ARTH 1121: History of Design & Applied Arts Test Two Review Notes
Cassandre, Dubo-Dubon-Dubonnet (1932)
- Designer: Cassandre
- Title: Dubo-Dubon-Dubonnet
- Date: 1932
Essay Analysis
- Utilizes simple geometric shapes including:
- Straight lines
- Circles
- Semicircles
- Features a man in three stages of drinking wine, with brand name presented step-by-step.
- Design reads like a film strip from left to right:
- Employs repetition and variation for enhanced visual impact.
- Circular forms echoed in various elements:
- Clean, minimal style as a departure from detailed advertisements.
- Contributed to defining modern graphic design:
- Emphasizes clarity, impactful communication, and product identity.
Rietveld, Schröder House Interior (1924-1925)
- Designer: Gerrit Rietveld
- Title: Schröder House Interior
- Date: 1924–1925
Essay Analysis
- Design incorporates basic shapes:
- Rectangles
- Squares
- Straight lines
- Uses bold primary colors for a clean, modern aesthetic.
- Innovative sliding walls for flexibility and interaction within family spaces.
- Design philosophy blends indoors and outdoors:
- Large windows
- Repeated simple forms
- Focus on functionality and clarity, steering away from luxury:
- Embodies core De Stijl ideals.
Schmidt, Poster for Bauhaus Exhibition (1923)
- Designer: Joost Schmidt
- Title: Poster for Bauhaus Exhibition
- Date: 1923
Essay Analysis
- Features tilted rectangles and circles:
- Forms an organized "X" layout for text.
- Emphasizes geometry and technical precision:
- Reflects Bauhaus goal of blending art with technology.
- Minimalist design achieved through:
- Use of ruler and compass
- Avoidance of ornamentation.
- Highly influential in modern graphic design, particularly:
- Tschichold’s New Typography.
Beall, “Wash Day” Poster (1937)
- Designer: Lester Beall
- Title: “Wash Day” Poster
- Date: 1937
Essay Analysis
- Utilizes bold shapes:
- White washing machine
- Arrows
- House pictogram.
- Strong color contrasts:
- Influenced by:
- Constructivism
- New Typography
- Clear communication with minimal text or imagery:
- Promotes rural electrification effectively.
- Visuals designed to persuade, linking electricity to improved quality of life.
D’Ascanio, Vespa Motor Scooter (1946)
- Designer: Corradino D’Ascanio
- Title: Vespa Motor Scooter
- Date: 1946
Essay Analysis
- Smooth, simple shapes used to create a sleek appearance.
- Designed post-WWII to provide affordable, stylish transportation during recovery.
- Symbolizes freedom, mobility, and progress:
- Streamlined form balancing elegance with functionality.
- Early example of industrial design shaping:
- National identity
- Personal lifestyle.
Pintori, Poster for Olivetti (c. 1953)
- Designer: Giovanni Pintori
- Title: Poster for Olivetti
- Date: 1953
Essay Analysis
- Features bold colors and abstract shapes:
- Utilizes asymmetrical layouts to evoke energy and rhythm of machines.
- Combination of photography and flat forms:
- Suggests dynamic movement, like typewriter keys in action.
- Part of a collaborative design identity at Olivetti post-WWII, blending:
- Designers
- Engineers
- Marketers.
Advertisement for Cadillac Eldorado (1957)
- Designer: Unknown
- Title: Advertisement for Cadillac Eldorado
- Date: September 9, 1957
Essay Analysis
- Highlights luxury and modernity:
- Features sleek lines and chrome details, iconic tailfin.
- Positions the Eldorado as a symbol of success:
- Appeals to consumers’ desires for status and exclusivity.
- Connection between owning a Cadillac and achieving wealth and success, showcasing:
- Aspirational marketing techniques in automotive advertising.