W4 L1 - Determinants of selective attention
involuntary attention
needed for survival
vocabulary
attention driven by other things
bottom up
stimulus-driven
exogenous
involuntary attention
reflexive attention
attention driven by goal/ under contol
top down
goal-driven
endogenous
attentional control
executive attention
voluntary attention
biased competition theory - Desomine & Duncan (1995)
competition among multiple models
top down vs. bottom up
stimulus-driven attentional selection
stimuli of high salience
Salient colour singleton - “odd one out”
singleton attentional capture task
can top-down mechanisms focus attention only on shaoes? NO
stimulus-driven selection - Broadbent, 1958; Treisman & Gelade, 1980
bottom up BEFORE top-down
FIRST STAGE
initial sweep across visual field, entirely bottom up
calculation of local salience
attention → location with highest local feature contrast / salience
SECOND STAGE
is selected item target?
attention shifts to item that is line with respect to salience.
the role of the “Attentional Window”
attentional window is a specific field of vision we’d have
only stimuli in that field of vision can capture our attention
contingent capture - Folk & Remington (1992)
attentional capture NOT stimulus-driven
attention can only be captured by stimuli relevant to our goasl
this relevance might be less obvious in some cases
study
invalid cues produced slower RTs - attentional capture
colour cues capture attention when target was defined on colour
onset cues captures attention when target was defined on onset
but not vice-versa
Bacon and Egeth (1994)
search for singleton shape → singleton detection search strategy
“spot the single one out”
shape no longer singleton
colour singleton no longer interferes
Theuswes (2004)
colour singleton DOES interfere when target non-singleton if local salience is maintained
abrupt onsets - Yantis and colleagues (1988)
something suddenly appears
only abrupt ones can produce stimulus driven capture
things that move or loone (come towards you) catch attention - Franconeri & Simons (2003)
display wide settings: another argument against stimulus-driven capture - Gibson & Kelsey (1998)
attention tasks usually begin with some kind of change to display
task stimuli onset, or offset, or change colour, etc.
attention capture
beyond physical salience
sometimes things seem to attract attention because of their meaning
eg. threat
sometimes things seem to attract attention because of meaning or personal relevance
familiarity/expertise can influence attention
experts in american football faster to notice changes in football related images - Werner & Thies (2010)
expert musicians more distracted by musical instrument - Ro, Friggel & Lavie (2009)
more recent theories highlight the role of ‘selection history’ or reward associations