Overview of zombie studies and sociological inquiry into zombie phenomena.
Argues that zombie-related cultural artifacts reflect cultural and material circumstances.
Highlights gaps in sociological exploration despite the significance of zombie culture.
Identifies three avenues for sociological inquiry: symptomatic content analysis, production analysis, and audience reception.
Calls for a multifaceted sociological analysis of "zombie culture."
Focus on zombie films as a key area in the emerging field of "zombie studies."
Discusses the intersections of sociology and zombie culture, particularly in North America.
Zombies symbolize fears tied to the human condition like contagion, loss of autonomy, and death.
Modern narratives often depict apocalyptic scenarios where survivor conflicts lead to societal collapse.
Resurgence in zombie narratives in response to social anxieties post-9/11 and natural disasters.
Zombie culture now contributes approximately $5 billion annually to the economy (Ogg 2011).
Zombies feature across various media: films, games, comics, novels, and merchandise.
Zombies serve as metaphors for contemporary social and economic issues, like failed banks and neoliberalism.
Equally resonate through various cultural forms, reflecting social and ideological contexts.
American zombies evolved from colonial misinterpretations of Haitian spiritual beliefs.
Early portrayals exploited racial and cultural misconceptions without instance of complex literary tradition.
Key films: White Zombie (1932), influenced by sensationalist narratives from the U.S. occupation of Haiti.
The 1968 film Night of the Living Dead redefined zombies into culturally resonant figures representing societal fears, especially following the consensus from Romero’s trilogy.
Lack of a united definition complicates zombie studies due to the broad nature of the creature across cultural narratives.
Dendle identifies overlap with other movie monsters complicating an all-encompassing zombie definition.
Common themes include their adaptation to contemporary societal anxieties, including violence and disaster narratives.
Avenues of Inquiry:
Cultural Productions Reflecting Society:
Cultural artifacts reveal societal ideals and underlying structural patterns.
Production Milieu:
Examination of how law, technology, and market conditions shape cultural content.
Audience Interactions:
Audiences actively interpret cultural meanings, constructing boundaries around consumptions.
Initial zombie studies utilize ritualistic approaches that connect them to societal values and contradictions.
Critique of how popular narratives reveal underlying social, political, and economic anxieties (Dendle 2007, Bishop 2009).
Historical contextualization shows spikes in zombie narratives corresponding to periods of social conflict or tension (Newitz 2009).
Post-9/11, zombies reflect fears of civil collapse and societal disarray, with differing ideological interpretations.
Night of the Living Dead addresses race relations and critiques socio-political structures, while Dawn of the Dead scrutinizes consumer culture and ideology.
Sociological methods could enhance understanding of audience interactions and interpretations of zombie narratives.
Cross-national analysis of zombie culture may reveal societal differences in representation and consumption.
Examination of social events like zombie walks can provide insights into collective cultural expressions.
The study of zombie culture can link sociological inquiry to broader social issues considering race, class, and gender dynamics.
Acknowledges the need for a multidisciplinary approach to understanding the socio-cultural implications of zombies.
Encourages further research into production dynamics and audience interactions to enhance comprehension of cultural narratives.