British Romanticism
British Romanticism
Dates of Romanticism
Romanticism was an artistic, literary, and intellectual movement that originated in Europe at the end of the 18th century and flourished between 1800 and 1850.
Common starting dates for British Romanticism:
1789: Year of the French Revolution.
1798: Year Wordsworth and Coleridge published Lyrical Ballads.
Ending dates of British Romanticism vary based on perspective:
1830: Rough date for the end of the first Industrial Revolution.
1832: Death of Sir Walter Scott and Johann Wolfgang von Goethe.
1837: Year Queen Victoria took the throne.
Historical Context of Romanticism
Romanticism emerged primarily as a reaction against:
The Enlightenment:
Focused on cold reason, intellect, and science.
Romantics rejected Enlightenment rationalism and the Augustan writers' influence.
The Industrial Revolution:
Concerns over urbanization, loss of countryside, pollution, loss of individualism, and harsh working conditions.
Included child labor and various other negatives associated with industrialism.
Inspiration from the French Revolution:
Ideals of liberty, equality, and fraternity.
Although disappointed by certain outcomes, Romantics cherished the rise of democracy and personal liberty.
William Hazlitt, author of The Spirit of the Age, noted the origins of Wordsworth’s work were influenced by the revolution.
Precursors and Harbingers of Romanticism
Numerous literary forerunners contributed to the development of Romanticism:
Jean Jacques Rousseau (1712-1778) emphasized "uncorrupted morals" in the "state of nature."
Nature poets and Graveyard poets at the end of the Augustan Age hint at Romantic ideals.
Sturm and Drang:
Pre-Romantic German movement in literature (1760s-1780s).
Emphasized individual subjectivity and the revolt against societal constraints imposed by rationalism.
Notable work:
The Sorrows of Young Werther (1774) by Johann Wolfgang von Goethe.
Affected young men throughout Europe, embodying passionate temperament.
Key Publication: Lyrical Ballads (1798)
Commonly regarded as the start of British Romanticism, published by Wordsworth and Coleridge.
Content:
Approximately 90% of poems by Wordsworth focusing on the lives of the poor and nature.
Coleridge contributed five poems, including “The Rime of the Ancient Mariner.”
Context:
The Lake Poets, including Wordsworth and Coleridge, were seen as radical.
Key Figures in British Romantic Poetry
William Wordsworth (1770-1850)
Samuel Taylor Coleridge (1772-1834)
John Keats (1795-1821)
Percy Bysshe Shelley (1792-1822)
Lord Byron (1788-1824)
William Blake (1757-1827)
Themes in Romanticism
Nature and the Common Man
A core concern of Romantics was the positive effects of nature on individuals.
Spiritual and aesthetic dimensions of nature were emphasized.
Connection with nature seen as mentally and morally healthy, contrasting with urban life and societal norms.
Favored simple and pastoral life.
Emphasized the innocence of children and the common man.
The Individual
Romanticism values the achievements of individual artists and ‘heroic’ individuals.
Rejection of societal norms is central; individuals must free themselves from societal expectations to pursue great art.
The Imagination
Central to the artistic experience.
In contrast to Augustans, Romantics prioritized imagination over classical rules and reason.
They believed that truth and universal spirit could be found in nature, influencing artistic inspiration.
Example: The Aeolian Harp
Played by the wind; symbolizes the belief in the natural world as a source of art.
Emphasis on Emotions
Romantics valued intense emotions, regarding them as key to the human and artistic experience.
Notable quotations:
William Wordsworth: Poetry should begin as “the spontaneous overflow of powerful feelings.”
Strong emotions, including fear and horror, were embraced, notably through the Gothic tradition.
The Byronic Hero
A distinct archetype characterized by complexity and emotional depth.
First exemplified through Lord Byron's Childe Harold's Pilgrimage.
Marked by intelligence, emotional richness, alienation from society, and frequently flawed behaviors which still evoke admiration.
Miscellaneous Characteristics of Romanticism
Emphasis on intuition and spontaneous creativity.
Preferring subjective to objective experience, and imagination over intellect.
The fascination with the mysterious and supernatural led to the emergence of Gothic literature.
Beliefs About Art
Romantics opposed the idea of didactic art, arguing for “Art for Art’s Sake” (Ars Gratia Artis).
Valued individual expression over imitative qualities of art.
Art was seen as a vehicle to express universal truths beyond science or reason.
Ordinary people became primary subjects, employing the “language of the common man.”
First-person lyric poetry became prevalent, reflecting intimate artist-audience connections.
Revolutionary Changes in Art
The Romantic movement transformed the perception of art, emphasizing individual expression and inner experience over imitation of life.