Notes on Pre-Hispanic Era and Philippine Vernacular Architecture
PRE-HISPANIC ERA
Philippine Vernacular Architecture overview
Built as a broad category; majority are dwellings constructed by communities; vernacular lineage includes granaries, fortifications, worship spaces, ephemeral structures, and contemporary urban shanties.
Vernacular architecture is an omni-present building practice and an accessible idiom for many Filipinos.
EARLY PHILIPPINE SHELTER
Architecture began as a response to nature.
PRE-HISPANIC ERA: Early shelter forms include caves, lean-to shelters, and arboreal (tree- and height-based) dwellings.
PRE-HISTORIC BUILDING TYPES
Caves: earliest form of human habitation; often predating Homo sapiens in interpretation; require minimal site work; built from excavation rather than traditional construction.
Lean-to shelters: ephemeral, nomadic, windbreaks or windscreens anchored by a pole; portable, minimal investment; reflects nomadic lifestyles.
Arboreal shelters: dwellings high in trees; interlocking branches; protection from animals and enemies; elevations range from ~6 to 60 ft above ground depending on site and threat levels.
CAVE DWELLINGS (PRE-HISPANIC ERA)
Cave dwellings: prehistoric cave shelters; among the earliest human dwellings in the Philippines.
Pleistocene people, the earliest dwellers of caves in the Philippine; linked to Ice Age populations and land-bridge theories (Tulay na Lupa).
Tabon Cave (Tabon Cave Complex, Palawan)
Tabon Caves: located at Lipuun Point, north of Quezon, Palawan; named after Tabon Megapode/Scrufowl.
Tabon Cave complex has 29 explored caves; seven open to the public (main sites: Tabon Cave, Diwata Cave, Igang Cave, Liyang Cave).
Tabon Man was discovered here; among the oldest human remains in the Philippines.
Tabon Caves inhabited by prehistoric families; Tabon Cave remains show evidence of long-term occupation dating back as far as ~30,000 years ago.
Manunggul Jar: a Neolithic secondary burial jar from Manunggul Cave (Tabon Caves) dating to 890-710 B.C., two figures representing the journey of the soul to the afterlife.
In 2006, the Tabon Cave Complex and Lipuun were added to the tentative list of UNESCO World Heritage nomination; managed by the National Museum; declared a National Cultural Treasure in February 2011.
Tau’t-Batu Cave (People of the Rock)
Located in Singnapan Valley, southern Palawan; last discovered tribe in the Philippines.
Their world is inhabited by a vast population of forest/rock/water spirits.
Shelter pattern includes multi-family dwellings; Datag (basic sleeping platform) built from tree branches and dried leaves; raised slightly above ground; modular sleeping platforms with fireplaces.
Angono Petroglyphs (Rizal province)
Oldest known work of art in the Philippines; 127 human and animal figures carved into rock dating back to (approximately).
Inscriptions include stylized human figures, frogs, lizards; erosion has affected legibility; term Petro (stone) Glyph (illustration).
Callao Cave (Peñablanca, Cagayan)
Seven-chamber showcave; Callao Man refers to fossil remains found in Callao Cave (2007 discovery by Armand Salvador Mijares).
A single 61-mm metatarsal found to be about .
Researchers suggest Aetas (mountain dwellers) could be descendants of Callao Man.
RICE TERRACES (Cordillera region)
The Prehistoric Megastructure: Rice Terraces of the Philippine Cordilleras are a living landscape dating back about (two millennia) in the pre-colonial Philippines.
Carved into mountain terrains; terraced landscape created by technique adapted to mountainous slopes; testimony to Philippine engineering.
Terraces can reach up to approximately in height; stone walls protect terraces and define embankments.
The Cordillera Rice Terraces were declared a National Treasure and are protected under Republic Act No. (protection and conservation of the National Cultural Heritage).
Basic elements of a terrace system:
These terraces are a key example of ancient engineering and sustainability in the Philippines.
