Untitled Flashcards Set
I. American Colonial to Post-War Architects
1. Andres Luna de San Pedro
Son of Juan Luna
Chief Architect of Manila (1920–1924)
Notable Works:
Luis Pérez Samanillo Building (1928, Escolta) – Now First United Building
Regina Building – Escolta, Pasig River area
Crystal Arcade – Escolta; inspired by Paxton’s Crystal Palace
Legarda Elementary School
St. Cecilia’s Hall
2. Pablo Antonio
Born: 1901, Binondo, Manila
National Artist for Architecture (1976)
Advocated for austere and stable design
Notable Works:
White Cross Orphanage – Also called Quezon Preventorium
Far Eastern University Complex – Awarded by UNESCO (Asia-Pacific Cultural Heritage)
Noted as the most complete Art Deco ensemble in Manila
Capitan Luis Gonzaga Building (1953) – Post-war modernism; double sunshades
Manila Polo Club (1950) – Located on a small hill
3. Fernando Ocampo, Sr.
Education: Ateneo, UST (Civil Engg, 1919), University of Pennsylvania (BS Arch.)
Bureau of Public Works (Asst. Architect)
Notable Works:
UST Central Seminary (1933) – Art Deco
Lopez Boat House – La Paz, Iloilo
Admiral Apartments (1938–1939) – Tallest bldg. on Roxas Blvd at the time
North & South Syquia Apartments – M.H. del Pilar; high ceilings, sea-facing façades
4. Juan Nakpil
Son of Julio Nakpil & Gregoria de Jesus
Educated at Univ. of California, Kansas, and Harvard
National Artist for Architecture (1973)
Notable Works:
Captain Pepe Building
Ledesma Boat House (1936, Iloilo) – 3-story cement with overhanging canopy bands
Quezon Institute – TB Sanatorium, formerly Santos Sanatorium
Gonzalez Hall – UP Diliman Main Library, located at Academic Oval
Quezon Hall – Home of the Oblation; inspired by Eliel Saarinen’s Cranbrook Museum
Rizal Theater (1961) – Makati Ave.; once air-conditioned cinema; demolished 1989
II. Historical Context & Themes
Wartime & Post-War Philippines
December 8, 1941 – Japanese Invasion
Manila – Second most devastated city after Warsaw
President Manuel Quezon (1942):
"America writhes in anguish at the fate of a distant cousin, Europe, while a daughter, the Philippines is being raped in the backrooms."
Cultural Identity & Artistic Shifts
Questions on Filipino Identity in Art & Architecture:
“What makes Filipino art Filipino?”
Competitions by Art Association of the Philippines
Role of Philippine Art Gallery
Influences: Art Nouveau, International Style, Bauhaus
III. Third Generation of Architects (Post-War Modernists)
Antonin Raymond
Czech-American architect
Chapel of the Angry Christ – Victorias, Negros Occidental
For Victorias Milling Company
Key Figures
Frederico Ilustre
Mapúa Institute of Technology
Bureau of Public Works
Felipe Mendoza
Mapúa Institute of Technology
Architect, planner, writer, educator
Partnered early with Gabino de Leon
César Concio
Mapúa and Harvard
First University Architect of UP
Dean of UP Architecture; Dean Emeritus at Mapúa
Otilio Arellano
Son of Arcadio Arellano
Mapúa graduate
Modernist with Filipino symbolisms
Angel Nakpil
UST Architecture; Harvard
Influenced by Walter Gropius & Bauhaus
Manila City Planning Commissioner (1947–1949)
Dean, UST Architecture (1959–1963)
Jose Maria Zaragoza
UST Architecture (1936); diploma in planning (Netherlands)
Inspired by Spanish Colonial forms
Gabriel Formoso
UST Architecture (1937)
Strong, masculine, masonry-heavy forms
Manila City Planning Committee (1963)
Carlos Arguelles
Son of Tomas Arguelles
UST (1940), MIT (1946)
Dean of UST Architecture (1953–1959)
Alfredo Luz
Mapúa and University of California, Berkeley (1949)
Mentor to APDA Architects
Cresenciano C. De Castro
UST (1950), Cornell
Froilan Hong
Notable for Manila Film Center, CCP Complex
Research in Sustainability Design
Jorge Ramos
UST Architecture
Known for Neo-vernacular design and symbolism
Francisco “Bobby” Mañosa
UST Architecture
Founder: Mañosa and Sons
Known for Bahay Kubo-inspired Filipino Architecture
Ildefonso P. Santos
UST (1954), University of Southern California
Pioneer of Landscape Architecture in the Philippines
APDA Architects
Architectural group mentored by Alfredo Luz