film techniques test wk 5
Shot | Definition | Effect / Purpose |
Extreme Close-Up (ECU) | Shows a very small detail of the subject (e.g., eyes, lips, an object). | Creates intensity, emotion, suspense, or highlights detail. |
Close-Up (CU) | Frames a subject’s face or object closely. | Shows emotion, makes audience focus on the character or object. |
Medium / Mid-Shot (MS) | Frames a character from the waist up. | Balances character and background; good for dialogue and action. |
Long Shot (LS) | Shows the entire character or object, with some background. | Contextualizes character in environment, shows movement. |
Extreme Long Shot (ELS) | Character is very small in frame; landscape dominates. | Emphasizes isolation, scale, or grandeur. |
2. Camera Angles
(Camera angles change the audience’s perspective of a subject.)
Angle | Definition | Effect / Purpose |
Low Angle / Undershot / Worm’s-eye view | Camera looks up at subject. | Makes subject appear powerful, dominant, or threatening. |
High Angle | Camera looks down on subject. | Makes subject look weak, vulnerable, or small. |
Eye-Level Angle | Camera is level with subject’s eyes. | Neutral, realistic perspective; audience relates naturally. |
Overhead / Bird’s-eye View | Camera looks straight down. | Gives overview, can make characters look small or trapped. |
3. Camera Movements
(Camera movement adds energy, focus, or guides audience attention.)
Movement | Definition | Effect / Purpose |
Pan | Camera moves horizontally left or right from a fixed point. | Follows action, shows environment, or builds suspense. |
Tilt | Camera moves vertically up or down from a fixed point. | Reveals height or power, or tracks motion. |
Dolly / Tracking Shot | Camera physically moves forward/backward or alongside subject. | Creates immersion, follows action, or shows journey. |
Zoom In | Camera lens magnifies subject without moving camera. | Focuses attention, emphasizes detail or emotion. |
Zoom Out | Camera lens makes subject smaller without moving camera. | Shows context, pulls audience away, creates detachment. |
4. Lighting Techniques
(Lighting creates mood, highlights character and emphasizes focus.)
Technique | Definition | Effect / Purpose |
Key Light | Main source of light on subject. | Illuminates subject clearly; shapes mood with shadow/brightness. |
Fill Light | Secondary light to soften shadows from key light. | Reduces harsh shadows, balances lighting for clarity. |
High Key Lighting | Bright, even lighting with few shadows. | Creates happy, open, or safe mood. |
Low Key Lighting | Darker lighting with strong shadows. | Creates tension, mystery, or drama. |
High Contrast Lighting | Strong difference between light and dark areas. | Emphasizes drama, conflict, or focus on key elements. |
Back Lighting | Light from behind the subject. | Creates silhouette, adds depth, can make subject appear heroic or mysterious. |
