Text-info

Page 1: Text Information and Media


Page 2: Objectives

  • Describe Dimensions: Understanding various dimensions of text information and media.

  • Production and Organization: Comprehend how text information and media are produced (formally and informally), organized, and disseminated.

  • Evaluate Sources: Assess the reliability and validity of text information/media and their sources using selection criteria.


Page 3: Example of Fraudulent Message

  • Sender: Attorney Robert Limco of Happy Cola Company.

  • Content: Notification about winning 500,000 pesos in a raffle.

  • Call to Action: Request for bank account number for deposit; urges to contact for more details.


Page 4: Analysis of Fraudulent Messages

  • Tone: Explore the tone of the fraudulent message—typically positive and enticing.

  • Vulnerability Reason: Discuss why Filipinos might fall for such scams—possible socioeconomic factors, trust in 'official' communications, or naivety.

  • Power of Text-Based Messages: Evaluate whether text-based messages wield significant persuasive power.


Page 5: Format of Information Presentation

  • Simple and Flexible Format: Text can be hand-written, printed, or displayed on-screen to convey ideas or information effectively.


Page 6: Characteristics of Text Information

  • Powerful Dissemination: Capable of spreading information, providing direction, and offering suggestions.

  • Variety of Sources: Accessible from both formal and informal sources.

  • Conciseness: Can often be written succinctly as a single sentence or phrase.


Page 7: Typeface Overview

  • Definition: Also known as font or font type, it refers to the style in which text is represented in digital format.


Page 8: Components of Typeface

  • A typeface includes:

    • Alphabets

    • Numbers

    • Punctuation marks

    • Symbols

    • Special characters

  • File Formats: Common formats for fonts include True Type Font (.ttf) and Open Type Font (.otf).


Page 9: Serif Typeface

  • Characteristics: Conveys formality and is readable in large amounts; often used for body text in various publications.

  • Usage: Suitable for books, newspapers, magazines, and research publications.

  • Examples: Times New Roman, Garamond, Baskerville.


Page 10: Popular Serif Fonts

  • Names of Fonts:

    • Times New Roman

    • Garamond

    • Baskerville


Page 11: Sans Serif Typeface

  • Characteristics: Offers a clean and minimalist look, ideal for clear, direct communication; generally gives a modern aesthetic.

  • Common Uses: Frequently used in web design and for signage.

  • Examples: Arial, Helvetica, Tahoma, Verdana, Calibri.


Page 12: Popular Sans Serif Fonts

  • Names of Fonts:

    • Arial

    • Helvetica

    • Tahoma

    • Verdana

    • Calibri


Page 13: Slab Serif Typeface

  • Characteristics: Has a solid or heavy appearance, suitable for large advertising signage.

  • Examples: Rockwell, Playbill, Blackoak.


Page 14: Popular Slab Serif Fonts

  • Names of Fonts:

    • Rockwell

    • Courier New

    • Bree

    • Roboto Slab

    • Bitter

    • Arvo

    • Aleo


Page 15: Script Typeface

  • Characteristics: Features brush-like strokes; should be used sparingly; not suited for large bodies of text; often used in sophisticated contexts like invitations.

  • Examples: Edwardian, Vladimir, Kunstler.


Page 16: Popular Script Fonts

  • Names of Fonts:

    • Alex Brush

    • Pacifico

    • Sign Painter

    • Allura

    • Kaushan Script

    • Lobster


Page 17: Decorative Typeface

  • Characteristics: Evokes various emotions and themes; should be memorable and eye-catching.

  • Examples: Chiller, Jokerman, Curlz MT.


Page 18: Popular Decorative Fonts

  • Names of Fonts:

    • CarlzM?

    • Henny Penny

    • Papyrus

    • JIM CROW STENCIL

    • Hobo

    • Ad Lib

    • American Typewriter


Page 19: Design Principles

  • Emphasis: Importance given to parts of text-based content.


Page 20: Appropriateness in Design

  • Definition: How suitable a text is for a specific audience, purpose, or event.


Page 21: Proximity

  • Meaning: Refers to the spatial relationship between text elements.


Page 22: Alignment

  • Definition: How text is positioned on the page; can be left, right, center, or justified.


Page 23: Organization of Text Elements

  • Conscious Effort: Refers to intentionally structuring different text elements on a page for clarity and effectiveness.


Page 24: Repetition in Design

  • Definition: Concerns the consistency of elements and the unity of the entire design.


Page 25: Contrast in Design

  • Explanation: Creates visual interest through the differentiation of text elements. Achieved by contrasting two different elements.