Chapter 11: Hearing
Chapter Overview
Main Questions Addressed in Chapter 11:
How can we describe the pressure changes in the air that serve as the stimulus for hearing?
How is the stimulus measured?
What perceptions does it cause?
What is the anatomy of the ear, and how do pressure changes make their way through the structures of the ear to stimulate the receptors for hearing?
What is pitch?
What is known about the physiological mechanism for our perception of pitch? What remains unknown?
What is the pathway from the ear to the auditory cortex?
Physical Aspects of Sound
Concept of Sound:
The word "sound" can be used as both a physical stimulus and as a perceptual response.
Definitions of Sound:
Physical Definition: Pressure changes in the air or other medium (e.g., a falling tree causes pressure changes).
Perceptual Definition: The experience we have when we hear; thus, if no one is present to hear it, there will be no experience.
Sound as Pressure Changes
Sound Stimulus:
Occurs when the movements or vibrations of an object cause pressure changes in a medium, such as air or water.
Loudspeaker Operation:
The diaphragm of the speaker moves outward, pushing air molecules together (condensation) and inward, pulling air molecules apart (rarefaction).
This cycle creates alternating high- and low-pressure regions, known as sound waves.
Sound Wave Characteristics:
Sound waves move outward as pressure changes occur in the surrounding medium.
Air molecules move back and forth but do not travel with the wave; they remain in about the same place, transmitting pressure changes.
Pure Tones
Definition of a Pure Tone:
A simple kind of sound wave occurring in a pattern described by a mathematical function known as a sine wave.
Components:
Frequency: The number of cycles per second that pressure changes repeat.
Measured in Hertz (Hz); 1 Hz = 1 cycle per second.
Amplitude: The size of the pressure change.
Example Frequencies:
500-Hz tone, 800-Hz tone, 200-Hz tone.
Human hearing range: approximately 20 Hz to 20,000 Hz (20 kHz).
Sound Amplitude and the Decibel Scale
Amplitude and Its Effect:
Larger amplitudes correspond to the perception of greater loudness.
Environmental Amplitude Range:
The range of amplitudes varies greatly; for example, a whisper can be represented by a ½ inch sine wave, while a loud rock concert might require a representation several miles high.
Use of Decibels (dB):
To manage the wide range of sounds, auditory researchers utilize decibels. This unit converts large ranges into a manageable scale using logarithms.
Logarithm Definition:
A logarithm converts numbers into exponents (or powers).
The logarithm of a number is the exponent to which the base must be raised to produce that number.
Decibel Calculation
Equation for Decibels:
dB = 20 imes ext{log}( rac{p}{p_0})
Where:
p = pressure of the sound considered.
p_0 = reference pressure (usually set at 20 micrpascals).
Example Calculation:
For p = 2000 micropascals:
dB = 20 imes ext{log}( rac{2000}{20}) = 20 imes ext{log}(100)
Since ext{log}(100) = 2, then dB = 20 imes 2 = 40.
For p = 20,000 micropascals:
dB = 20 imes ext{log}( rac{20000}{20}) = 20 imes ext{log}(1000)
Since ext{log}(1000) = 3, then dB = 20 imes 3 = 60.
Complex Tones and Frequency Spectra
Characteristics of Complex Tones:
Complex tones consist of multiple pure tone components added together. Each component is termed a harmonic.
Fundamental Frequency:
The repetition rate of a complex tone, which can be indicated through its fundamental frequency (e.g., a tone repeating 200 times per second is 200 Hz).
Harmonics:
First Harmonic: Equal to the fundamental frequency (e.g., 200 Hz).
Higher Harmonics: Frequencies that are whole-number multiples of the fundamental frequency. Examples:
Second Harmonic: 200 imes 2 = 400 Hz.
Third Harmonic: 200 imes 3 = 600 Hz.
Fourth Harmonic: 200 imes 4 = 800 Hz.
Frequency Spectra:
Provide a way to illustrate the fundamental frequency and harmonics that make up a complex tone's waveform.
Waveform Characteristics:
Not all harmonics may be necessary for the repetition rate to remain unchanged; removing a harmonic may alter the waveform but not its frequency.
Review of Chapter 11 Part I (pages 263-268)
Summary of Key Points:
Description of pressure changes that serve as sound stimuli.
Measurement of sound stimuli and its perceptual effects.
Anatomy of the ear and the transmission of pressure changes to auditory receptors.
Explanation of pitch and its physiological mechanisms, along with current gaps in knowledge.
Identification of the auditory pathway from the ear to the auditory cortex.