ENG Q3
ACTIVE VOICE: the doer of the action
PASSIVE VOICE: the receiver of the action
AV SIMPLE PRESENT
Rita writes a letter.
PV SIMPLE PRESENT
A letter is written by Rita.
AV SIMPLE PAST
Rita wrote a letter.
PV SIMPLE PAST
A letter was written by Rita.
AV SIMPLE FUTURE
Rita will write a letter.
PV SIMPLE FUTURE
A letter will be written by Rita.
AV PRESENT PERFECT
Rita has written a letter.
PV PRESENT PERFECT
A letter has been written by Rita.
AV PAST PERFECT
Rita had written a letter.
PV PAST PERFECT
A letter had been written by Rita.
AV FUTURE PERFECT
Rita will have written a letter.
PV FUTURE PERFECT
A letter will have been written by Rita.
AV PRESENT PROGRESSIVE
Rita is writing a letter.
PV PRESENT PROGRESSIVE
A letter is being written by Rita.
AV PAST PROGRESSIVE
Rita was writing a letter,
PV PAST PROGRESSIVE
A letter was being written by Rita.
AV MODAL VERBS
Rita would write a letter.
PV MODAL VERBS
A letter would be written by Rita.
PREJUDICE: an always negative opinion about things that can’t be controlled, causes stereotyping and discrimination, preconceived opinion without knowledge of facts.
BIAS: preferring something over the other, the tendency to lean in a certain direction, either Towards (in favor) or Against (not in favor) someone or something, leads to unfairness.
BIAS IN WRITING:
PREJUDICE: against something an author is writing about
FAVORITISM: for something an author is writing about
OPINION: influences the feelings, thoughts, and actions of someone.
HOW TO DETERMINE BIAS:
Look at the use of evidence (positive or negative evidence for one side of an issue)
Look at the author’s tone (details, word choice-what the author tells and doesn’t tell, descriptive language - create an image in the reader’s mind)
DENOTATION: dictionary meaning
CONNOTATION: determines if something is positive or negative
RECOGNIZING BIAS:
Loaded words- words that are charged with emotion (positive or negative)
Stereotypes- labeling someone or a group because of their affiliation
Generalization
One-sided argument- only shows one side
Facts and Opinions
EVALUATING INFORMATION WE MUST SEEK:
RELEVANCE: The source must provide useful information, identify the main idea and important details as well as supporting ideas
TRUTHFULNESS: supplies the information it possesses the information is objective and factual
VALIDITY
FACT: not debatable but is verifiable, proven to be true by the use of evidence, it is true in all cases, it is objective and relies on observation or research
FALSE FACTS: statements that are established as true but are not, as long as it can be proven it can still be a fact
OPINION: neither true nor false, can’t be proven as it reflects on someone’s belief and views which may vary from person to person, it is a personal claim, does not necessarily require support, and certain qualities
ARGUMENT: an act of communicating one’s perspective, it is a claim that needs to be worth making, valid, sound, and logical and must provide reasonable, relevant, and sufficient support
CLAIM/CONCLUSION: idea we are convinced to believe
PREMISE: support or reason for the conclusion, maybe more than one
VALID: logically supports the conclusion even if one premise is wrong
SOUND: it is valid, the premise and conclusion should be verified
FALLACY: use of invalid or faulty reasoning in the construction of an argument
APPEAL TO TRADITION
Using the historical preferences of the people as evidence
AD HOMINEM
Attacking the person making the argument even if it is irrelevant to the argument itself
APPEAL TO IGNORANCE
Assumption of a conclusion or fact based primarily on the lack of evidence
APPEAL TO PITY
Attempt to distract from the truth of the conclusion by the use of pity
APPEAL TO AUTHORITY
Insisting a claim is true because of “valid authority or expert” on the issue without supporting evidence offered
Authority is a contain in their field
Not an authority on the topic
Not an authority at all
CIRCULAR REASONING
Circular reasoning with no useful information. (Maganda siya dahil hindi siya pangit)
QUESTIONABLE CAUSE
One thing caused another because they are regularly associated
HASTY GENERALIZATION
Stereotyping, if one does it then everyone must do it as well
RED HERRING
Redirect the argument to another issue (If I fail a test, it is ok since the smartest also failed)
SLIPPERY SLOPE
Taking minor action will lead to major consequences, overthinking
STRAW MAN
Exaggerating an argument (He poked her, He STABBED her)
YOU TOO FALLACY
Defending an error by pointing out that an opponent made the same error
POST HOC
Since an event occurred before the other, then the first event caused the other (If it rains, then I will cry, therefore every time it rains, I will cry)
EVIDENCE: Available body of facts or information indicating whether a belief or proposition is true or valid
ARGUMENTATION: Identify the point or claim that the author is trying to prove
SPECIFICITY: Identify specific facts, data, statistics, and examples that support the point
RELEVANCE: Explains how the pieces of evidence are related to the claim
4 TYPES OF EVIDENCE
STATISTICAL: Strongest type, comes in the form of numbers, percentages, or surveys.