PHILIPPINE VERNACULAR ARCHITECTURE
Vernacular Architecture definitions and scope
Derived from Latin vernaculus; domestic, native, indigenous; includes folk, tribal, ethnic, and traditional architecture.
Based on local needs, local materials, and reflecting local traditions.
Five principal features of vernacular architecture:
1) Builders are non-professionals (non-professional architects/engineers).
2) There is consonant adaptation to geography using natural materials.
3) Construction relies on intuitive-thinking, typically without blueprints or formal drawings.
4) There is a balance between social/economic functionality and aesthetic features.
5) Architectural patterns and styles evolve protractedly within ethnic domains.Regional and material foundations:
Common materials: timber, bamboo, thatch, fibers; bamboo is particularly important due to its flexibility and resilience in earthquakes and wind.
Vernacular buildings demonstrate achievements and limitations of early technology; address common structural problems with simple, logical element arrangements.
Vernacular architecture and modern influence:
Philippine vernacular architecture inspired the invention of a structural system that contributed to later steel-frame approaches (Chicago School): the shift from timber/bamboo to iron/steel frames in high-rise construction.
Austronesian ancestry and building heritage:
Southeast Asian/Austronesian roots; water-based lifestyle; vernacular architecture in the Philippines shows strong Austronesian building heritage.
REGIONAL HOUSE TYPES (Vernacular and regional differentiation)
UP-LAND vs. LOW-LAND contrasts:
Lowland dwellings: open, airy interiors; designed for hot, breezy climates.
Highlands: sealed, solid planks; design emphasizes defense against cold and intrusions; fewer windows.
REGIONAL HOUSES overview (selected examples)
BATANES – IVATAN ARCHITECTURE
Ivatan houses and fortifications (Idjang): defensive engineering of early Ivatan settlements; Idjangs are defensive towers.
IVATAN HOUSE types (Sinadumparan, Maytuab, etc.)
Octagonal (Binayon) and other plans; thick cogon-layered roofing; 4–5 layers of cogon above reed matting; roof projections; interior elements described (riyan, rihas, etc.).
ISNEG – BINURON (windowless, low walls, roll-up floor)
Binuron is a boat-like, rectangular plan; walls with lime mortars; roof framing independent from floor framing; binuron features a roll-up floor made of long reeds.
Binuron can be converted for rituals; tarakip (extension) and roof features include split bamboo and cogon roofing.
KALINGA – BINAYON and FORUY
Binayon: octagonal plan with three divided floors; roof built with thick bamboo layers (talob) and removable walls for ventilation; facade includes traditional ridge and post elements (tukah, panabfongan, etc.).
Foruy: elevated rectangular one-room house; timber materials; roof with 8–10 bamboo layers; removable wall panels; perimeter ventilation.
BONTOC – AFUNG (and related structures)
Afung: house on the ground, with living area and elevated central granary (agamang) that stores rice; roof extends beyond walls; afung houses for married couples with children up to eight years old.
Afung is one of the Cordillera houses built directly on the ground; granary space is a key component and is separate from the main living space.
BONTOC – AFUNG details and interior spaces (Angan, Tap-an, etc.)
Angan (sleeping area); Tap-an (pounding area); Silang (cooking/working area); Panagatan (floor joists and floor plan details); Granaries elevated above ground; roof and granary are supported by independent posts.
KANKANAY – BINANGIYAN and BABAYAN BAEY
Binangiyan: pyramidal form, box-like structure with attic; Babayan Baey: elevated square one-room house with four thick posts and steep cogon roof; nine-post symbolism and ritual post order.
Structural elements include purlins, rafters, king posts, and various wall and floor components (tatagon, dingding, opop, etc.).
TAUSUG – BAY SINUG
Bay Sinug: nine-post house; panolong (ornamental end-beams) extend as decorative wings; pagoda-like features with okir carvings; wall slits used for privacy.
