🎠Naturalism vs Melodrama
Victorian stage dominated by melodrama: clear heroes/villains, emotional spectacle.
Ibsen rejected this for naturalism.
Influenced by Émile Zola’s determinism (1867).
Naturalism = truth to life; characters shaped by heredity, psychology, environment.
Ibsen aimed to create “the illusion…of reality.”
He avoided “the language of Gods” — focused on human beings.
Detailed stage directions created a “fourth wall” realism.
Everyday domestic setting replaced kings and heroes.
Erich Bogh praised the play’s simplicity and realism.
Ibsen described his characters’ interiority as “seemingly easy but concealing conversations.”