ELL/ENG Judith Butler – Precarious Life (Ch. 5) Comprehensive Study Notes

Context & Initial Anecdote

  • Butler recalls a university‐press meeting where a university president claims “no one is reading humanities books anymore.”
    • Uncertainty over who owns this claim; voices blur, signaling the current “humanities quandary.”
  • Core issue: Have the humanities lost moral authority through their own relativism/critique or through attacks on them?
  • Butler refuses a simple return to “author” or “authority”; instead she foregrounds:
    • The “structure of address”—the way speech positions speaker, listener, obligation.
    • Moral urgency arises not from authorship but from being addressed and compelled to answer.

Structure of Address & Moral Binding

  • Moral authority is introduced through the impingement of another’s address.
    • We “come to exist” in the moment we are addressed; if address fails our existence is shaken.
  • Obligation precedes the will:
    • “Binding” demands emerge unbidden, often ruining our plans.
    • Being addressed deprives us of pure autonomy.
  • Contemporary crisis: breakdown of authoritative address (e.g., presidential speech that calls Iraq a threat but labels North Korea “regional”).

Levinas’s Concept of the Face

  • Butler develops a Jewish ethic of non-violence via Emmanuel Levinas.
  • Key quotations:
    • “The approach to the face is the most basic mode of responsibility.”
    • The face says: “Thou shalt not kill.”
  • Features of the face:
    • Not merely visual; transcends mouth/language.
    • Can appear in non-facial forms (e.g., backs of waiting relatives at Moscow’s Lubyanka prison).
    • Operates as catachresis: face → back → cry → pure vocalization beyond words.
  • The face = exposure of precarious life; encountering it awakens us to vulnerability.

Precariousness, Temptation & Demand

  • Face simultaneously:
    • Reveals another’s defenselessness (temptation to kill).
    • Commands peace (“You shall not kill”).
  • Internal ethical struggle: murderous impulse vs. divine interdiction.
  • Voice of the face is indirectly God’s voice; the human face carries a non-human utterance.

Biblical & Cultural Illustrations

  • Levinas cites Jacob’s fear when Esau approaches with 400400 men (Genesis 32).
    • Two affects: fright (for his own life) vs. anxiety (he might have to kill).
  • Europe’s “vocation” for Levinas = hearing “Thou shalt not kill” as civilizational essence—yet Islam becomes unspeakable in this formulation.

Self-Preservation vs. Non-Violence

  • Levinas: Self-preservation never justifies murder—an extreme, possibly “absolute,” pacifism.
  • Butler notes counter-arguments: utilitarian, deontological, Spinozist, Nietzschean, Freudian appeals to life drives.
  • Psychoanalytic turn:
    • Desire to kill is primary; ethics redirects aggression outward/inward, risking super-egoic cruelty.
    • The face interrupts narcissistic circuits, relocating concern outside the self.

Discourse, Language & Hostage

  • “Face and discourse are tied”: language begins with the face’s command.
    • We can speak only after being spoken to.
    • Obliteration of the Other annihilates language itself.
  • Being addressed = a form of violence; we are “held hostage” by alterity.
  • Political sphere complicates the dyad: multiple Others create competing obligations; Derrida warns of “radical irresponsibility.”

Representation, Humanization & Dehumanization

  • Ordinary belief: representation humanizes; lack of it dehumanizes.
  • Paradox:
    • For Levinas, the face that humanizes is not necessarily a literal human face.
    • Media “faces” (bin Laden, Arafat, Hussein) can enact dehumanization through personification.
    • Colin Powell framed before Picasso’s Guernica; Afghan girls unveiling for U.S. cameras—faces mobilized to justify war or proclaim triumph.
  • Loss & suffering are masked; the Levinasian cry is inaudible in triumphalist images.

Two Modes of Unrepresentability

  1. Levinasian Failure
    • Representation must show its failure; human is affirmed in what escapes depiction.
  2. Media Capture
    • The face is equated with evil/human norm; dehumanization achieved by “capturing” the image.
  • Identification/Disidentification:
    • Viewers are positioned as unrepresented observers urged to annihilate the represented evil.

Normative Schemes & Grievability

  • Power regulates what counts as a “livable life” or “grievable death.”
    • Some lives = hyper-visible threats; others = effaced.
  • Two operations:
    1. Produce the inhuman face (visible yet disqualified).
    2. Radical effacement (no image, no story, no death).

“Shock & Awe” – Aestheticized Violence

  • U.S. campaign designed as overwhelming visual spectacle; likened to the sublime that stuns thought.
  • Media collusion (CNN, Fox, NY Times) with romantic sunset ordnance shots.
  • Aerial views substitute for ground-level carnage; dead U.S. soldiers or Iraqi children withheld, while Hussein-era victims foregrounded to justify occupation.

Images, Dissent & Historical Precedent

  • Vietnam napalm photos—illicit images that shifted U.S. public opinion.
  • Current prohibition on graphic suffering thwarts ethical outrage, curtails mourning, installs national melancholia.

Tasks for the Humanities & Cultural Critique

  • Humanities must:
    • Return us “to the human where we do not expect to find it” (frailty, sensate limits).
    • Question frames, foster cultural translation, sustain critique.
    • Create a public sphere valuing dissent, hearing the cry beyond language.
  • Moral, philosophical, and representational obligation: expose precarious life, contest frames that deface or erase.

Key Terms & References

  • Address: The act of being hailed; foundational to subjectivity & moral demand.
  • Face (Levinas): Figure for precarious life; issues the command “Thou shalt not kill.”
  • Precariousness: Shared vulnerability; ethical starting point.
  • Grievability: Capacity of a life to be publicly mourned.
  • Shock & Awe: U.S. strategy merging military destruction with visual spectacle.
  • Identification/Disidentification: Psychoanalytic dynamics in reception of images (Jacqueline Rose).
  • Radical Effacement: Total exclusion from representability; life erased from public sphere.

Core Takeaways for Exam Preparation

  • Understand Levinas’s “face” and how Butler leverages it to critique violence and representation.
  • Be able to explain the tension between temptation to kill and command not to kill.
  • Discuss how media images can both humanize and dehumanize, using Butler’s contemporary examples.
  • Grasp the concept of grievability and its political manipulation.
  • Articulate the role Butler assigns to the humanities in restoring ethical sensibility and public critique.