Italian Renaissance Art and Architecture: Early Renaissance (Part 1)

Italian Renaissance Art and Architecture: Early Renaissance (Part 1)

  • Introduction
    • Chronology:
      • Proto-Renaissance (Trecento): 1300s (1300-1399 CE)
      • Early Renaissance (Quattrocento): c. 1400–1490 (1400s)
      • High Renaissance (Cinquecento): c. 1490–1527 (1500s)
      • Late Renaissance & Mannerism: c. 1520-1600
    • Renaissance is a transformation of culture from passive ignorance to grand human potentialities.
    • Humanism: System of education emphasizing human potential.
    • Giorgio Vasari: Author of Lives of the Artists (published 1550).
  • Florence and the Renaissance Beginnings
    • Key Figures:
      • Patronage and the Medici family.
    • Shift from Gothic to Renaissance:
      • Florence Cathedral.
      • Pisano's Baptistry doors.
      • Ghiberti’s Baptistry doors.
  • Architecture
    • Filippo Brunelleschi:
      • Dome of Florence Cathedral (Santa Maria del Fiore), 1420–36; Height 35.5 m., diameter 140 m.
      • Hospital of the Innocents, Florence (Began 1421).
      • Basilica of Santo Spirito, Florence (Designed from 1428, begun 1446).
    • Leon Battista Alberti:
      • Treatises on painting and architecture.
      • Basilica of Sant’Andrea, 1472-90, Mantua.
        • Pilaster: A shallow, rectangular architectural element.
  • Perspective and Pictorial Space
    • Linear perspective:
      • Discovered and published by Brunelleschi and Alberti.
      • Representation in painting: Pietro Perugino’s Delivery of the Keys (1482).
      • Andrea del Castagno’s Last Supper (c. 1445-50).
    • Ghiberti’s Gates of Paradise (1425–52).
    • Masaccio’s Holy Trinity.
  • Sculpture
    • Donatello:
      • St. Mark.
      • David (c. 1420s-60s).
      • Equestrian Monument of Gattamelata (1445–50).
  • Painting
    • Religious Themes:
      • Masaccio’s The Tribute Money (c. 1425).
      • Fra Angelico’s Annunciation (c. 1435).
      • Fra Filippo Lippi’s Madonna and Child with the Birth of the Virgin (1452–53).
      • Andrea Mantegna’s St. Sebastian (c. 1450s).
    • Mythological Themes:
      • Sandro Botticelli’s Primavera (c. 1482) and Birth of Venus (c. 1485).