Film Production Management, Third Edition ( PDFDrive ) (1)
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Cover Page
Book Title: Film Production Management
Author: Bastian Clevé
Edition: Third Edition
Publisher: Focal Press
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Subject
Main subject is Film Production Management.
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Dedication
Dedicated to Marietta Celine and Marlies.
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Book Details
Published by: Elsevier
Locations: Amsterdam, Boston, Heidelberg, London, New York, Oxford, Paris, San Diego, San Francisco, Singapore, Sydney, Tokyo
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Copyright and Permissions
First published in 1994, second edition in 1999, third edition in 2006.
Copyright © 2006, Elsevier Inc.
Information on obtaining permissions for reproduction is provided.
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Contents Overview
The Production Manager
Job responsibilities, management process, practical tips
The Business of Film
Development, preproduction, production, postproduction phases
Preparing for Production
Script breakdown, shooting schedule
Special Tips for Low-Budget Productions
Locations
Surveys, film commissions, permits
Unions
Cast and Crew
Hiring procedures, crew duties
Contracts, Agreements, and Working Permits
The Budget and Production Budget Forms
Budget processes, forms, revisions
Insurance
Completion Bonds
Film Festivals and Markets
Film Schools
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Continued Contents
Appendices: Selected Addresses, Example Agreement Forms
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Continued Contents
Appendix 1: Addresses of national guilds, producers' organizations, and relevant government offices.
Appendix 2: Example agreement forms.
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Introduction
Discusses changes in technology since the second edition.
Highlights the impact of digital filmmaking on production processes and distribution.
Mentions that basic filmmaking standards and procedures remain unchanged despite the evolution of technology.
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Introduction Continued
Comments on the abundance of film festivals and the evolving nature of online distribution.
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Chapter 1: The Production Manager
Explains the role and responsibilities of a production manager in filmmaking.
Emphasizes the complexity and importance of preproduction planning.
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Chapter 1 Continued
Describes the production manager as the economic and organizational backbone of film production, balancing art and commerce.
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Chapter 1 Continued
Details Company structure and the production manager's collaboration with directors and producers.
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The Production Manager’s Job
Outlines the specific job responsibilities as defined by the Directors Guild of America.
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Job Overview
Discusses the different titles that may fall under the production manager's role, such as Unit Production Manager (UPM).
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Job Responsibilities
Lists key responsibilities like budgeting, scheduling, and liaison roles.
Emphasizes the necessity for meticulous planning and legal agreements.
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The Business of Film
Discusses the various phases of filmmaking (development, production, postproduction).
Explores the financial aspects and the significance of budgeting.
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The Business of Film Continued
Explains how the production manager facilitates communication and coordination among the crew, cast, and stakeholders.
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Preproduction Steps
Emphasizes the importance of preparation, including legalities and logistical arrangements.
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Ongoing Production Coordination
Discusses the need for adaptability during filming as schedules may change.
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Tips for Production Management
Highlights practical strategies for effective production management.
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Business Aspects of Film
Focuses on key financial aspects, including budgeting and funding arrangements.
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Preparing for Production
Discusses script breakdown and the creation of detailed shooting schedules.
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Components of a Successful Shoot
Outlines the essential elements that contribute to a productive filming environment.
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Ensuring Efficient Shooting
Discusses the effective use of equipment and the organization of crew on set.
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Call Sheets
Describes call sheets as a means of communicating shooting schedules to cast and crew.
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Call Sheet Example
Provides a sample layout of a call sheet for clarity on production organization.