English (all coverage topics and concepft for periodical test)

๐Ÿ“˜ English Comprehensive Reviewer

---

I. Poetry Basics

Poetry โ€“ a literary form that uses imaginative language, rhythm, sound devices, and figures of speech to express emotions, tell a story, or present ideas in a concentrated style.

Meter โ€“ the structured pattern of stressed (ยด) and unstressed (ห˜) syllables in a line of poetry. It gives poems a musical quality.

Pattern โ€“ the arrangement or structure used in poetry, which may include rhyme scheme, meter, stanza form, and repetition.

Rhythm โ€“ the overall beat and pace of a poem, produced by the pattern of stressed and unstressed syllables.

Stanza โ€“ a group of lines in a poem, often separated by space; functions like a paragraph in prose. Stanzas may follow a set rhyme or rhythm.

Rhyme โ€“ repetition of similar sounds at the ends of words, often at the end of lines. It makes poems musical and memorable.

Verse โ€“ a single line of poetry OR poetry in general (opposite of prose).

Tone โ€“ the poetโ€™s attitude toward the subject matter, which can be serious, joyful, bitter, sarcastic, hopeful, etc.

Style โ€“ the distinct way a poet writes, which includes choice of words (diction), structure, figures of speech, and sound devices.

Mood โ€“ the atmosphere or emotion felt by the reader, such as suspenseful, gloomy, cheerful, or romantic.

---

II. Types of Poetry

1. Lyric Poetry โ€“ short, musical poems expressing emotions, thoughts, or feelings rather than telling a story. Examples: sonnet, ode, elegy.

2. Narrative Poetry โ€“ tells a story with characters, plot, and setting, usually in verse. Examples: epics, ballads, metrical romances.

3. Dramatic Poetry โ€“ written in verse and meant to be spoken by characters, often in plays or monologues. Example: Shakespeareโ€™s plays in verse.

---

III. Conflict in Literature

Conflict โ€“ the struggle between opposing forces that drives the plot.

Types of Conflict:

Man vs. Man โ€“ character struggles against another person.

Man vs. Self โ€“ internal struggle with decisions, morals, or emotions.

Man vs. Nature โ€“ character faces survival against natural elements (storms, animals, disasters).

Man vs. Society โ€“ conflict with traditions, rules, or expectations of society.

Man vs. Supernatural โ€“ struggle with forces beyond nature (fate, gods, ghosts, magic).

Man vs. Technology โ€“ conflict with modern inventions, machines, or AI.

---

IV. Plot

Plot โ€“ the sequence of events in a story, structured to create conflict and resolution.

Elements of Plot:

1. Exposition โ€“ introduction of characters, setting, and background.

2. Rising Action โ€“ events and conflicts that build suspense and lead to climax.

3. Climax โ€“ the turning point; moment of greatest tension where conflict peaks.

4. Falling Action โ€“ events after the climax leading toward resolution.

5. Resolution/Denouement โ€“ conclusion where conflicts are solved or the story ends.

Types of Plot:

Linear Plot โ€“ events are told in chronological order (beginning โ†’ middle โ†’ end).

Non-Linear Plot โ€“ events are not in order; may use flashbacks, foreshadowing, or circular structure.

---

V. Characters

Character โ€“ the people, animals, or figures in a story.

Types of Characters:

Round โ€“ complex, fully developed, realistic.

Dynamic โ€“ undergoes significant change in personality or attitude.

Flat โ€“ simple, one-dimensional, limited traits.

Static โ€“ does not change throughout the story.

Protagonist โ€“ the main character, often the hero.

Antagonist โ€“ opposes the protagonist, often the villain.

Characterization:

Direct/Explicit โ€“ author directly describes traits.

Indirect/Implicit โ€“ reader infers traits from actions, thoughts, or dialogue.

SMART method:

Speech โ€“ what the character says.

Manner/Looks โ€“ physical appearance and behavior.

Actions โ€“ what the character does.

Reactions โ€“ how others respond to the character.

Thoughts โ€“ inner feelings and beliefs.

