Fantasy Art & Surrealism
- 1900s to 1920s
- ]]Surrealism:]]
- Inspired by Sigmund Freud’s theories of dreams and the unconscious. He believed dreams were symbols of our desires and fears.
- Ideas will flow from our unconscious minds if we let them.
- Artists sought to release this creative potential of the unconscious mind
- Surrealists present irrational juxtapositions by using recognizable/rational subject matter in illogical situations (+ weird association).
- Dream-like scenes
- Later developed around personal, unexplained symbolic images.
- Artists: Dali, Chagall, de Chirico, Magritte
- Assemblage: A work of art composed of fragments of objects or materials originally intended for other purposes - partially 3D.
<<Chagall:<<
- Somewhat cubist art style
- His concepts are personal - Russia memory: A Russia village and fun-loving peasants, folklore and fairytales
- Combined reality with happy memories
- Goat facing man: vignette of smaller paintings that don’t belong (juxtaposition)
- Interior vs. exterior, imaginary vs. real, past vs. present
- “I do not understand them [his art] at all. They are not literature. They are only pictorial arrangements of images which obsess me.”
- ex. I and the Village(goat face), The Soldier Drinks (Picasso at the bar)
<<de Chirico:<<
- Uses 2 tones: light and dark
- Sensation of impending doon - using vast spaces and large flat areas of little texture.
- Distortion of light on the bus (surreal) and uses 2 vanishing points.
- Used 2 muses and the background is where Chirico is from (Greece) in The Disquieting Muses
- ex. The Mystery and Melancholy (the bus), The Disquieting Muses (Greek statues)
<<Dali:<<
- Depiction of how time is meaningless
- Small painting of soft objects that are usually metallic and solid.
- Technique recalls flemish art of 15th century
- Unreal: Limp watchs, giant ants, partial face….. Real: Spain scenery
- Claimed to “hate simplicity in all its forms”
- Uses exacting realism
- Set in Patagonia, Spain and clocks resemble overripe cheese
- Depicted the disintegration of the atom (science-y)
- ex. The Persistence of Memory (clocks), Galatea of the Spheres (circles on face)
<<Magritte:<<
- Depicts repressed passion
- Their style combined absurd combinations of realistically painted objects.
- These juxtapositions amuse and puzzle the viewer.
- The work creates more questions than answers.
- “Not a pipe, an image of a pipe”
- Distorted a man’s elbow and has a face covered by an apple (wanting to see what’s underneath)
- ex. The Lovers (bagged kiss), The Son of Man (wrong elbow), The Treachery of Images (pipe)
]]Dada:]]
- Began in Zurich, Switzerland
- Negative reaction to WWI - They were disillusioned with rational thinking
- Incorporated trash and other mundane objects to construct new, disturbing, puzzling art that would alienate the viewer.
- Often satirical, nonsense, absurd
- Nonsense attitude toward conventional language.
- Use personal styles to create spur-of-the-moment works.
- Message: All European culture was decadent and devoid of meaning.
- Romanian: “Da, da” = “yes,yes”
- French: “Dada” = “Rocking horse” or “hobby horse”
- Artists: Arp, Schwitters
<<Arp:<<
- His collages were a protest against both the design quality and emotional expression of previous styles of art.
- Cutting random bits of wood/paper, glueing them together and creating relief sculptures.
- Birds in an Aquarium (confusion of life, merges abstraction with Dada)
- ex. Birds in an Aquarium (bird statue), The Forest (leaf statue)
<<Schwitters:<<
- Uses garbage in his art
- Message: Recycling the refuse from a society he was demeaning into works of art for that same society to see.
- Merz = Dada, Bild = picture (nonsense made by Schwitters)
- ex. Merzbild (garbage face), Construction for Noble Ladies (garbage carriage women)
{{Surrealism vs. Dada:{{
- Dada: Life has no meaning, no reason, no purpose, and no logic. Art has no value.
- Surrealism: Life has no meaning; one has to find its logic by unlocking visual and verbal codes kept hidden in the unconscious mind.
- Artists are getting “beneath the surface of life” or into a dream of unreality