Ovid:
Who is Ovid-
/
-poet living under the reign of Augustus
-perfected the elegiac couplet
-Wrote Metamorphoses
-Wrote Arms amatoria-highly controversial by augustan standards,translates to the art of love
-Exiled by augustus in 8 AD
Highly educated
rhetoric-ability to speak persuasively
Ars Amatoria:
Best understood as a âhow tooâ guide for romans in terms of dating as well as a satrirical social commentry on roman life
3 books-1st is about advice for men in terms of women,2nd is on how to keep a lover once one is found,3rd on advice to women regarding men-covers fashion,hairstyle etc-importannt to note he did note bound this poem by books
Ovid often portrays his advice in a comic way,treating dating and love like no more than a game or a millitary campaign:
-calls it the âwarfare of loveâ
-deeply witty and ironic
âOvid often has his tounge in his cheekâ-grant
âsubmersive to the moral attitudes of the augustan regimeâ
Love can be a learnable skill/is an art form-ovid takes pleasure in teaching
Augustus moral reforms-
Augustus believes in monogamy,chastity and piety-think aeneid
Augustus published a series of legal reforms-with aims of restoring moral character of roman citizens-Encouraged legitimate children bearing and discourages adultery
Augustus gave political and fininial benefits to familys with three or more children
men who werent married by 38 were taxed more
adultury is a crime against the state-banished his own duaghter for adultury
much harder to divorce
Syme says augustan rules were to -ârestore civic virtueâ
âto bring the family under the protection of the state.â-syme also
Moz maiorium-ways of ancestors
Ars amatorium book 3:Part 1
Ovid argues its only fair to give women âweaponsâ to fight in the war of love-calls men âgreeksâ and women âamazonsâ-presents himself as an arms dealer working for both sides of the war
Ovid shuts down the male protestor that may be annoyed with his advice-as it is not fair to âbatlle with naked girlsâ
Calls women she-wolves and venemous snakes-playful tone
âLet the merits of each girl be seenâ-supportive (feminist),but also reductionist of women to just their bodies
Ovid then shows of his knowledge by naming literary figures lines 11-22, âmenelaus had helen and agamemnon had clytemnestraâ,good women and bad women exist,he also contrasts senecas histroical/mythological references by being light hearted with it
Ovid dissmisses stoicsism-stoicism goes againsts ovids lusty impulses 23-32
Ovid uses mythological figures to demonstrate men can be bad behavved just like women 33-40-jason,theseus and aeneas-saying aeneas is entirely at fault for didos death,opposite of what virgil argues,as well as subversing augustan propaganda due to it being anti-piety
Ovid recalls talking to Venus and being order to teach women 43-52 in a very egotistical manner
Ovid STRESSES the orders he is going to give are in accordance with modesty-âsubversive of the moral attitudes of augustan regimeâ-ormand
Ovid talks about the fleeting nature of beauty and how it would be a shame to squander it when it fades-OPPOSITE to seneca as seneca is focused on the mental
Ovid talks about vaginas and how they should not be treated like perishable goods-BUT is careful to aviod vulgarity,this goes against augustan rule of chastity,therefore cheating is not deep-women should not be afraid to act on desire
Part 3 of book 3
Ovid talks about hairstyles-References hectors wife,laodamia,loves the idea of purposley messly hairstyles,hair can be a weapon in the war of love
hair represnsts basline physical beauty-says choose the one that suits you best
He then talks about clothing choices-he displacys his knowlegde through desricbing colours avilable to a women,the coulour chosen by a women is of key importance,uses brieseas to demonstrate this
ovid uses hyperbolic similies
Part 4-Ovid dislikes armpits for some reason
Ovid lists cosmetic/makeup routnites that must be done to be successful in love-however must be done privatley
Part 5-
Ovid insults playfully his audience,saying attractive women already dont need his advice calling them ânot-so-goodâ
Defects are common but must be hidden
laughter gets attention-must be soft and measured to avoid face looking bad
Part 6-How to act-mainly though laughter and crying and speech and walking
Ovid states how one laughs is highly important in judging how attractive a woman is- as it may reveal physical defects âcrooked teethâ
Gives humours examples of laughing-âGuffawingâ-but also how to actually laugh
How to speek-Some women adopt verbal affectations,others speak badly and some not at all
Ovid very unhelpfully sates that a walk should be between a elgant walk and an enegertic one-middle ground
Part 7-Importance of music and dance
Being good at music can help make one more attractive-refers to Odysseus and the sirens
Ovid bluntly states his didactic prowess (and his pupilsâ inferiority to it), stating that no woman who has fully absorbed the lessons of the Ars Amatoria will fail to act on his advice
Ovid states that his works will put him amougnst the greatest poets ever
Part 8-learn dancing/games
Learning these will offer natural oppurtinites to advance relations due to the nature of them
playing of games is conducive to (and analogous with) love affair
Ovid does say that emotions like anger,selfishness and greed that can arise when playing games
Part 9-Be seen around
Ovid states that women have it somewhat harder then men as they cannot participate in games-especially athletics
Go to busy and visible places-easy to be seen
Fame is also a desirable thing to have
Part 10-Ovid warns against âFalse loversâ
Ovid warns against cultured, well-groomed, persuasive-likely to be faithless-likely has tongue in cheek
Ovid provides mythological examples of faithless men-Theseus
Part 11-Letters
Ovid warns women to not be to dismissive or accomodation in letter writing-should cultivate fear and hope at same time
Part 12-Avoid the vices,Favour the poets
Ovid has intention to move on to more advanced instruction with another nautical similies
Also seems to disapproving of Virgil
Ovid states that men âhate sad girlsâ as well as proud and silent ones
Subversive of Augstan moral reforms-drawing an analogy between a good military commander and a women able to acquire successful relationships
Part 13-Try older/younger lovers
Love as a game again
Older lovers have benefits-older warriorsâ will tolerate much worse treatment from their lovers than the âraw recruitsâ or younger lovers (566-567); older lovers will also be much less prone to dramatic or violent outbursts; the âolder warriorâ will not smash or burn down doors in their desire to spend time with their lovers
Advice is self serving seeing as Ovid himself is oldish
Part 14-Use tactics of jealousy and fear
Ovid continues to use love as a war
tells his pupils that they should be cruel to their lovers at regular intervals
Ovid argues that pleasure is always more enjoyable if it is associated with a degree of danger and excitement
Part 15-Play cloak and dagger
Ovid is careful to avoid the laws of the Julian Laws
How to avoid being gaurded-would naturally dampen ability to pull
guards can incapacitated with drink or drugs (646-649), or a maid can be sent to distract them with âgames
Part 16-Make him believe hes loved
Ovid states the advice he is giving is like giving women swords to kill him
Ovid also advises women to tolerate all sorts of poor behavior from their partners in order to make them feel loved
Part 17-Watch how you eat and drink
Dinner etiquette-arrive late (man would be more drunk),eat daintily-Paris would of detested Helen if she ate like a pig,
Do not drink to excess-it is not favourable but also is dangerous
Part 18-And so to bed
Ovid states that he had wanted to avoid giving women any âshamefulâ intimate advice, but was instructed to by Venus herself
Ovid stresses that sex is a prime opportunity for a woman to maximize the appeal of her physical assets
Ovid stresses how important it is for both partners to enjoy sex, and insists that even if enjoyment is not felt, it must be feigned
Ovid urges all of his students (male and female) to dedicate their love âvictoriesâ to him in the future, as his poem and expertise justify his status as the âmasterâ of love.