YAKAN – LUMAH
Lumah: rectangular, elevated single-room house; few or no windows due to belief in evil spirits; wall coverings (sawali or horizontal planks); interior spaces include kokan/tindakan (main house), kosina (kitchen), pantan/simpey (porch).
SAMIL – (Samal) boat-linked houses; connected by catwalks; silong (boat storage and bathing space); single-level living with open plan; little to no partitions; pantan (open porch).
BADJAO – BOAT HOUSES
Sea nomads; two main boat types: Dapang/Vinta (short fishing trips) and Palaw (houseboats for longer stay). Katig (mast) and house structure built on a boat; boat acts as both shelter and transport; both temporary and semi-permanent dwellings; the boat can be converted into a mortuary vessel after the head of the family dies.
MAGUINDANAO – Maguindanao houses
Close resemblance to Maranao dwellings; one-room houses without partitions and ceilings; nine posts; Okir decorations; steep roof forms.
T’BOLI – Gunú Bong
Extended family housing; bamboo stilts about 2 meters high; interior spaces include Area of Honor, Sleeping Area, Vestibule; interior and exterior spaces organized for extended kin.
MARANAO, TAUSUG, YAKAN, MAGUINDANAO, SAMA-L, BADJAO, T’BOLI, and OTHER MUSLIM GROUPS (MUSLIM SPACE & SECULAR ARCHITECTURE)
Maranao Houses (Lake Lanao region)
Lawig: small house; raised above ground on stilts; outdoor cooking area.
Mala-a-walai: large single-room house for well-to-do families; no ceilings; occasional partitions; okir decorations on baseboards, windowsills, and door jambs; no panolong on Mala-a-walai.
Torogan: residence of the sultan and his extended family; located along the river; multi-family dwelling with a grand ceremonial role; contains pukananan (dining areas) and panggao (sultan’s bed) with richly ornamented fabrics (lalansay, mamandiang, somandeg).
Panolong: decorative end-beams that flare into wings; Okir motifs (nis, naga, panolong, etc.) and other motifs (niaga, obar-obar, tiali-tali) decorate Torogan.
Tausug Houses (Bay Sinug as example)
Bay Sinug features Nine-post design; wall slits for privacy; bay sinug houses emphasize the use of angling and decorative elements; structural posts and purlins for roofing; langgal/ranggar as early mosques; bay sinug also includes decorative bargeboards (tadjuk pasung).
Tausug, Yakan, Samal, Badjao house typologies emphasize water-adjacent life (coastal/riverine) and boat-based living.
Maguindanao Houses: resembled Maranao with variations; cohesive with local Okir patterns.
Samal Houses: boat-based; connected by catwalks; silong as boat storage and bathing area; simple floor plans; lack of partitions.
Badjao Houses: sea-gypsy communities; boat houses; two primary boat types with Katig/Jengning for houseboats; Palaw as a longer-term dwelling, Dak (Katig) as a heavier, larger houseboat; houseboats serve as both shelter and travel vessels; the death of a family head may convert the boat into a mortuary piece.
T’boli Houses: Gunú Bong; area of honor and sleeping area; interior stacking and post arrangement; bamboo stilts ~2 meters; interior partitions added later; described as a typical extended family dwelling.
REGIONAL BUILDING EXAMPLES (CORDILLERA REGION)
Cordillera Region overview
Northern Strain vs Southern Strain (Igorot groups)
Regions listed include Isabela (Ilagan), Apayao, Benguet, Ifugao, Mountain Province, Kalinga, Abra, Ilocos Norte, Ilocos Sur, Nueva Vizcaya, Pangasinan, etc.
ISNEG (BINURON)
Binuron: a boat-like plan; windowless; low walls; raised about 0.9 m; walls built of stone and lime mortar; roof framing independent from the floor framework; Binuron extension (Tarukip) and roofing details using split bamboo and cogon.
Binuron is among the largest, most substantially constructed Cordillera houses; Binuron’s interior spaces include an upper floor with living quarters and a granary area (atep/roof details).