---

VI. Rhyme & Rhythm

Types of Rhyme Schemes:

Couplet โ€“ two consecutive lines rhyme (AA).

Alternate โ€“ every other line rhymes (ABAB).

Monorhyme โ€“ all lines rhyme with the same sound (AAAA).

Enclosed Rhyme โ€“ first and last lines rhyme, enclosing the middle lines (ABBA).

Rhythm & Meter:

Meter โ€“ the basic rhythmic structure in a line of poetry.

Iambic โ€“ ห˜ ยด (unstressed + stressed). Example: โ€œaWAY.โ€

Trochaic โ€“ ยด ห˜ (stressed + unstressed). Example: โ€œTAble.โ€

Syllables โ€“ the unit of sound; meter is based on counting syllables and stress patterns.

---

VII. Filipino Literary Forms

Tanaga โ€“ 4 lines, 7 syllables each, with rhyme (expresses deep meaning).

Awit โ€“ 12 syllables per line, themes of love and romance.

Corrido โ€“ 8 syllables per line, themes of adventure, chivalry, religion.

Haiku โ€“ Japanese form, 3 lines with 5-7-5 syllables; nature-focused.

Free Verse / Malayang Taludturan โ€“ no fixed rhyme or meter; free expression.

---

VIII. Patterns & Motifs in Poetry

Patterns โ€“ recurring structures in poetry: rhyme scheme, stanza form, meter, repetition.

Motifs โ€“ recurring themes or symbols that reinforce meaning.

Common motifs: Nature, Time, Journey, Family, Relationships.

Style, Pattern, and Motifs โ€“ when combined, they create a poemโ€™s artistic effect and deeper meaning.

---

IX. Figures of Speech

Simile โ€“ comparison using like or as.

Metaphor โ€“ direct comparison without like/as.

Personification โ€“ giving human qualities to non-human objects.

Hyperbole โ€“ deliberate exaggeration for effect.

---

X. Sound Devices

Oxymoron โ€“ two opposite ideas joined together (e.g., โ€œbittersweetโ€).

Onomatopoeia โ€“ words that imitate natural sounds (buzz, hiss).

Alliteration โ€“ repetition of initial consonant sounds.

Assonance โ€“ repetition of vowel sounds within words.

Consonance โ€“ repetition of consonant sounds, usually at the end or middle of words.

---

XI. Point of View (POV)

First Person โ€“ narrator is part of the story; uses โ€œIโ€ or โ€œwe.โ€

Second Person โ€“ narrator addresses reader directly as โ€œyou.โ€

Third Person โ€“ narrator tells the story about others:

Omniscient โ€“ knows everything about all characters.

Limited โ€“ focuses on thoughts/feelings of one character.

Objective โ€“ only actions and dialogue, no inner thoughts.

---

XII. Literary Techniques in Narratives

Foreshadowing โ€“ hints of future events.

Cliffhanger โ€“ suspenseful ending to a chapter/scene.

Flashback โ€“ recalling past events.

Pathetic Fallacy โ€“ nature reflects mood/emotions.

Plot Twist โ€“ unexpected change in story direction.

Red Herring โ€“ misleading clue.

Epiphany โ€“ sudden realization by character.

Parody โ€“ humorous imitation of a serious work.

Organic Unity โ€“ all elements work together to create meaning.

Coherence โ€“ logical flow and connection of ideas.

Unity of Purpose โ€“ all parts serve one central idea.

---

XIII. Context in Literature

Historical Context โ€“ how the time period and events influence a text.

Social-Cultural Context โ€“ how traditions, values, and society shape meaning.

Biographical Context โ€“ how an authorโ€™s life experiences influence their work.

---

XIV. Maxim, Universal Truths & Philosophies

Maxim โ€“ short, wise sayings that express moral lessons (e.g., โ€œHonesty is the best policyโ€).

Universal Truths โ€“ facts or realities that apply to all people (e.g., โ€œEveryone will die somedayโ€).

Philosophies โ€“ deeper principles or beliefs about life, morality, and existence.