Expressionism
Expressionism:
An art style in which the artist or writer seeks to express the inner world of emotion rather than external reality
German Expressionism:
Tim Burton was inspired by German expressionism, which was an artistic movement after WWI
It embodied the mental and physical wounds after the war was lost
The movement is often characterised with dark, stylised sets, with characters whose movements reflect their environments
Practitioners Influenced by Expressionism:
Artaud, Brecht and Berkoff were all inspired by expressionism
Expressionism started in Germany around 1912-20 - it was used to challenge the rigid authority of the time
Expressionism is the opposite of realism - it is a tool to portray the subconscious
Expressionist writers used this form to reflect their own inner, personal views of the world within their work, even if these views were strange or eccentric
The movement was also influenced by theorists such as 19th century philosopher Nietzsche who emphasised the importance of the individual and the creative side of people’s personalities
Freud’s theories have also inspired the movement regarding ideas of peoples’ hidden and inner states of mind - Freud offered new approaches and new understandings of the human personality and he developed theories about people’s subconscious
Approaching an Expressionist Play as an Actor:
Expressionist actors would adopt a style that was a complete rejection of Stanislavski’s naturalism - it would use exaggeration, distortion, and mechanical movements
Instead of accurately portraying thoughts or feelings the character would become a whole representation of the writer's thoughts or feelings
Characters become representations and archetypal rather than individuals
They would become simplified - sometimes the actor would need to become almost farcical to put the message across
The character’s name usually emphasises the fact that they are merely representations rather than people to be believed
The actor’s focus would be to express the emotional journey of the character
Conventions of Expressionist Drama:
Atmosphere:
Dreamlike, surreal, or even nightmarish
Often used lighting which would cast shadows across the stage or look unnatural
Plot:
Disjointed, episodic
Scenes would be broken up into small episodes like a dream
The plot would follow extreme or exaggerated emotions
All of a sudden the characters might seem to be in pain
There would often be no mention of time - there was no difference between night and day
Characters would seem beyond human and not interact in a realistic way
Dialogue:
Does not replicate normal speech
Often punctuated with pauses, long silences and be fragmented
Sometimes poetic and other times repetitive like a chant
Short clipped speech
Characters:
Not supposed to be identifiable - they would often not have names or be given universal names like ‘The Mother’
Characters appear over exaggerated
Actors would often move in unison with other actors to create rhythmic movements
Set:
It should not look realistic
Bright, bold colours or strange objects and shapes
Many set designers would not show a specific place or location
Often angled or distorted
Acting Style:
Known as the ‘ecstatic’ style - it was intense and violent or grotesque
Expressed tormented emotions - speech was rapid, breathless and staccato, with urgent gesture and movement such as eyes rolling, teeth bared, fingers and hands clutching like talons and claws
A player might appear to be overacting and adopting the broad mechanical movements of a puppet
Movements were mechanical, rhythmic and exaggerated
Voices - heightened emotions, use of pause and silence, screams, breathing, rambling and urgent
In Machinal:
Pulling hair
Long pauses
Rambling vocally
Screams
Breathing
Slow motion movements
Banging head
Fixed stares
Puppet-like
Hyperventilating