Early Christian–Byzantine & Gothic Architecture – Exam Notes
Early Christian & Byzantine Architecture
Capital shift to Byzantium → Constantinople by Emperor Constantine A.D.; Christianity becomes state religion
Architectural shift from Roman basilica to church
- Plans: circular Greek cross / centralized; or longitudinal basilica
- Materials: brick, plaster, stone; rich mosaics replace carving
- Structural advances: pendentive dome, complex domes on piers; alabaster windows for soft light
Basic basilica elements
- Atrium → narthex → nave (clerestory) → aisles → apse with altar & baldachin
Key monuments
- Old St. Peter’s, Rome: prototype basilica
- Santa Sabina, Rome (–): best‐preserved early basilica; simple white interior, classical columns
- San Vitale, Ravenna (–): octagonal, domed core + ambulatory; lavish interior mosaics; model for Hagia Sophia
- Hagia Sophia, Constantinople (–) by Anthemios & Isidoros
- Hybrid longitudinal nave + central dome
- Massive m dome on square via pendentives; light ring of windows creates “floating” effect
- Later conversions: Church → Mosque () → Museum ()
Gothic Architecture – General
- Flourished – C; evolved from Romanesque, precedes Renaissance
- Aimed to cover wide spans with masonry vaults while flooding interiors with light
Structural Elements
- Ribbed vault: transverse + longitudinal + diagonal ribs; allows higher clerestory & flexible spans
- Pointed arch: variable width with equal height; redirects thrust efficiently
- Flying buttress: exterior half‐arches conduct thrust to piers, freeing walls for windows
- Plan: Latin cross, tall nave, aisles, transept, choir
- Emphasis on height (verticality) and light (large stained‐glass windows, rose windows)
French Gothic Phases
- Early Gothic (–early C)
- 4‐tier wall (arcade, gallery, triforium, clerestory); lancet windows; thick walls
- Example: Notre-Dame, Paris (begun ), nave height m
- High Gothic (– C)
- 3‐tier wall; 4‐rib vaults; mature flying buttress
- Rayonnant (– C)
- Focus on window tracery; vast rose windows, slim masonry
- Late/Flamboyant (s– C)
- Curvilinear “flame” tracery, ogee arches (e.g., Limoges Cathedral)
English Gothic Periods
- Early English / Lancet (–)
- Pointed arches, paired/triple lancet windows, first flying buttress use; dog-tooth ornament
- Examples: Salisbury Cathedral (spire m), Westminster Abbey choir
- Decorated (–)
- Geometric → Curvilinear window tracery; ball-flower motif; slender columns
- Examples: Lincoln Cathedral, York Minster west front
- Perpendicular (–)
- Strong vertical paneling; huge traceried windows; fan vaults; hammer-beam timber roofs
- Example: Westminster Hall roof (unsupported since )
French vs. English Gothic (Quick Contrast)
- Ambulatory: French , English
- Flying buttress: French multi-tier, essential; English single, limited
- Plan: French less strictly Latin cross; English direct Latin cross
- Interior scale: French wider, higher; English smaller, central tower dominates
Gothic Art Highlights
- Stained glass: narrative & color, fills large window openings
- Sculpture: integrated with portals, tracery
- Furniture & woodwork: choir stalls, screens, elaborately carved