5.6. Pluralizations
Contexts
mass immigration late 19th/ early 20th century → strong ethnic groups and identity
Same time: national sentiments in wake of WWI and xenophobic sentiments in 1920s
→ melting pot → not progressive, assumption of willigness to shed culture
→ Early concepts of cultural pluralism (counter to melting pot)
→ Growing body of ethnic and immigrant literature
Randolph S. Bourne 1886-1918 “Trans-national America! 1916
melting pot = failure
differentiates between old elite immigrants (conservatism, obstruct social advance) vs. new immigrants (bring energy) → obvious contrast
Vision of future America
Retaining distinctivess of native cultures → more valuable and interesting
He wants:
pluralism, diversity
multiculturalism
Horace M. Kallen 1882-1974
German-Jewish background
rejects melting pot
1924 invention of term “cultural pluralism”
Rejection of undue assimilation → not shedding cultures
American democracy needs to be defined as pluralistic and transnational
Cultural pluralism as symphony and prchestration (American society conists of diverse voices playing together)
→ still American exceptionalism, problematic
Ethnic writing an/as modernism
→ not distinct, overall movement
recasts modernism, reconnects modernism with ethnicity
diversity as part of modernity
ethnic lit. participated in development of modernism
Different aspects, e.g.
Native American lit.
Asian American lit.
Harlem Renaissance lit.
…
Example Mary Antin “promised land” 1912
jewish american perspective, immigrant perspective
about Americanization, America includes diversity
Example Native American perspective “Impressions of an Indian Childhood” 1921 by Zitkála-Sá
violent practices and consequences define perspective