Trauma — Explorations in Memory (C. Caruth, ed.) – Detailed Study Notes

Publication Details

  • Full title: “Trauma. Explorations in Memory”
  • Editor & main introducer: Cathy Caruth (Johns Hopkins University)
  • Publisher: The Johns Hopkins University Press (Baltimore & London)
  • Original publication year: 19951995
  • Physical production facts
    • Printed in the United States on acid-free paper
    • ISBN-13: 0−8018−5009−60{-}8018{-}5009{-}6 (cloth); additional nbk. code noted
    • Library of Congress & British Library catalog records available
  • Press addresses
    • USA: 27152715 North Charles St., Baltimore, MD 21218−431921218{-}4319

Table of Contents Snapshot

Part I – Trauma and Experience
  • Introduction – Cathy Caruth
  • "Education and Crisis, or the Vicissitudes of Teaching" – Shoshana Felman
  • "Truth and Testimony: The Process and the Struggle" – Dori Laub
  • "Trauma and Aging: A Thirty-Year Follow-Up" – Henry Krystal
  • "Not Outside the Range: One Feminist Perspective on Psychic Trauma" – Laura S. Brown
  • "Freud: Frontier Concepts, Jewishness, and Interpretation" – Harold Bloom
  • Interview with Robert Jay Lifton – conducted by Cathy Caruth
Part II – Recapturing the Past
  • Introduction – Cathy Caruth
  • "The Intrusive Past: The Flexibility of Memory and the Engraving of Trauma" – Bessel A. van der Kolk & Onno van der Hart
  • "Notes on Trauma and Community" – Kai Erikson
  • "The Obscenity of Understanding: An Evening with Claude Lanzmann" – Claude Lanzmann
  • "Concerning the Accounts Given by the Residents of Hiroshima" – Georges Bataille
  • "Traumatic Poetry: Charles Baudelaire and the Shock of Laughter" – Kevin Newmark
  • "The AIDS Crisis Is Not Over": Conversation with Gregg Bordowitz, Douglas Crimp, Laura Pinsky – Cathy Caruth & Thomas Keenan
  • Contributors section (pp. 273273–end)

Preface – Core Ideas & Illustrative Quote

  • Opens with Vietnam veteran’s declaration: “I do not want to take drugs for my nightmares, because I must remain a memorial to my dead friends.”
  • Central tension: relieving individual suffering without erasing or diluting the traumatic reality being witnessed
  • Historical urgency
    • Contemporary references: Bosnia-Herzegovina conflict; increasing domestic violence in the USA
  • Therapeutic dilemma
    • Early Freudian model: cure by integrating event into associative memory ➔ permits forgetting
    • Risk of turning every testimony into "clichés" or "one story"
  • Audience of concern: therapists, literary critics, neurobiologists, filmmakers

Part II Introduction (Caruth) – Key Arguments

1. Defining PTSD as “Possession by the Past”
  • PTSD involves intrusive images & thoughts that repeatedly occupy the survivor
  • Goes beyond marginal pathology, becoming emblematic of modern survivor experience
  • Trauma registers “the force of an experience that is not yet fully owned.”
2. The Paradox of Traumatic Memory
  • Flashbacks are precise & literal yet often accompanied by amnesia for ordinary recall
  • Classic Freudian observation (*“war neuroses” from WW I*):
    • Patients do not dwell consciously on the accident during the day, but relive it in dreams
    • Quote: “Perhaps they are more concerned with not thinking of it.” (Freud 19201920, p. 1313)
  • Modern clinical phrasing of the “temporal paradox” (Krystal 19901990; Greenberg & van der Kolk 19871987)
    • Simultaneous impaired recall & intrusive re-experience
3. Neurobiological & Early-Psychological Explanations
  • “Engraving” or “etching” of the event into the brain may be linked to failure of normal memory encoding
  • Pierre Janet: traumatic recollections persist unchanged precisely because they were never integrated into narrative memory
  • Key concept: trauma exceeds existing “schemes of prior knowledge,” preventing assimilation
4. Testimony, Cure & Ethical Risk
  • To integrate the trauma into narrative may
    • Aid healing but
    • Risk diluting the event’s incomprehensibility & force
  • Survivors’ double bind (Sonia Schreiber Weitz video, 19901990):
    • “To speak is impossible, and not to speak is impossible.”
  • Kevin Newmark’s reading: speech attempts to “move away” from shock via knowledge
  • Van der Kolk & van der Hart puzzle: Is integration a “sacrilege” against the past?
5. Claude Lanzmann’s Model of Refusal as Witnessing
  • Filmmaker of Shoah insists on “not to understand” as an ethical stance
  • Quotes
    • Simplistic causal question “Why have the Jews been killed?” = obscene
    • “I had clung to this refusal of understanding as the only possible ethical and operative attitude.”
  • Methodological outcome
    • Testimony emerges through gaps, silences, and the interviewer’s own inability to grasp
    • Creation grows from “blindness” (productive lack of comprehension)
  • Live example: Lanzmann’s refusal to screen a film of a Nazi’s interior life at a psychoanalytic conference becomes the event itself, shifting pedagogy
6. Transmission Across Individual & Collective Levels
  • Kai Erikson: communities can become sites and vessels of traumatized “wisdom”
  • AIDS dialogue (Bordowitz–Crimp–Pinsky): trauma-in-progress, not historical closure

Conceptual Connections & Significance

  • Trauma studies link psychology, literary criticism, film, neurobiology, ethics
  • Recurring triad
    1. Event literalism (undistorted sensory fragments)
    2. Narrative gap / amnesia (no clear timeline or context)
    3. Repetition compulsion (flashbacks, nightmares)
  • Dialogue between theory & arts (Freud, Janet ⇄ Lanzmann, Baudelaire) enlarges scope from clinic to culture
  • Ethical imperative: maintain survivor agency; avoid subsuming unique horrors under universalizing storylines

Numerical & Textual References (Quick List)

  • Publication chronology noted in preface colophon: 04,03,02,01,00,99,98,97,96,9504,03,02,01,00,99,98,97,96,95 printings
  • Page spans
    • Preface ≈ pp. vii−xiiivii{-}xiii
    • Part II Introduction ≈ pp. 151−157151{-}157
  • Key citation years inside introduction: 19201920 (Freud), 19871987 (Greenberg/van der Kolk), 19901990 (Krystal, Lanzmann talks, Schreiber Weitz interview)

Study Tips & Potential Exam Prompts

  • Be able to define PTSD’s paradox and illustrate with Freud and modern neurobiology
  • Compare Janet’s notion of “narrative memory” to Caruth’s “unassimilable experience”
  • Analyze Lanzmann’s "refusal to understand" as an ethical technique; link to Felman’s ideas on testimony
  • Prepare to discuss the double bind of speech vs. silence for survivors; cite Sonia Schreiber Weitz
  • Consider community trauma (Erikson) and ongoing crises (AIDS panel) as extensions of the individual model

Ethical & Philosophical Implications

  • Therapeutic: How to heal without erasure?
  • Epistemological: Can historical truth include the unknown or incomprehensible?
  • Aesthetic: Role of film, poetry, and narrative form in conveying what cannot be said
  • Moral: Risk of “obscenity” in explanatory frameworks that tame atrocity