Larynx
Voice Box
The larynx is suspended in the neck by the muscle groups
1.5-2 inches in length and width
Testosterone influenced voices have larger larynx which give it the deeper range
Its movable
Made of several cartlidge and only one bone
All connected to one another by ligaments, membranes and muscles
As people get older cartilage solidifies which is why voices continue to change
It protects us
The vocal folds close to prevent food from entering the lungs
The cause us to cough when something tries to enter
The folds close tightly while swallowing
Food has to pass over the larynx to get to the esophagus
Framework of the Larynx
Hyoid Bone
Thyroid cartilage
Cricoid cartilage
Laryngeal Cartilages
Cricoid - the ring
Larger in back
sits atop the trachea
Thyroid - The shield
Adams apple
2 fused plates forming a V in the front open in the back
Lower horns extend down the back over the sides of the cricoid
Arytenoids - the pyramids
Located on the superior, posterior part of the cricoid
They glide and rotate, moving our vocal folds
Epiglottis - the lead
closes over the larynx when we swallow
Muscular actions
Vocal Fold Adduction and Abduction
Posterior Cricoarytenoids: Swing the arytenoid cartilages apart, allowing us to breath (Abduction)
Lateral cricoarytenoids: swing the arytenoid cartilages close to one another cause the vocal folds to meet but not completely (Adduction)
Interarytenoids: complete the vocal fold closure (Adductors)
Pitch
Thyroarytenoids: shorten and increase the bulk of the vocal folds, lowering the pitch
Cricoithyroids: tilt the thyroid cartilage, causing the vocal folds to stretch and resulting in a higher pitcher
Vocal Fold Layers
Layers
Stratified Squamous Epithelium: Protection against foreign bodies, bathed in mucus
Reinke’s space: Watery, amorphous layer, gel like
Vocal Ligament - passes through the intermediate layer of the lamina propria
Thyroidarytenoid (vocalis) muscle (lateral to the vocal ligament)
Ventricular (False) Vocal folds
Set above the vocal folds
can adduct and is use in come scream style of singing
Vocal Folds Average sizes:
Soprano 14.9 mm
Contraltos: 16.6 mm
Tenors: 18.4 m
Basses 20.9 mm
Producing Tone
Phonation: vocal-fold vibration
Myoelastic-areodynamic Theory
myo - muscle
elastic - stretch
aero - air
dynamic - constantly changing
Vocal folds vibrate because
Muscles
Elasticity
Air pressure
Bernoulli Effect: The air pressure will drop when going through the narrow passage of a tube creating suction between the sides of the tubes
The air pressure creates puffs of air
Pitch
Number of vibratory cycles within one second = frequency
Singing A4 = folds have opened and closed 440 time/seconds
Muscles alter the thickness/longitudinal tension of the dols
Volume
louder = higher subglottal pressure, larger amplitude of vibration (distance from the midline)
Onsets
Balanced (simultaneous)
Coordinated approximation of focal folds
Onset vocal fold vibration happens in sync with onset of airflow
Adductor muscle activate just before phonation
Gentle medial compression
Like pulling a tissue out of a box
Breathy
Initiation of air flow prior to full adduction of vocal folds
Used in jazz and pop vocal styles
Glottal
Vocal folds adducted before onset of phonation and blown apart more violently than in a balanced onset
Hard glottal stops are hard on the voice because of extended medial compression
Used in MT, pop, jazz, R&B and when singing in German
Fry
A point of contention in the voice community
Includes growl
Release of Sound
Immediate Inhalation - most natural method of release
Tell the choir what you want
Less desirable release (can distort pitch, strain larynx / folds:
Closure of glottis: there is still pressure under the vocal folds
Closing the mouth: changes the vowel shape
Breathy: can disengage the breath