ARTH 1121: History of Design & Applied Arts Test Two Review Notes

Cassandre, Dubo-Dubon-Dubonnet (1932)

  • Designer: Cassandre
  • Title: Dubo-Dubon-Dubonnet
  • Date: 1932
Essay Analysis
  • Utilizes simple geometric shapes including:
    • Straight lines
    • Circles
    • Semicircles
  • Features a man in three stages of drinking wine, with brand name presented step-by-step.
  • Design reads like a film strip from left to right:
    • Employs repetition and variation for enhanced visual impact.
  • Circular forms echoed in various elements:
    • Hat
    • Glass
    • Buttons
    • Lettering
  • Clean, minimal style as a departure from detailed advertisements.
  • Contributed to defining modern graphic design:
    • Emphasizes clarity, impactful communication, and product identity.

Rietveld, Schröder House Interior (1924-1925)

  • Designer: Gerrit Rietveld
  • Title: Schröder House Interior
  • Date: 1924–1925
Essay Analysis
  • Design incorporates basic shapes:
    • Rectangles
    • Squares
    • Straight lines
  • Uses bold primary colors for a clean, modern aesthetic.
  • Innovative sliding walls for flexibility and interaction within family spaces.
  • Design philosophy blends indoors and outdoors:
    • Large windows
    • Repeated simple forms
  • Focus on functionality and clarity, steering away from luxury:
    • Embodies core De Stijl ideals.

Schmidt, Poster for Bauhaus Exhibition (1923)

  • Designer: Joost Schmidt
  • Title: Poster for Bauhaus Exhibition
  • Date: 1923
Essay Analysis
  • Features tilted rectangles and circles:
    • Forms an organized "X" layout for text.
  • Emphasizes geometry and technical precision:
    • Reflects Bauhaus goal of blending art with technology.
  • Minimalist design achieved through:
    • Use of ruler and compass
    • Avoidance of ornamentation.
  • Highly influential in modern graphic design, particularly:
    • Tschichold’s New Typography.

Beall, “Wash Day” Poster (1937)

  • Designer: Lester Beall
  • Title: “Wash Day” Poster
  • Date: 1937
Essay Analysis
  • Utilizes bold shapes:
    • White washing machine
    • Arrows
    • House pictogram.
  • Strong color contrasts:
    • Blue and yellow.
  • Influenced by:
    • Constructivism
    • New Typography
  • Clear communication with minimal text or imagery:
    • Promotes rural electrification effectively.
  • Visuals designed to persuade, linking electricity to improved quality of life.

D’Ascanio, Vespa Motor Scooter (1946)

  • Designer: Corradino D’Ascanio
  • Title: Vespa Motor Scooter
  • Date: 1946
Essay Analysis
  • Smooth, simple shapes used to create a sleek appearance.
  • Designed post-WWII to provide affordable, stylish transportation during recovery.
  • Symbolizes freedom, mobility, and progress:
    • Streamlined form balancing elegance with functionality.
  • Early example of industrial design shaping:
    • National identity
    • Personal lifestyle.

Pintori, Poster for Olivetti (c. 1953)

  • Designer: Giovanni Pintori
  • Title: Poster for Olivetti
  • Date: 1953
Essay Analysis
  • Features bold colors and abstract shapes:
    • Utilizes asymmetrical layouts to evoke energy and rhythm of machines.
  • Combination of photography and flat forms:
    • Suggests dynamic movement, like typewriter keys in action.
  • Part of a collaborative design identity at Olivetti post-WWII, blending:
    • Designers
    • Engineers
    • Marketers.

Advertisement for Cadillac Eldorado (1957)

  • Designer: Unknown
  • Title: Advertisement for Cadillac Eldorado
  • Date: September 9, 1957
Essay Analysis
  • Highlights luxury and modernity:
    • Features sleek lines and chrome details, iconic tailfin.
  • Positions the Eldorado as a symbol of success:
    • Appeals to consumers’ desires for status and exclusivity.
  • Connection between owning a Cadillac and achieving wealth and success, showcasing:
    • Aspirational marketing techniques in automotive advertising.