Quiz #1 Review - Form and Analysis
Transpositions
C Instruments are the sounding pitch
Eb instruments are an M6 above concert pitch
Bb instruments are an M2 above concert pitch
F instruments are a P5 above concert pitch
*Tips*
Bb → F → C → G
Adding sharps
G → C → F → Bb
Adding flats
Form Diagrams
Periods
Melodic Terms
Parallel: the two phrases share motivic ideas/are heard as similar
Contrasting: the two phrases have different motivic ideas
Harmonic Terms
Sectional: the first phrase ends in an IAC, so it’s harmonically closed off with the Tonic Area
Interrupted: the first phrase ends in an HC, so it’s “interrupted” before it can complete the phrase model; next phrase restarts in Tonic
Continuous: Similar to Interrupted, but the second phrase doesn’t restart to Tonic
Progressive: The period modulates and ends in a new key
Three Phrase Groups
Three phrases grouped together by a conclusive cadence
Double Period
Four related phrases are grouped together as a larger period with weaker periods embedded in each of the phrases
Strophic Form (AAA)
A single melody that is repeated with different verses; the melody could feature small adjustments to accommodate new lyrics, but typically no substantial variation
Bar Form (AAB)
Melodic idea (A) is repeated once (another A) before moving on to a section of new material (B)
Binary Form (AABB)
Melodic Terms
Simple: Two sections of the binary form feature different melodic material
Balanced: Two sections with different melodic material; both ending with the same notable cadential flourish
Rounded: The second section begins with a brief digression, then leads back to section A’s material
Harmonic Terms
Sectional: Cadence in the home key
Continuous: Cadence in a different key area
Schemas
Monte: Rising sequential motion (“mountain”)
Fonte: Downward sequential motion (“waterfall”)
Ponte: Development within a prolongation of a dominant harmony (“point”)
Ternary Form
Two contrasting thematic sections, with a return to the first
Melodic Terms
Simple: Each section may have periods or sentences embedded
Compound: Each section will be its own Binary form or Simple Ternary
Harmonic Terms
Fully Sectional: All three thematic sections close with a PAC in their respective keys
Partially Sectional: One of the thematic sections is harmonically open at its cadence
Continuous: Both the first A and B are harmonically open at their cadences
Common Variations to Phrases
Phrase Expansion: An internal expansion of the phrase that results in a longer-than-expected phrase
Phrase Extension: An external expansion of the phrase beyond its expected length
Elision/Overlap: When a point in time belongs to both the end of a phrase and the beginning of the following phrase of music