KALINGA (BINAYON, FORUY)
Binayon: octagonal plan; three divided floors; roof with thick bamboo layers; removable wall panels for ventilation; elevated perimeter wall; interior structure shows crown posts and tie beams (panabfongan, ridge beam, tukah, etc.).
Foruy: elevated, rectangular one-room house; timber materials; roof consisting of 8-10 bamboo layers; removable wall panels for ventilation.
Aset of terms: atep (roof), agakan (secondary ridge beam), tukud (external post), panagatan (floor joist), minaruman (lime mortar), nidkel (reed matt), goanan (roof beam), opop (wall sill), and others; many terms describe intricate Cordillera roof and wall joinery.
IVATAN STRUCTURES (Binayòn and Foruy themes)
Binayòn: octagonal; three divided floors; elevated perimeter walls; roof layers; many named elements (pangañivucan, tarugo, riya, rihas, etc.).
Foruy: one-room elevated house; roof layers; ventilation; removable panels.
BONTOC REGION (Afung and related structures)
Afung: house on ground; central granary (agamang) elevated above ground on posts; roof extends beyond walls; living area and granary share the same roof space but function separately; ground space serves as main living/working area; the granary is the poso (heart) of the house and is used for ritual offerings (agamang).
Afung houses are part of a family complex; the ante-space includes a cooking area (dapoan) and sleeping areas (ang-an) and a pounding area (tap-an).
BONTOC – AFGUNG interior organization
Angan ( sleeping area ), Tap-an (pounding), Silong (storage and cooking), Kilns/dugouts and other storage areas.
KANKANAY (BINANGIYAN, BABAYAN BAEY)
Binangiya(n): pyramidal plan; box-like single-room with spacious attic (baeg).
Babayan Baey: elevated square one-room house on four posts; steep cogon roof; nine-post symbolism; interior spaces include chingching (lower floor walls), panagatan (floor joists), etc.
TAUSUG (BAY SINUG) and LANGGAL/RANGGAR mosques
Bay Sinug: traditional Tausug house with nine posts; wall slits and open spaces; panolong decor and Okir motifs; central space organized with a living area and sleeping quarters dedicated to sultan’s family.
YAKAN (LUMAH) and SAMAL houses
Lumah: rectangular, elevated, single-room structure; little or no windows; main living space includes kokan/tindakan, kosina (kitchen), pantan/simpey (porch).
Samal houses: boat-based; connected by catwalks; silong used as boat storage and bathing area; no partitions in some variants; pantan serves as open porch or reception area.
BADJAO HOUSES (Boat Houses)
Boat-based; two types of boats: Dapang/Vinta (short trips) and Palaw (dwelling/temporary lodging); Katig (mast) and boats house their dwellings; Palaw/Lepa types vary in size and complexity; Katig indicates a heavier, longer-lasting boat structure.
T’BOLI (Gunú Bong)
Home for extended family (8–16 persons); bamboo stilts ~2 m high; additional posts on the side; interior spaces include three zones (Area of Honor, Sleeping Area, Vestibule).
OTHER REGIONAL HOUSES
ISNEG BINURON; KALINGA BINAYON and FORUY; KANKANAY BINANGIYAN and BABAYAN BAEY; TAUSUG BAY SINUG; YAKAN LUMAH; MARI sediment motifs; MAGUINDANAO houses; SAMAL; BADJAO; T’BOLI; others spelled and illustrated with specific floor plans, roof types, wall materials, and decorative motifs.
REGIONAL HOUSES – SUMMARY INSIGHTS
Regional differences are driven by environmental conditions (coastal, highlands), climate, wind, typhoon exposure, and defense needs.
Roofs are typically steep and heavily thatched (cogon grass, nipa); walls use local materials (stone, wood, bamboo, reed matting, sawali).
Perimeter posts, wall sill, floor joists, and tie beams form a modular system that allows easy adaptation to terrain and wind loads.
Many Cordillera houses feature granaries integrated into the living space, typically elevated and separated architecturally for ritual and functional reasons.
