Detailed Study Notes for Introduction to Media Studies

Introduction to Media Studies

  • Introduction by L. Mitchell, course instructor.

    • Emphasis on taking notes, as not all information will be on slides.

    • TA introduction and contact information shared, noting that it’s important for students to reach out for assistance.

    • Overview of the course structure and expectations.

Course Overview

  • Credit course involving small, low-stakes, experiential assignments.

  • Focus on fun, exploratory learning through various media activities.

  • Course has been offered for three years, likely the last time in this format.

  • Background of L. Mitchell:

    • Professor since 2012 with a focus on politics, video games, and online discourse.

    • Current research interests in online political discourse.

TAs and Student Introductions

  • Introduction of TAs: Erin and Joshua Harmon.

    • Erin identifies as studying cultural studies.

    • Joshua mentions studying professional wrestling and alternative theater, highlighting the breadth of topics studied in cultural studies.

  • Students are encouraged to learn from varied personal interests in the class, emphasizing the potential to explore unconventional subjects.

Course Agenda

  • Forthcoming discussions will include:

    • Social media analysis.

    • Circuit report overview.

    • Brief lecture on March and April events.

  • Slides available on Blackboard.

Approach to Lecturing

  • Emphasis on observing and noting key points from lecture rather than relying solely on slides.

  • Encourages students to identify key information presented.

  • Approach prioritizes experiential learning through watching, listening, and interactive engagement.

Syllabus and Course Materials

  • Syllabus provided in multiple formats on Blackboard.

    • Contains contact information and guidelines for assignments.

    • Important to consult the syllabus for assignment details and contact TAs for any queries.

  • Mention of meetings and organization structured for effective student engagement.

Class Focus and Methodology

  • Media Studies encompasses various methodologies including:

    • American communications styles focusing on structural incorporation.

    • Video studies in legacy media.

    • Focus on primary sources: authentic voices discussing their media experiences.

    • Importance of social media as a contemporary media lens.

Content Structure

  • Methodology is diverse, exploring:

    • Participants’ own experiences in relation to media.

    • Incorporating experts and scholarly contributions.

  • Acknowledgement that social media shapes public perceptions:

    • Not merely a secondary source of information but a defining aspect of contemporary life.

Textbooks and Readings

  • Critique of conventional textbooks that promote rote learning.

  • Noted importance of understanding the implications of social media through a mix of personal experience and academic research.

Social Media and Society

  • Emphasis on the psychological impact of social media.

    • Attention manipulation and identity issues linked to online environments.

  • Discussions on how shared experiences on social media affect societal behavior.

  • Reference to Max Fisher’s "The Chaos Machine", discussing the underlying dangers of social media.

    • Key Takeaway: "What are the consequences of routing all politics, information, and human social relations to online platforms expressly designed to manipulate attention?"

Personal Reflection on Usage

  • L. Mitchell shares personal sentiments about social media engagement and addiction.

  • Discusses the challenges of disconnecting from technology and social media, reflecting on societal addiction to digital devices.

Non-Moralizing Approach

  • Course will not demonize social media; instead, will explore functional uses and societal impacts while fostering a critical perspective.

  • Goal is to understand our media consumption and production practices.

Defamiliarization Concept

  • Discusses defamiliarization as a critical tool in understanding media consumption:

    • Importance of taking a step back to analyze media's role in daily life.

    • Example of “a fish knows nothing of the water in which it swims.”

Assignments and Evaluation

  • Overview of upcoming assignments and their focus on practical and experiential outcomes.

  • Students will engage in experiments that involve creating and analyzing multimedia content.

  • Importance of developing critical skills in documentation and presentation.

Course Philosophies and Theories

  • Introduction of Marshall McLuhan's theory: "The medium is the message"

    • Importance of examining how media structures shape human engagement rather than focusing solely on content.

  • Examination of various media forms as extensions of human capability.

Case Studies and Implications

  • Discusses case studies involving media narratives and political implications (e.g., police violence video evidence).

  • Reflection on societal truth as shaped by media narratives.

Engaging with Course Content

  • Class discussions will challenge students to connect personal experiences to broader media theory.

  • Multiple experiments focusing on social norms, including a breaching experiment exploring social discomfort online.

Future Readings and Video Essays

  • Introduction of video essays as a method of analysis in discussions of media's societal impact.

  • Assignments centered on identifying media influences through experiential learning and theoretical application.

Conclusion and Questions

  • Open floor for student questions regarding course structure and content.

  • Encouragement to connect class themes to personal experiences and societal phenomena.

  • Reminder about the class's goal: to explore media through various lenses while maintaining critical engagement with content.