Baroque

Introduction to Baroque and Rococo

  • Focus on the architectural movements of Baroque and Rococo, often referred to as Baroque and Co.

  • Similarities between Baroque and Rococo; both styles draw from the artistic and cultural contexts of their time.

Review of Prior Content

  • Last week's discussion covered Renaissance influence in France through King Francis I and the chateaus he commissioned, shifting from ecclesiastical architecture to private homes.

  • Legacy of mannerism in sculpture and painting as a transition to Baroque.

  • These historical styles were designated by prominent ruling figures or families in England, reflecting cultural changes towards more private artistic expressions.

Baroque Overview

  • Baroque does not have strict date boundaries; it represents a developmental style across various periods.

  • Characterized by:

    • Over-the-top ornamentation and design.

    • Origin of the term 'Baroque' from a Portuguese word for irregularly shaped pearls, reflecting complexity and asymmetry in design.

  • Significant geographic focus on Italy, with broader influences in Austria, Southern Germany, Spain, and Portugal. Northern Europe incorporates Baroque differently, often with distinct characteristics.

  • Commonly found in religious buildings, emphasizing a strong interplay between sculpture and painted forms.

Architectural Characteristics

  • Baroque architecture exhibits:

    • Emphasis on dynamic shapes often derived from nature—leaves, shells, scrolls.

    • Spaces that feel alive through complex designs, reshaped walls, and immersive environments where painting overlaps with sculpture.

  • Techniques in Baroque painting include:

    • Quadratura: Architectural space painted in illusionistic perspective.

    • Quadroriparato: Images framed by illusionistic boundaries.

    • De sotto in su: Illusion of viewing upward into a dome or sky.

  • Use of theatrical stage design techniques greatly influenced the dramatic aspects of Baroque architecture.

The Catholic Church and the Counter-Reformation

  • The Protestant Reformation (1517-1648) led by Martin Luther emphasized simplicity and a direct relationship with God, pushing the Catholic Church to respond.

  • Catholic baroque architecture served as a tool to attract followers, contrasting starkly with Protestant simplicity.

  • Baroque Churches: Intended to captivate congregants with sensory overload to promote loyalty:

    • Lavish decor and sensory experiences through music, art, and ceremony.

Notable Baroque Architecture

  • St. Peter's Basilica: Key example of Baroque architecture commissioned through various artists including Michelangelo and Bernini; features include:

    • Dramatic facade and internal structure marked by large pilasters and deep domes.

    • The Baldacchino by Bernini—a monumental bronze canopy defining the altar area, symbolic of sacredness and divine presence.

  • Ecstasy of Saint Teresa at Cornaro Chapel by Bernini: Represents spiritual ecstasy and the direct involvement of the spectator through sculptural figures capturing a pivotal moment in religious experience.

Influential Churches and Structures

  • Church of Santa Maria della Salute: Characterized by octagonal structure and intricate decorative patterns symbolizing Baroque richness.

  • San Lorenzo in Turin: A complex spatial design with overlapping shapes reflecting the Baroque style and its philosophical underpinnings.

Conclusion and Transition to Rococo

  • Baroque style signifies the Catholic Church's heart in bringing back its congregation through dramatic designs and immersive experiences.

  • As we transition to Rococo, expect to encounter more nuanced trends in ornamentation, reflecting cultural shifts and evolving artistic expressions that resonate with similar themes seen in Baroque.