MUSLIM SPACE (PRE-HISPANIC ERA)
Islam in the Philippines started in Sulu around the 14th century and spread to Mindanao in the 15th century.
Philippine Muslim concept of space emphasizes a permanent and separate architecture for religious spaces (Mushk) and mosques.
Key typologies and organizational ideas:
Masjid: general mosque (place of worship); Jami: congregational Friday prayers; Idgah/Musalla: worship spaces for special occasions.
Langgal (Tausug) and Ranggar (Maranao): mosque types influenced by local culture; pagoda-style mosques (before Arabian-style mosques) with multiple tiers; many mosques were later remodeled or replaced by Middle Eastern-inspired domed/Arabian styles.
Okir carving and Burak motifs: decorative features used in mosques and secular buildings; circular/scroll-like motifs (birdo, obar-obar, tiali-tali) are common in Tausug and Maranao architecture.
PHILIPPINE MOSQUE AND SECULAR ARCHITECTURE
Oldest mosques were Pagoda-style; many mosques adopted the domed/Arabian-type later.
Sheik Karimol Makhdum Mosque (1380): oldest mosque in the Philippines; located in Simunul, Tawi-Tawi; square plan; historically significant.
Masjid Al-Dahab (Golden Mosque, 1976): modernized style; Maranao Okir patterns.
Common mosque features: square plans, domes or vaults, minarets, ablution areas (Wudu).
Islamic spaces also include Langgal and Ranggar mosques; these are smaller, lighter, semi-permanent structures often found in rural areas.
ISLAMIC PLACES OF PRAYERS AND ARCHITECTURAL SYMBOLS
Crescent and Star ornaments are common celestial symbols found in early Islamic architecture in the region.
Okir: a family of motifs including naga (sea serpent), panolong (ornamental end-beams), and other floral/scroll patterns applied to walls and structural members.
FORTS, KOTA, AND SECULAR ISLAMIC ARCHITECTURE
Early Filipinos built forts or Kota for defense; examples include Kota of Raja Sulayman (Manila) and Kota of Sultan Kudarat (Lamitan).
Mindanao and Sulu vernacular houses reflect both terrestrial and naval architecture; three main house categories for Muslim communities: land-based stilted dwellings; oceanic dwellings (over the sea); houseboats (for Badjao).
MARANAO AND TAUSUG HOUSES (KEY PRIVATE SPACES AND DECORATION)
Maranao Houses (Lawig, Mala-a-walai, Torogan)
Lawig: small house; raised on stilts; outdoor cooking.
Mala-a-walai: large single-room house; no partitions; rich Okir patterns; no panolong on this variant.
Torogan: residence of a Datu; multi-family; ceremonial and social functions; contains pukananan (dining) and panggao (sultan’s bed); elaborate Okir and Panolong motifs.
Tausug Bay Sinug (Bay Sinug) houses
Nine posts; Panolong and Okir motifs; wall slits for privacy; elevated style.
Tausug interior spaces and furniture terminology (sample terms): bay sinug, langgal, ranggar; lant/sill, purlins, and other decorative components.
Yakan Houses (Lumah)
Rectangular, elevated, single-room; no ceilings; few or no windows; kokan/tindakan (ritual spaces), kosina (kitchen), pantan (porch).
Samal Houses
Boat houses; connected by catwalks; silong used as boat storage and bathing area.
Badjao Houses (Boat Houses)
Boat houses serve as dwelling and travel vessels; two main boat types: Dapang/Vinta (short trips) and Palaw (longer-dwelling houseboats); Katig (mast) and Jengning (heavier boat) variations; Palaw houses may carry occupants during travel; the boats can be converted to mortuary vessels after death of head of family.
T’boli Houses (Gunu Bong)
Extended family dwellings; interior arrangement across three interior spaces: Area of Honor, Sleeping Area, Vestibule; bamboo stilts; addition posts on the side; interior spaces reflect social hierarchy and family organization.
