CH 3- Intervals
Intervals
An interval is the measure of distance between two pitches
You must count each given letter plus any given letters that occur between two pitches
Octave is abbreviated to 8ve or 8va
Even numbered intervals always consist of one line and one space note
Odd numbered intervals consist of two line or two space notes
Always determine lowest note of pair, then count up to higher note when naming interval
Intervals that are side by side are considered melodic; intervals stacked on top of each other are considered harmonic
Intervals of the Major Scale
The quality of an intervals references if the interval is major, minor, perfect, diminished, or augmented
“Major” describes the size of an interval from fist note of major scale to other certain notes of the scale
Seconds, thirds, sixths, and sevenths can be major
“Perfect” Intervals describe interval size from first note of major scale to fourth, fifth, or eighth
Neutral sounds; neither pleasant or unpleasant
Have open/ empty quality because frequencies are exact mathematical ratios
Thirds and sixths are pleasant, sounding at rest
Seconds and sevenths are harsh and full of tension
Mnor Intervals
Minor intervals are major intervals made smaller by a half step
When an interval is made smaller, the two notes move closer together
Accomplished in one of two ways:
Moving the bottom note up a half step
Moving top note down a half step
Numeric designation of interval is size
Other is quality (major/ minor/ perfect)
Altering Perfect Intervals
Diminished- “Made smaller”; making an interval smaller
When lower note is raised or top note is lowered of a perfect interval
Augmented- “Made Larger”; Making interval larger
Top note is raised and bottom note is lowered
Altering Major and Minor Intervals
When minor intervals are lowered by a half step, they become diminished
When major intervals are made larger by a half step, they become augmented
The tritone is composed of three (Tri) whole steps (tones)
Found in major scales from fa to ti and from ti to fa
***All intervals can take names diminished or augmented; not all can take major, minor, or perfect
Major/ Minor: Seconds, thirds. sixths, and sevenths
Perfect: Unisons, fourths, fifths, and octaves
Major, minor, perfect. diminished, and augmented refer to quality of the interval
Inversion of Intervals
Switching the order of any two musical pitches creates an interval inversion
Turning the notes upside down
To be effective, you must always use pairs of notes that have exact same two pitch class
Perfect intervals cant become anything other than perfect
Inversions for all Interval sizes:
Unison=8ve
2nd= 7th
3rd = 6th
4th = 5th
5th = 4th
6th= 3rd
7th= 2nd
8ve=unison
Inversions for all interval qualities
Perfect=perfect
major = minor
minor = major
diminished = augmented
augmented = diminished
Creating Descending Intervals
To create descending intervals, think of its interval inversoin and then reverse the direction
When descending intervals of major scale are written, instead of forming major and perfect intervals, they form minor and perfect intervals
Compound Intervals
Compound intervals are larger than an octave
Add seven to the interval number of a simple interval to find compound equivalent