TESTIMONIAL: Can be experts, authorities, celebrities as eye witness accounts and judgment of experts, can be biased
ANECDOTAL: The use of personal experiences as evidence, makes the topic feel “real” to the audience
ANALOGICAL: Information is scarce. Healthy living is like getting a makeover.
PLAY: A story that is meant to be acted out on stage for an audience
ONE-ACT-PLAY: Uses scripts like full-length plays, it has several acts and scenes, completed in under 30 minutes, focuses on one situation and only a few characters are involved
DRAMATIC UNITIES:
UNITY OF TIME: Should take place over no more than a single day
UNITY OF PLACE: Play should exist in a single physical location
UNITY OF ACTION: Play should only have one principal action and should have a beginning, middle, and end
PLOT OF THE PLAY:
EXPOSITION: Introduces characters, setting, and situation
COMPLICATION: Height of tension, and suspense
CLIMAX: Height of action
DENOUEMENT: (meaning “culminating”) Ending or resolution
CHARACTERISTICS:
Follows a script, limited characters, realism in dialogues
STAGE DIRECTIONS: Instructions in a play for technical aspects of the production purpose of stage directions
SETTING: Time of day, location, and description, must properly design the set where the scenes take place
COSTUME AND APPEARANCE
EMOTION AND PERFORMANCE: Parenthetical words that allow writers to give characters emotion in their words
MOVEMENT: Describes using specific words how the actors should move throughout the scene.
ACTIVE VOICE: the doer of the action
PASSIVE VOICE: the receiver of the action
AV SIMPLE PRESENT
Rita writes a letter.
PV SIMPLE PRESENT
A letter is written by Rita.
AV SIMPLE PAST
Rita wrote a letter.
PV SIMPLE PAST
A letter was written by Rita.
AV SIMPLE FUTURE
Rita will write a letter.
PV SIMPLE FUTURE
A letter will be written by Rita.
AV PRESENT PERFECT
Rita has written a letter.
PV PRESENT PERFECT
A letter has been written by Rita.
AV PAST PERFECT
Rita had written a letter.
PV PAST PERFECT
A letter had been written by Rita.
AV FUTURE PERFECT
Rita will have written a letter.
PV FUTURE PERFECT
A letter will have been written by Rita.
AV PRESENT PROGRESSIVE
Rita is writing a letter.
PV PRESENT PROGRESSIVE
A letter is being written by Rita.
AV PAST PROGRESSIVE
Rita was writing a letter,
PV PAST PROGRESSIVE
A letter was being written by Rita.
AV MODAL VERBS
Rita would write a letter.
PV MODAL VERBS
A letter would be written by Rita.
PREJUDICE: an always negative opinion about things that can’t be controlled, causes stereotyping and discrimination, preconceived opinion without knowledge of facts.
BIAS: preferring something over the other, the tendency to lean in a certain direction, either Towards (in favor) or Against (not in favor) someone or something, leads to unfairness.
BIAS IN WRITING:
PREJUDICE: against something an author is writing about
FAVORITISM: for something an author is writing about
OPINION: influences the feelings, thoughts, and actions of someone.
