INDIGENOUS VISUAL ARTS
Indigenous Art Traditions Group 2
Evolution of Art Forms
Ancient traditions evolved and adapted to the changing social environment and physical surroundings.
Art serves both functional and decorative purposes with techniques like:
Molding
Weaving
Carving
Casting
Many designs reflect natural beliefs linked to appeasing spirits through symbolic items and rituals.
Cultural Influences on Filipino Art
Influenced by various cultural traditions:
Oceanic traditions from Polynesia (tattooing, wood carving)
Animism, Indian Hindu-Buddhism, Chinese, and Arabic-Islamic cultures before the 16th century.
Cultural exchanges occurred across southern Japan, Ryukyu Islands, and northern Philippines, fostering similarities in pottery and weaving.
Indigenous Wood Carving
Rooted in Southeast Asian Malay traditions, particularly the Okir art of the Maranao and Tausug.
Key designs:
Sarimanok: Symbol of the human spirit.
Burraq: A half-animal figure related to Islamic lore.
Motifs showcase a blend of indigenous and Islamic influences expanded post-13th century.
Islamic Influence During Colonization
Following Spain's colonization, the first Muslim sultanate was established in Sulu, embedding Islam in Southern Philippine culture.
Islamic art includes:
Mosques with minarets
Calligraphic inscriptions from the Quran
Brassware for ritual vessels (kendi, gadur)
Notable structures and artifacts illustrate Islamic influence in local art forms.
Impact of the American Period
Persistence of Indigenous Practices
Traditional wood carving, metalcraft, and embroidery persisted despite Spanish influence, merging indigenous techniques with Western art styles during events like fiestas and Holy Week.
American colonizers imposed a narrative portraying indigenous groups as 'uncivilized' while seeking to change their ways of life.
Cash-crop economy displacing indigenous textile plants and weaving traditions.
WWII bombings devastated traditional lands; introduction of industrial cotton altered local practices.
Migration to Mindanao spurred intermarriage but also ethnic tensions impacting indigenous art and culture.
Post-World War II and Contemporary Issues
Filipino governments exacerbated ethnic divisions with majority-versus-minority narratives.
Market economy commodified indigenous art into tourist souvenirs, complicating relationships between ethnolinguistic groups and national identity.
Indigenous People's Rights Act of 1997 enables Lumad communities to assert their land and cultural rights.
State initiatives promote traditional arts, recognizing and supporting artisans while preserving knowledge.
Pottery
Maitum Burial Jars
Notable for anthropomorphic designs resembling human figures, reflecting deceased individuals.
Displaying sex-specific forms indicating gender distinctions in burial rituals.
Manunggul Jar
Used in secondary burial practices, showcasing beliefs in the afterlife.
Notable for its lid depicting two figures illustrating the soul's journey, common among early Filipinos.
Kalinga Pottery
Vibrant within Kalinga culture, integrating history, beliefs, and land connection into functional vessels.
Tapayan
Large jars used for multiple purposes (fermenting, storing, cooking).
Ifugao Contributions
Bulol: Stylized wooden figure crucial in rice culture rituals.
Hagabi: A prominent wooden bench signifying status and power.
Okir Carvings
Refers to carved forms in Maranao art, marking graves with limestone tombstones.
Decorative Motifs
Sarimanok: Bird depicted in various forms.
Naga: Mythical serpent design.
Pako Rabong: Stylized fern.
Panolong
Decorative beams in Maranao houses signifying prestige and power.
Additional Art Forms
Kulintang
Musical instrument used in various celebrations and events.
T’nalak
Traditional fabric from T’boli culture, intricately woven from abaca.
Kris and Barong
Iconic blades of Filipino culture, intertwined with social significance.
Conclusion
Contemporary artists are rediscovering and collaborating with ethnic traditions, fostering lively exchanges that revitalize Filipino cultural identity through art.