CONCLUSION (PRE-HISPANIC ERA)
Philippine Vernacular Architecture is a broad and diverse tradition; most vernacular buildings were built by communities using locally available materials and tailored to local climate and cultural needs.
The vernacular tradition has persisted and remains a living and accessible idiom; it continues to influence contemporary architecture and cultural identity.
NUMERICAL REFERENCES & KEY DATES (RELEVANT VALUES)
Tabon Man remains discovered in Tabon Cave; dating values are not explicitly stated here, but Tabon Man is among the oldest known human remains in the Philippines.
Manunggul Jar dating:
Tabon Cave complex UNESCO nomination: 2006 tentative; National Cultural Treasure designation: February 2011.
Rice Terraces height reference: up to high.
Callao Man dating: about .
Republic Act No. (National Cultural Heritage protection and conservation).
Rough time scale for Cordillera occupancy: terraces dating back about two millennia (approx. ).
KEY DEFINITIONS & TERMS (glossary highlights)
Tabon Cave Complex: Palawan cave system with Tabon Man and Manunggul Jar bone/artefacts; UNESCO nomination site.
Manunggul Jar: Neolithic secondary burial jar with lid featuring journey of the soul motif.
Datag: basic sleeping platform in Tau’t-Batu shelters.
Idjang: Ivatan defensive towers.
Panolong: decorative end-beam/wing-like projections on Tausug and Maranao houses.
Okir: a family of decorative motifs used on Maranao and Tausug houses.
Batang/bubungan: ridge and structural elements in Cordillera houses.
Dapoan: cooking area in Cordillera houses.
Sogwas/dola, opop, goanan, etc.: Cordillera construction terms describing wall/floor/roof relationships.
ETHICAL/PHILOSOPHICAL/REAL-WORLD IMPLICATIONS
Vernacular architecture demonstrates sustainable, context-specific design using local materials; it highlights resilience and adaptability in response to climate, geography, and social organization.
Preservation of vernacular and Muslim architectural heritage is important for maintaining cultural identity and historical continuity in the face of modernization.
The interplay between traditional forms and modern architecture can inform sustainable urban design and heritage conservation strategies.
CONNECTIONS TO FOUNDATIONAL PRINCIPLES
Architecture as a cultural artifact: reflects climate adaptation, social organization, belief systems, and regional identities.
Vernacular architecture as a living archive: techniques, materials, and spatial arrangements reveal historical technology and environmental knowledge.
The Cordillera and Muslim-space chapters illustrate how architecture encodes ritual, social hierarchy, and community governance (e.g., Torogan as the sultan’s house; Afung’s granary as a symbol of wealth and social order).
EQUATIONS & FORMULAS (LaTeX usage)
Rice Terraces height reference:
Dating ranges and time scales: , , high, , etc.
National protection statute:
ADDITIONAL NOTES FOR EXAM PREP
Be able to identify major Pre-Hispanic shelter types and their defining characteristics: caves, lean-tos, arboreal shelters.
Recognize Tabon Cave, Tabon Man, Manunggul Jar, and Callao Cave as key archaeological sites and their dates.
Understand the concept of rice terraces as a prehistoric megastructure and their significance to engineering and cultural heritage.
Distinguish the main features of Philippine vernacular architecture, including the five key characteristics and the role of local materials.
Recall Austronesian ancestry and its relation to stilt houses and the Ivatan Idjang.
Be able to describe Cordillera regional house types (Isneg Binuron, Kalinga Binayon/Foruy, Bontoc Afung, Ifugao Fale/Bale, Kankanay Binangi yan/Baey, Tausug Bay Sinug, Yakan Lumah, Samal, Badjao) and their distinctive features.
Recognize decoration motifs (Okir, Panolong) and their cultural meanings in Maranao and Tausug houses.
Differentiate Muslim spaces (Masjid, Langgal/Ranggar) and secular Islamic architecture (Kota fortifications, Sulu/Mindanao vernacular houses, and boat/housing types).