
primary colors are blue red and yellow
Parative color
does not add or subtract color
based upon how the viewer perceives or reacts to the color
floral designers work with this color system the most
Monochromatic
mono- one
chromatic- color
so '“one color”
Complementary
two colors that are directly opposite on the color wheel
strongest contrast of color
Analogous colors
selecting 2-4 adjacent colors on the 12-spoke color wheel
colors are not repetitive, not too contrasting
Split compliment
one hue is chosen and the two hues on either side of the direct compliment are chosen
Polychromaic
combo of tints, hues, shades, and tones of four or more colors
color manipulation
repetition of a hue
systematic dyeing of flowers
spray tinting
The other 7 elements of design:
Form
Shape and overall arrangement
flowers also have shapes
line
mass
filler
other
Closed form- solid form, not a lot of air/space between flowers
open form- more space around flowers
Fragrance
some flowers have subtle fragrance
others have overpowering fragrance
Line
The visual path that creates the foundation for an arrangement style and form
straight, curved, static, or dynamic
Static lines appear rigid- horizontal and vertical lines
dynamic lines are formed by bending, contorting, cascading and zigzagging materials
physical lines such as the stem of a flower or a stalk or a leaf branch are ACTUAL LINES
Horizontal lines put emphasis on width rather than height
typically used in sympathy pieces
A dominant vertical line suggests strength
first inserted of most container arrangements
established height of the arrangement
Diagonal lines- create motion
Pattern
Decorative design that is repeated
used to create emphasis
nature is full of patterns (animal prints etc.)
pattern can be the repetition of the same design throughout a space
Space
the three dimensional area that is occupied by a floral design
Positive and negative space
Size
Dimensions of an arrangement
you need to know the elements of line, form, and space to determine the dimensions
Texture
The tactile surface quality of an item
the visual surface quality
It can be touched, and sensory input relayed back to brain
Bland arrangements lack focal points or texture around the focal point
greens add texture to the area