HOW TO DETERMINE BIAS:
Look at the use of evidence (positive or negative evidence for one side of an issue)
Look at the author’s tone (details, word choice-what the author tells and doesn’t tell, descriptive language - create an image in the reader’s mind)
DENOTATION: dictionary meaning
CONNOTATION: determines if something is positive or negative
RECOGNIZING BIAS:
Loaded words- words that are charged with emotion (positive or negative)
Stereotypes- labeling someone or a group because of their affiliation
Generalization
One-sided argument- only shows one side
Facts and Opinions
EVALUATING INFORMATION WE MUST SEEK:
RELEVANCE: The source must provide useful information, identify the main idea and important details as well as supporting ideas
TRUTHFULNESS: supplies the information it possesses the information is objective and factual
VALIDITY
FACT: not debatable but is verifiable, proven to be true by the use of evidence, it is true in all cases, it is objective and relies on observation or research
FALSE FACTS: statements that are established as true but are not, as long as it can be proven it can still be a fact
OPINION: neither true nor false, can’t be proven as it reflects on someone’s belief and views which may vary from person to person, it is a personal claim, does not necessarily require support, and certain qualities
ARGUMENT: an act of communicating one’s perspective, it is a claim that needs to be worth making, valid, sound, and logical and must provide reasonable, relevant, and sufficient support
CLAIM/CONCLUSION: idea we are convinced to believe
PREMISE: support or reason for the conclusion, maybe more than one
VALID: logically supports the conclusion even if one premise is wrong
SOUND: it is valid, the premise and conclusion should be verified
FALLACY: use of invalid or faulty reasoning in the construction of an argument
APPEAL TO TRADITION
Using the historical preferences of the people as evidence
AD HOMINEM
Attacking the person making the argument even if it is irrelevant to the argument itself
APPEAL TO IGNORANCE
Assumption of a conclusion or fact based primarily on the lack of evidence
APPEAL TO PITY
Attempt to distract from the truth of the conclusion by the use of pity
APPEAL TO AUTHORITY
Insisting a claim is true because of “valid authority or expert” on the issue without supporting evidence offered
Authority is a contain in their field
Not an authority on the topic
Not an authority at all
CIRCULAR REASONING
Circular reasoning with no useful information. (Maganda siya dahil hindi siya pangit)
QUESTIONABLE CAUSE
One thing caused another because they are regularly associated
HASTY GENERALIZATION
Stereotyping, if one does it then everyone must do it as well
RED HERRING
Redirect the argument to another issue (If I fail a test, it is ok since the smartest also failed)
SLIPPERY SLOPE
Taking minor action will lead to major consequences, overthinking
STRAW MAN
Exaggerating an argument (He poked her, He STABBED her)
YOU TOO FALLACY
Defending an error by pointing out that an opponent made the same error
POST HOC
Since an event occurred before the other, then the first event caused the other (If it rains, then I will cry, therefore every time it rains, I will cry)
EVIDENCE: Available body of facts or information indicating whether a belief or proposition is true or valid
ARGUMENTATION: Identify the point or claim that the author is trying to prove
SPECIFICITY: Identify specific facts, data, statistics, and examples that support the point
RELEVANCE: Explains how the pieces of evidence are related to the claim
4 TYPES OF EVIDENCE
STATISTICAL: Strongest type, comes in the form of numbers, percentages, or surveys.
TESTIMONIAL: Can be experts, authorities, celebrities as eye witness accounts and judgment of experts, can be biased
ANECDOTAL: The use of personal experiences as evidence, makes the topic feel “real” to the audience
ANALOGICAL: Information is scarce. Healthy living is like getting a makeover.
PLAY: A story that is meant to be acted out on stage for an audience
ONE-ACT-PLAY: Uses scripts like full-length plays, it has several acts and scenes, completed in under 30 minutes, focuses on one situation and only a few characters are involved
DRAMATIC UNITIES:
UNITY OF TIME: Should take place over no more than a single day
UNITY OF PLACE: Play should exist in a single physical location
UNITY OF ACTION: Play should only have one principal action and should have a beginning, middle, and end
PLOT OF THE PLAY:
EXPOSITION: Introduces characters, setting, and situation
COMPLICATION: Height of tension, and suspense
CLIMAX: Height of action
DENOUEMENT: (meaning “culminating”) Ending or resolution
CHARACTERISTICS:
Follows a script, limited characters, realism in dialogues
STAGE DIRECTIONS: Instructions in a play for technical aspects of the production purpose of stage directions
SETTING: Time of day, location, and description, must properly design the set where the scenes take place
COSTUME AND APPEARANCE
EMOTION AND PERFORMANCE: Parenthetical words that allow writers to give characters emotion in their words
MOVEMENT: Describes using specific words how the actors should move throughout the scene.