Lifelong exposure to the world requires individuals to seek understanding.
Knowledge emerges from the relationship between experiences and personal insights.
Reflection is critical; insights are not immediate but develop over time from within.
Eudora Welty emphasizes that the strongest recognition is rooted in both empathy and shock, indicating human depth in observation.
Walter Fisher highlights that writing occurs within a larger storied context, involving multiple characters over time.
Three weeks into the fall term, students present diverse backgrounds in a college composition class.
Despite anxiety, students show signs of relief, akin to athletes completing a race.
Their first narrative assignment, though not graded, is still perceived as significant by them.
Students engage actively with materials before writing, with one notably lively participant, Kelly.
The following task requires students to produce a reflective piece, expanding on earlier narratives.
In the late 1970s and 1980s, research aimed at understanding how students learn to write was undertaken.
There was a gap in knowledge about the learning processes despite numerous experiments in writing strategies and creativity.
Janet Emig's work pointed out that writing studies often overlooked the actual writers (students).
Early studies, like Perl's, focused on observing students' composing processes, noting consistent methods in even flawed writing.
The studies were primarily qualitative, valuing the individual writer's voice and experience.
A second wave of cognitive research highlighted how experienced writers anticipate audience responses, leading to practical applications in teaching.
Joseph Harris noted that both Emig’s and Flower’s work starts with an ideal text, dictating process and product.
Both models inadequately addressed the dialogical nature of revision and interaction among writers.
New approaches to composition reflect the social context of writing and ongoing conversations that shape it.
A notable link between reflection and composition was established in Sharon Pianko's work recognized since the late 1970s.
Reflection during writing, apparent through writer's pauses and reconsiderations, distinguishes fluent writers from others.
Reflection, in this context, involves a discourse on one’s achievements, learning processes, and future goals.
Involves a cycle of projection (goal-setting), retrospection (review), and revision.
Reflection is integral for deep learning in both formal and informal settings.
Teachers increasingly use reflection to inform teaching practices, enhance curricula, and improve assessments.
Reflection is depicted as a dialectical process involving collaboration between the reflective individual and varying perspectives.
Promotes understanding how past writings shape current knowledge and practices.
John Dewey’s conception of reflective thinking as goal-oriented, process-driven and socially mediated indicates the depth of learning.
Lev Vygotsky posits that reflective consciousness is formed through social interaction, necessitating both scientific and spontaneous concepts.
Reflection in educational contexts prompts students to articulate learning through various forms like narratives and dialogues.
encourages students to engage actively in their learning processes by linking reflection with agency.
Educators are encouraged to theorize and reflect on their practices collaboratively with students.
Teachers are seen as reflective practitioners who adjust their methodologies based on reflective insights.
The classroom becomes a venue for shared inquiry, emphasizing both student and teacher agency in the learning process.
The book will explore various dimensions of reflection across different chapters, emphasizing reflection-in-action, constructive reflection, and reflection-in-presentation, enhancing both student and teacher engagement in the writing process.