01 Class 1 British Literary Art Introduction
Course Information
Course Title: British Literary Art of the Nineteenth Century
Course Code: ARTH 366-N01
Instructor: Prof. Rebecca B. Trittel
Term: Winter Quarter 2025
Supervisors
Supervisors:
Teddy
Daisy
Jack
Attendance Policy for SCADnow Courses
Requirements:
Regularly check online course site
Engage academically in daily coursework
Attendance earned via participation on at least two days per unit/week (live/asynchronous)
Monitoring:
Faculty document weekly engagement
Active participation includes:
Live sessions, critiques, demos
Discussion posts, assignments, quizzes
Extra help sessions, office hours, correspondence
Absences:
Exceeding 20% absences (5 or more) results in a failing grade
Contact Information
For technical issues:
Email: techsupport@scad.edu
Today's Discussion
Course introduction
Overview of Blackboard
Assignment details
Q&A session
Course Assignments
Weekly Discussions
Examinations: Midterm and Final
Research Paper Project:
Topic
Thesis
Outline
Research Paper
Presentation
Selected Artwork Overview
William Hogarth, The Beggar's Opera, 1731
Medium: Oil on canvas
Location: Tate Britain, London
Sir Joshua Reynolds, Mrs. Abington as ‘Prue’ in “Love for Love,” 1771
Medium: Oil on canvas
Location: Yale Center for British Art
Henry Fuseli, Thor Wrestling the Midgard Serpent, 1790
Medium: Oil on canvas
Location: Royal Academy of Art, London
William Blake, The Great Red Dragon and the Woman Clothed in the Sun, c.1805-1810
Medium: Pen, ink, watercolor, and pencil on Paper
Location: National Gallery of Art, Washington, D.C.
John Everett Millais, Ophelia, 1852
Medium: Oil on canvas
Location: Tate Britain, London
Historical Context
The Nineteenth Century: Official dates range from 1800-1899. Class dates extend from 1740 to 1914.
Overview of Britain:
Two large islands in the ocean historically referenced; Albion (Britain) and Ierna (Ireland)
Counties of Great Britain: Includes regions like Sutherland, Caithness, Northumberland, and many more.
Key Literary Figures and Works to Consider
Key authors and texts:
William Shakespeare (plays)
Geoffrey Chaucer (The Canterbury Tales)
Edmund Spenser (The Faerie Queene)
John Milton (Paradise Lost)
Lord Alfred Tennyson (Idylls of the King)
Classical Mythology & Fairy Tales
Literary Art Definition
Literary Art: An illustration connecting written word to visual representation
Two forms:
Faithful illustration
Embellishment with poetic quotations
Art Academies and Associations
Institutions such as:
Royal Academy of Art
Society of Artists
Free Society of Artists
Royal Scottish Academy
Notable Art Critics
William Hazlitt: Late 18th Century
John Ruskin: 19th Century
Roger Fry: Early 20th Century
Expositions and Exhibitions
Exposition: Large public exhibitions showcasing cultural essence
Key events from the 1800s:
1851: Great Exhibition (London)
1855: Exposition Universelle (Paris)
1862: International Exhibition (London)
1876: Centennial Exhibition (Philadelphia)
1878: Exposition Universelle (Paris)
1889: Exposition Universelle (Paris)
Notable Works and Artists Mentioned
William Frith, A Private View at the Royal Academy, 1881, 1883
Medium: Oil on canvas
Location: Royal Academy of Arts, London
Bernard O'Neill, Public Opinion, 1863
Medium: Oil on canvas
Location: Leeds Art Gallery
Course Information
Course Title:
British Literary Art of the Nineteenth Century
Course Code:
ARTH 366-N01
Instructor:
Prof. Rebecca B. Trittel
Term:
Winter Quarter 2025
Supervisors
Teddy
Daisy
Jack
Attendance Policy for SCADnow Courses
Requirements:
Regularly check online course site: Students are expected to familiarize themselves with the course layout and announcements.
Engage academically in daily coursework: Active participation is critical for comprehension and success in the course.
Attendance earned via participation on at least two days per unit/week: Participation can occur in both live and asynchronous formats.
Monitoring:
Faculty will document weekly engagement, assessing both the quality and frequency of participation.
