Essentials of Harmony
Intervals
Music Theory
A description of what has happened in the past
Gain insight into the kinds of thought processes composers used to compose
Harmony
Sound created by the simultaneous use of notes
Consonant: Major Triad
Dissonant: Tone cluster
Intervals
Interval- Distance between two notes
Interval Size- Based on the number of letter names the two notes span
Distance Size
None unison
2 2nd (C-D)
3 3rd (C-E)
4 4th (C-F)
5 5th (C-G)
6 6th (C-A)
7 7th (C-B)
8 Octave (C-C)
2nd Up an octave= 9th
3rd up an octave= 10th
4th up an octave= 11th
5th up an octave= 12th
6th up an octave= 13th
7th up an octave= 14th
8th up an octave= 15th
Interval Quality- Dictates how the interval sounds
Group 1: Unisons, 4ths, 5ths, octaves
Perfect intervals
The same in both major and minor
Augmented and Diminished
Raise top note ½ step= Augmented
Lower by ½ step= Diminished
Any perfect interval can be augmented or diminished
Group 2: 2nds, 3rds, 6ths, 7ths
Major and Minor intervals
The same in both major and minor (except M2)
Augmented and diminished
The augmented interval is ½ step above the major interval
the diminished interval is ½ step below the minor interval
Compound intervals
Octave equivalence- Octaves sound the same, just higher or lower
Inverting Intervals
Quality
Major → minor
minor → Major
Perfect → Perfect
Augmented → Diminished
Diminished → Augmented
Size
Subtract the first interval from 9
ex.
E-C= m6
9-6= 3
C-E= M3
ex.
C-G#= A5
9-5=4
G#-C= D4
Triads