neutral tones
NEUTRAL TONES - THOMAS HARDY
Brief Summary
The speaker recounts meeting a former lover at the side of a pond during winter.
The atmosphere is described as cold and deathlike, suggesting the absence of love between them.
Synopsis
Setting: The speaker and the former lover are standing by a pond in winter.
Relationship Breakdown: The speaker recalls the deterioration of their relationship.
Lack of Love: The poem portrays the absence of affection anymore.
Nature's Reflection: Nature is described in a way that echoes themes of death and emptiness.
Context
Thomas Hardy (1840-1928)
Hardy's personal life was marked by insecurity, depression, and sensitivity, largely due to two unhappy marriages.
This psychological state is reflected in the bleak tone of "Neutral Tones".
It's ambiguous whether the poem addresses a specific historical event or expresses generalized feelings toward relationships and women.
This poem is one of his last before he withdrew from poetry.
The dismal tone captured in the poem parallels the characters in his novels, who often encounter severe challenges.
Literary Devices and Techniques
Pathetic Fallacy
Hardy employs the concept of pathetic fallacy by referencing winter, establishing a mood of sadness and coldness from the outset.
Language and Imagery
Sibilance: The phrase "starving sod" conveys a sense of despair and hopelessness.
Monochromatic Colours: The use of dull colours evokes a one-sided and dreary relationship.
Temporal Deixis: The phrase "years ago" signifies the passage of time and the loss of love experienced.
Enjambment: Lines such as 'rove // Over' reflect the physical action and texture of the couple’s relationship, indicating an honesty in his reflection.
Alliteration: The repeated sounds in "lost" and "love" emphasize the lack of emotional connection.
Textual Analysis
Opening Lines:
"We stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod;
– They had fallen from an ash, and were grey."The colors and imagery highlight the lifelessness between the characters.
Symbolism of Eyes:
The eyes symbolize a window to the soul; however, the past tense "were" implies a deep disconnection and absence of understanding.
Personification of Words:
The speaker personifies words to communicate the void of meaningful conversation in their relationship.
Juxtaposition of Life and Death:
There is a notable contrast between the living (such as sincere emotions) and death (the recognition of their failing relationship), highlighting the pain love can cause.
Bitterness as Emotion:
Bitterness is personified, suggesting nature is against their relationship, implying the speaker’s self-justification for their separation.
Repetition and Difficulty in Expression:
Repetition of the sound "w" in "wrings with wrong" illustrates the struggle of articulating intense feelings, reflecting back to the idea of being "chidden of God" as a thematic cyclical element in the poem.
Tone and Sentiment
The poem concludes on a melancholic note, encapsulating themes of failed relationships and lasting sorrow.
Perspective
First-Person Narrative:
The poem is written from the first-person perspective; thus, the reader only experiences the speaker’s views and feelings on the relationship.
Overwhelming Sadness:
The speaker is portrayed as feeling more grief over the relationship’s end than the former lover, underscoring an imbalance of emotional investment.
Opening Analysis
Winter Imagery:
The opening line establishes winter's gloom, which pervades the poem.
Gloomy Atmosphere:
The imagery sets a tone that persists throughout the poem.
Structure/Form
Stanza Analysis:
The first stanza exhibits Romantic influences with a strong focus on nature.
The second stanza hints at the speaker’s feelings of wasted time and resentment toward the relationship.
The third stanza reflects continued bitterness, while the fourth returns to nature imagery.
Cyclical Nature:
The cyclical repetition of setting by the pond signifies stagnation in their relationship, reflecting ongoing emotional pain despite the passage of years.
Rhyme Scheme:
The ABBA rhyme scheme suggests that the speaker finds comfort in regularity amid turbulent emotions.
Rhythm:
The quatrains are composed in tetrameter, resulting in a faster pace than standard iambic tetrameter, contrasting with the stagnant tone of the poem.
Enjambment speeds up pace while caesura slows it down, creating a claustrophobic feeling.
Language
Metaphors and Imagery
Sparse Use of Metaphor:
The poem's minimal metaphorical language depicts the stark reality of a failed relationship.
Example: The lover's smile is described as “Alive enough to have strength to die” — this hyperbolic metaphor exaggerates animosity between characters.
Trivial Nature of Words: The characterization of their words as "played" suggests that their communication was superficial.
Death Imagery
Frequent Death References:
Utilizes death imagery to maintain an ominous mood.
The smile described as “the deadest thing” flips the positive meaning of a smile, revealing a torturous relationship.
Pathetic Fallacy
Environment Reflects Emotion:
Hardy's environmental descriptions emphasize the speaker's despair, introducing a “winter day” with a lack of light or colour while enhancing the disparaging atmosphere.
Negativity in Language
Negative Lens:
The oxymoron “grin of bitterness” signifies a perspective dominated by sorrow and negativity.
Colour Imagery:
Dull imagery: “greyish” and “the sun was white” signifies apathy and the absence of warmth in their relationship.
Religious Implications
Suffering and Punishment:
The phrase “chidden by God” implies divine rebuke.
The “God-curst sun” reinforces this sinister interpretation of divinity's relationship to their suffering.
Comparisons
To "When We Two Parted"
Similarities
Both speakers indulge in morbid imagery to express their sadness:
Byron's auditory imagery in “A knell to mine ear” resonates with Hardy's “The smile on your mouth was the deadest thing”.
The shared usage of sibilance creates a similar emotional resonance.
Differences
In "Neutral Tones", the negativity of the surroundings indicates the speaker's sorrow, contrasting with Byron's interior reflection in "In silence I grieve".
To "Eden Rock"
Similarities
Light imagery in both poems evokes religious connections.
Hardy’s “white” sun is paralleled with Causley’s ethereal simile in “The sky whitens as if lit by three suns”.
Differences
In “Eden Rock,” the heavenly connotations are more positively cast while Hardy’s imagery creates a cold, unforgiving atmosphere.
To “Winter Swans”
Similarities
Both poets’ usage of colour imagery underscores the absence of warmth in relationships.
Hardy's “pond edged with greyish leaves” and Sheers’ “dark water” are congruent in thematic expression.
Differences
Hardy explicitly conveys death with the metaphor “the deadest thing”, while Sheers leaves an ambiguous portrayal of life in relationships with “'They mate for life' you said.”