Dutch Republic, French Baroque, Rococo, and The Enlightenment.
Influential Flemish Baroque painter (1577-1640).
Known for extravagant style emphasizing movement, color, and sensuality.
Operated a large studio in Antwerp; humanist scholar and diplomat.
Knighted by King Philip IV of Spain and King Charles I of England.
Rubens incorporates influences from the Renaissance, moving through emotional and dramatic artistic traditions.
Works indicative of Counter-Reformation techniques applied to various subjects.
Elevation of the Cross (1610): Established Rubens as a leading Flemish painter post-Italy.
Massacre of the Innocents (1611-1612): Inspired by biblical stories, showcasing dramatic movement and chiaroscuro.
Arrival of Marie de Medici at Marseilles (1621-25): Utilizes open brushwork inspired by Titian, emphasizing loose painting style.
The Three Graces (1630-1635): Depicts a self-portrait in connection to Rubens' wife, popularizing 'Rubenesque' figures.
Emergence of still-life paintings in Catholic Flanders, with moral undertones questioning the value of earthly riches.
Influences of Protestant values evident.
Personification of Vanitas (1613) by Clara Peeters: Challenges viewers about moral value of wealth.
Supper Party (1620) by Gerrit van Honthorst: Commentary on the cost of enjoying life.
The Night Watch (1642): Combines action with layered meanings, utilizing dramatic light and historical context.
Renowned for depth and focus in his portraits, changing the genre’s dynamics.
Aelbert Cuyp and Jacob van Ruisdael advance landscape painting as an independent subject, linking nature to Dutch identity and morality.
Vermeer: Known for studying light, as in Girl with a Pearl Earring (1665), and related technical nuances possibly involving a camera obscura.
Nicholas Poussin emphasizes classicism and idealized narratives in contexts like Burial of Phocion (1648).
Claude Lorrain's landscapes present embellished and idealized views of nature.
Represents the last phase of Baroque, characterized by whimsy and ornamentation.
François Boucher, Antoine Watteau, and Jean-Honoré Fragonard exemplify this playful style.
Movement led by intellectuals challenging traditions with reasons, notable figures Voltaire and Rousseau shaping art and society.
Voltaire: Advocated for education and progress, criticizing religious traditions.
Rousseau: Emphasized emotions leading to Romanticism, promoting a return to nature.
The shifts in styles and themes from Baroque to Enlightenment reflect societal changes in perspective towards life, morality, and artistic expression.