Notes on Philippine Dance Traditions and Steps

Lesson 1: Philippine Traditions on Dance

  • Dance as part of Filipino life since time immemorial; rhythmic movements express emotions, beliefs, and faith; mimicry of environment leads to dances that become traditions.
  • Traditions (folk dances) are ways of thinking/doing passed down through generations; evolve naturally over time; often tied to rituals, gratitude, or celebrations.
  • Pre-colonial Dances: largely Malay in origin; classified as religious, occupational, and for socialization; imitate life activities and environment.
    • Religious dances: communicate with gods; babaylan/catalonan as spiritual leaders; offerings to spirits.
    • Occupational dances: mimic work activities (hunting, planting, harvesting); can be lengthy to cover before/during/after activity.
    • Mimicry: many dances imitate nature (e.g., tinikling imitates tikling bird; itik-itik imitates a duck).
    • War/martial dances imitate duels/battles (e.g., mangayaw of the Bontoc, idaw of the Kalinga; langkasilat in Jolo).
    • Life-event dances celebrate courtship and marriage.
  • Colonization-Influenced Dances: Spanish brought new dances (jota, polka, waltz, fandango; paseo, pateado; surtido and habanera from Cuba).
    • Filipino dances absorbed tempo/feeling from European dances (e.g., tinikling, irik-itik adapted to jota/polka tempo).
    • Some dances center on Christianity: bate (Easter); pastores (Christmas); Obando sayaw (married couples seeking a child).
    • Zarzuela and Spanish-era dances influenced folk traditions; over time dances became uniquely Filipino while retaining foreign elements.
  • Lesson takeaway: Filipino traditional dances are a blend of precolonial practices and colonial influences, shaped into a national patrimony.

Lesson 2: Folk Dance

  • Folk dance = form developed by a group reflecting traditional life and daily experiences of a country/region.
  • History: dancing in the Philippines reflects daily life across centuries; early dances thanked gods for rain/harvests; later dances reflect events like Spanish arrival and Moor conflicts.
  • Dances can be occupational, religious/ceremonial, courtship, wedding, festival, war, comic, game, or social.
  • Dos in Folk Dancing
    • Dance in a natural, simple, direct manner.
    • Use proper costume for the dance.
    • Follow directions/instructions closely.
    • Dance with ease and smoothness.
    • Dance with feeling and expression.
  • Don’ts in Folk Dancing
    • Don’t exaggerate steps.
    • Don’t have long entrances/exits.
    • Don’t make steps too elaborate/complicated.
    • Don’t call a dance a folk dance unless steps come from traditional dances.
    • Don’t be too graceful like ballet.
  • Common Dance Terms (brief definitions)
    • Saludo — partners bow to each other/audience; Spanish origin.
    • Arms in lateral position — arms at one side (shoulder/chest/waist level).
    • Brush — weight on one foot, strike floor with other foot and lift.
    • Crossed Arms — partners join left hands and right hands; right over left or left over right.
    • Cut — quickly displace one foot with the other.
    • Do-si-do — partners pass each other right side, move, then pass left side.
    • Hayon-hayon — forearms placed in front and back of the waist.
    • Hop — spring from one foot to land on same foot.
    • Kumintang — rotate the hand at the wrist in a circular motion.
    • Place — position a foot without weight.
    • Pivot — turn on a fixed place/point.
    • Point — lightly touch floor with toe; weight on the other foot.

Lesson 3: Basic Dance Steps in 2/42/4 Time Signature

  • List of steps, counting, pattern, and measure:
    • 1. Touch Step
    • Counting: 1,21,2
    • Pattern: Point,closePoint, close
    • Measure: 11
    • 2. Bleking Step
    • Counting: 1,21,2
    • Pattern: Heelplace,closeHeel place, close
    • Measure: 11
    • 3. Close Step
    • Counting: 1,21,2
    • Pattern: Step,closeStep, close
    • Measure: 11
    • 4. Cross Step
    • Counting: 1,21,2
    • Pattern: Step,cross/cross,stepStep, cross / cross, step
    • Measure: 11
    • 5. Hop Step
    • Counting: 1,21,2
    • Pattern: Step,hopStep, hop
    • Measure: 11
    • 6. Slide Step
    • Counting: 1,21,2
    • Pattern: Slide,closeSlide, close
    • Measure: 11
    • 7. Swing Step
    • Counting: 1,21,2
    • Pattern: Step,swingStep, swing
    • Measure: 11
    • 8. Change Step
    • Counting: 1,21,2
    • Pattern: Step,close,stepStep, close, step
    • Measure: 11
    • 9. Cross change step
    • Counting: 1,21,2
    • Pattern: Crossstep,close,stepCross-step, close, step
    • Measure: 11
      1. Contraganza
    • Counting: 1,21,2
    • Pattern: Leap,crossstep,stepLeap, cross-step, step
    • Measure: 11
      1. Plain Polka
    • Counting: 1,21,2
    • Pattern: Raisestep,close,stepRaise-step, close, step
    • Measure: 11
      1. Hop Polka
    • Counting: 1,21,2
    • Pattern: Hopstep,close,stepHop-step, close, step
    • Measure: 11
      1. Heel and Toe Change Step
    • Counting: 1,2,1and2and1,2, 1 \,\text{and} \,2 \,\text{and}
    • Pattern: Heelplace,toepoint,step,close,stepHeel-place, toe-point, step, close, step
    • Measure: 22