Italian Renaissance Art and Architecture: Early Renaissance (Part 1)
Italian Renaissance Art and Architecture: Early Renaissance (Part 1)
- Introduction
- Chronology:
- Proto-Renaissance (Trecento): 1300s (1300-1399 CE)
- Early Renaissance (Quattrocento): c. 1400–1490 (1400s)
- High Renaissance (Cinquecento): c. 1490–1527 (1500s)
- Late Renaissance & Mannerism: c. 1520-1600
- Renaissance is a transformation of culture from passive ignorance to grand human potentialities.
- Humanism: System of education emphasizing human potential.
- Giorgio Vasari: Author of Lives of the Artists (published 1550).
- Florence and the Renaissance Beginnings
- Key Figures:
- Patronage and the Medici family.
- Shift from Gothic to Renaissance:
- Florence Cathedral.
- Pisano's Baptistry doors.
- Ghiberti’s Baptistry doors.
- Architecture
- Filippo Brunelleschi:
- Dome of Florence Cathedral (Santa Maria del Fiore), 1420–36; Height 35.5 m., diameter 140 m.
- Hospital of the Innocents, Florence (Began 1421).
- Basilica of Santo Spirito, Florence (Designed from 1428, begun 1446).
- Leon Battista Alberti:
- Treatises on painting and architecture.
- Basilica of Sant’Andrea, 1472-90, Mantua.
- Pilaster: A shallow, rectangular architectural element.
- Perspective and Pictorial Space
- Linear perspective:
- Discovered and published by Brunelleschi and Alberti.
- Representation in painting: Pietro Perugino’s Delivery of the Keys (1482).
- Andrea del Castagno’s Last Supper (c. 1445-50).
- Ghiberti’s Gates of Paradise (1425–52).
- Masaccio’s Holy Trinity.
- Sculpture
- Donatello:
- St. Mark.
- David (c. 1420s-60s).
- Equestrian Monument of Gattamelata (1445–50).
- Painting
- Religious Themes:
- Masaccio’s The Tribute Money (c. 1425).
- Fra Angelico’s Annunciation (c. 1435).
- Fra Filippo Lippi’s Madonna and Child with the Birth of the Virgin (1452–53).
- Andrea Mantegna’s St. Sebastian (c. 1450s).
- Mythological Themes:
- Sandro Botticelli’s Primavera (c. 1482) and Birth of Venus (c. 1485).