Guitar

Homework Assignments

  • Homework for Thursday, January 22, 2026

    • Status: No Due Date

  • Homework for Tuesday, January 27, 2026

    • Status: No Submission


Primary Bass or Root

  • Various types of accompaniment utilize the primary bass or root of the chord.

    • Definition: The root or primary bass of any chord is the same as its name.

    • Example:

      • The root of the D chord is D (open, 4th string)

      • The root of the G chord is G (3rd fret, 6th string)

      • The root of the A7 chord is A (open, 5th string)

  • Illustration (Fig. 1):

    • D: XXO

    • G: 000

    • A7: X0O

Bass/Chord Strum Techniques

Pickstyle

  • Technique: Use a down-stroke with a pick when plucking the root (R) of the chord.

  • Motion Details:

    • The thumb pushes the pick through the string and stops short, or slightly above, the adjacent (higher in pitch) string.

Fingerstyle (Free Stroke)

  • Technique: Pluck the root (R) of the chord with the thumb.

  • Motion Details:

    • Allow the thumb to slightly pass over the adjacent (higher in pitch) string.

    • The thumb should be held rigid (not bent).

    • The primary motion originates from the joint nearest the hand.

  • Terminology: This technique is referred to as a free stroke or tirando in classical guitar methods.


Musical Concepts and Terminology

Melody

  • Definition: A series of consecutive pitches that vary in pitch and duration, organized into a musical idea.

Legato

  • Definition: Playing notes long and connected into each other.

Range

  • Definition: The distance between the highest and lowest pitch.

Contour of a Melody

  • Definition: The way a melody moves between the notes, including rises, falls, leaps, and skips.

Intonation

  • Definition: The accuracy of pitch of a guitar, musical instrument, or voice.

Timbre

  • Definition: The character or quality of a musical sound or voice, distinct from its pitch and intensity.

Harmony

  • Definition: The combination of simultaneously sounded musical notes, producing chords and chord progressions that create a pleasing effect.


Writing and Counting Music

Notes and Stems

  • Note Types:

    • A stem is added to the oval-shaped Half Note and Quarter Note.

  • Stem Direction:

    • For notes located below the 3rd line of the staff, the stem is placed on the right side of the note and extends upward.

    • For notes located on or above the 3rd line of the staff, the stem is placed on the left side and extends downward.

  • Stem Length: The length must extend to the space or line with the same letter name.

Rhythmic Values in 4/4 Time

  • Quarter Note: Receives 1 beat.

  • Half Note: Receives 2 beats.

  • Whole Note: Receives 4 beats.

Counting System

  • The system for counting rhythms includes connecting numbers with a curved line to indicate a continuous sound.

    • Example: A half note is held for 2 beats, hence connect beat one to beat two using a curved line.

Assignments

  1. Directions for Stem Placement:

    • For a 4th space treble clef E: down

    • For a 2nd line treble clef G: up

  2. Drawing Stems:

    • Draw stems on the given quarter notes and write their names in the indicated spaces.

  3. Half Notes:

    • Using half notes, draw the specified notes without slanting the stems.

  4. Counting Exercise:

    • Write the counting under the notes using a curved line for half and whole notes.


Treble Clef, Note Names, Tablature, Measures

Treble Clef

  • Also called the G Clef.

Naming Notes and Clef Lines

  • Alphabet Letters Used: A, B, C, D, E, F, G

  • Lines of the Treble Clef (from bottom up): E, G, B, D, F

  • Spaces of the Treble Clef (from bottom up): F, A, C, E

Whole Notes

  • Write the letter names of the specified whole notes e.g., G, A, B, C, D, E, which may need to be drawn or written out.

Tablature

  • Frets of the Guitar: Numbers placed on tablature indicate which frets to press.

  • A zero on any line denotes playing an Open String.

Additional Exercises

  1. The bottom line of tablature corresponds to the 1st string of the guitar.

  2. Ensure each measure contains four beats, drawing the requisite bar lines and a double bar at the end.

  3. Count the number of measures in the specified exercises (exercise 11a).

Additional Musical Notes

  • The treble clef is drawn in two steps. For practice, draw four treble clefs.