Active Participation Includes:
Attendance in live sessions, critiques, and demonstrations.
Contribution to discussion posts, completion of assignments, and participation in quizzes.
Participation in extra help sessions, office hours, and correspondence with the instructor.
Absences:
Exceeding 20% absences (5 or more): This may result in a failing grade for the course as consistent attendance is essential for successful learning.
Contact Information
For technical issues:
Email: techsupport@scad.edu
Today's Discussion
Course Introduction: Overview of course objectives and expectations.
Overview of Blackboard: Familiarization with the course management system functionalities.
Assignment Details: Discussion of upcoming assignments and their format.
Q&A Session: Open time for students to ask questions related to course material and assignments.
Course Assignments
Weekly Discussions: Regular contributions reflecting on readings and critical analysis of the works discussed.
Examinations: Midterm and Final exams assessing knowledge of course material.
Research Paper Project:
Topic: Selection of a relevant theme in British literary art.
Thesis: Crafting a strong thesis statement that guides the paper's argument.
Outline: Developing a structured outline to organize thoughts and research.
Research Paper: Comprehensive analysis of the chosen topic supported by scholarly sources.
Presentation: Presentation of research findings to peers, demonstrating understanding and analysis of the topic.
Selected Artwork Overview
William Hogarth, The Beggar's Opera, 1731
Medium: Oil on canvas
Location: Tate Britain, London
Sir Joshua Reynolds, Mrs. Abington as ‘Prue’ in “Love for Love,” 1771
Medium: Oil on canvas
Location: Yale Center for British Art
Henry Fuseli, Thor Wrestling the Midgard Serpent, 1790
Medium: Oil on canvas
Location: Royal Academy of Art, London
William Blake, The Great Red Dragon and the Woman Clothed in the Sun, c.1805-1810
Medium: Pen, ink, watercolor, and pencil on Paper
Location: National Gallery of Art, Washington, D.C.
John Everett Millais, Ophelia, 1852
Medium: Oil on canvas
Location: Tate Britain, London
Historical Context
The Nineteenth Century:
Officially ranges from 1800 to 1899, but class discussions will extend from 1740 to 1914 to provide a broader context.
Overview of Britain:
Comprised of two large islands historically referenced; Albion (Britain) and Ierna (Ireland).
Various counties in Great Britain including regions like Sutherland, Caithness, Northumberland, and many other culturally rich areas.
Key Literary Figures and Works to Consider
William Shakespeare: Renowned for his plays that explore human nature and society.
Geoffrey Chaucer: Known for “The Canterbury Tales,” a pivotal work in English literature.
Edmund Spenser: Famous for “The Faerie Queene,” which embodies the ideal of virtue.
John Milton: Author of “Paradise Lost,” a cornerstone in English epic poetry.
Lord Alfred Tennyson: Celebrated for “Idylls of the King,” reflecting on the legends of King Arthur.
Classical Mythology & Fairy Tales
Significant impact on British literature, often interweaving themes from mythology and folklore to enrich narratives.
Literary Art Definition
Literary Art: Refers to an illustration that connects the written word to visual representation.
Two forms:
Faithful Illustration: Accurate depictions aligning closely with textual descriptions.
Embellishment with Poetic Quotations: Incorporating literary quotes to enhance artistic expression.
Art Academies and Associations
Key institutions influencing British art include:
Royal Academy of Art
Society of Artists
Free Society of Artists
Royal Scottish Academy
Notable Art Critics
William Hazlitt: An influential figure in the late 18th century, known for his critical essays on art.
John Ruskin: A prominent 19th-century critic who emphasized the moral aspects of art.
Roger Fry: Contributed significantly to art criticism in the early 20th century, advocating for modernist movements.
Expositions and Exhibitions
Exposition: A large public exhibition that showcases cultural essence and artistic achievements.
Key events from the 1800s:
1851: Great Exhibition (London)
1855: Exposition Universelle (Paris)
1862: International Exhibition (London)
1876: Centennial Exhibition (Philadelphia)
1878: Exposition Universelle (Paris)
1889: Exposition Universelle (Paris)
Notable Works and Artists Mentioned
William Frith, A Private View at the Royal Academy, 1881, 1883
Medium: Oil on canvas
Location: Royal Academy of Arts, London
Bernard O'Neill, Public Opinion, 1863