Avoidance Reduction Therapy for Stuttering (ARTS®)

Avoidance Reduction Therapy for Stuttering (ARTS®): An Overview

Contributors:

  • Vivian Sisskin, University of Maryland, Maryland, USA; Sisskin Stuttering Center, Virginia, USA

  • Mark Baer, Sisskin Stuttering Center, Virginia, USA

Theory and Framework

  • Quote: "Basically, stuttering is not a speech disorder but a conflict revolving around self and role, an identity problem.” – Joseph Sheehan

  • Foundations of ARTS:

    • Grounded in the work of Joseph Sheehan (psychologist) and Vivian Sheehan (speech pathologist).

    • Utilizes concepts from conflict theory and role theory to understand stuttering.

Conflict Theory

  • Stuttering is viewed as an “approach-avoidance conflict”:

    • Competing desires to speak versus fears that lead to holding back from speaking.

    • This conflict creates maladaptive behaviors that interfere with communication.

    • Results in “mental gymnastics” that limit social participation.

    • Contributes to multiple types of avoidance:

      • Word/sound avoidance

      • Situational avoidance

      • Impact on relationships and life choices

    • Avoidance Reduction:

      • Approaching feared situations helps resolve the conflict.

Role Theory

  • Individuals who stutter fluctuate between fluent and disfluent speech:

    • “Sometimes I stutter, and sometimes I don’t.”

    • Fluency leads individuals to mask their identity as a person who stutters.

    • Role Behavior:

      • Individuals may act in ways that reflect a false identity as a fluent speaker.

      • Behaviors can include:

      • Pretending to think

      • Speaking in unnatural ways

      • Avoiding answering questions

    • Role Conflict:

      • When stuttering occurs, shame arises from being unable to uphold the fluent persona.

    • Role Congruency:

      • Achieved through self-acceptance as a person who stutters.

Understanding the Problem of Stuttering

  • Quote: "Successful suppression of stuttering is what maintains and perpetuates the problem.” – Joseph Sheehan

  • Learning Consequences of Stuttering:

    • From a young age, individuals learn that stuttering is viewed negatively by listeners (e.g., disapproval, eye contact avoidance, interruptions).

    • Negative feedback initiates a cycle of avoidance behaviors that reinforce stuttering.

Common Escape Behaviors Include:

  • Tapping a finger

  • Breaking eye contact

  • Using interjections (e.g., “um” or “uh”) before feared words

  • Repeating already spoken words/phrases fluently

  • Substituting words

  • Not speaking at all

Operant Conditioning:
  • Escape behavior serves as a reinforcement mechanism that alters speaking patterns, providing temporary fluency.

  • Example: Breaking eye contact to avoid stuttering during introductions. As these strategies become habitual, they lead to a never-ending search for new methods of suppression.

The Iceberg Analogy

  • Visible issues (e.g., disfluencies, physical struggle) are like the tip of an iceberg;

    • The underlying issues (negative thoughts, feelings, attitudes) are submerged and larger.

  • Each instance of suppression increases the hidden problems, such as shame and fear.

  • Efforts to avoid stuttering lead to physical tension, disrupted speech patterns, and conditioned struggle.

Treatment Approaches in ARTS

  • Quote: "Every stutterer becomes in time a ‘walking museum’ of those crutches, devices, or mannerisms he has employed to conceal his stuttering.” – Joseph Sheehan

Identification and Monitoring

  • Initial step in therapy is to gain awareness of the various learned escape behaviors associated with stuttering.

  • Distinguishing between harmful behaviors (e.g., loss of eye contact) and helpful behaviors (open repetitions) is crucial.

  • Monitoring:

    • Involves identifying escape behaviors in real-time, effectively reducing them indirectly.

  • Replacement Behavior:

    • Openly stuttering replaces escape behaviors, allowing stuttering to be acknowledged without avoidance.

Open Stuttering Defined
  • It refers to "clean" stuttering, free of escape or avoidance behaviors.

  • Patterns may differ among patients; may involve initial struggles such as tension when revealing stuttering patterns.

  • Practice of open stuttering should begin in low-stress situations to encourage acceptance of feelings of shame.

Williams Normal Talking Model

  • Developed By: Dean Williams, former researcher and clinician at University of Iowa.

  • Parameters of Normal Speaking:

    • 1) Air Flow: Needed for vocal cord vibration.

    • 2) Voicing: Required for phonation.

    • 3) Tension: Essential for normal speech.

    • 4) Timing: Essential for coordination of speech.

    • 5) Movement: Necessary for effective speech production.

  • Therapeutic Approach:

    • Understand and explore the speech mechanism within these parameters to achieve fluent and smooth speech.

Desensitization and Reframing

  • Open stuttering leads to desensitization regarding the disfluency previously masked by escape behaviors.

  • Individuals must confront the shame and negative thoughts surrounding their stuttering.

  • Techniques from cognitive behavioral therapy (CBT) and mindfulness therapies (e.g., Acceptance and Commitment Therapy — ACT) are utilized to help with reframing and acceptance.

  • Goal: Gradual exposure reduces anxiety and reactivity, fostering acceptance of stuttering.

Self-Acceptance and Self-Advocacy

  • Years of avoidance and false role behavior can make individuals feel the need to achieve fluency for success.

  • Therapy promotes a cognitive shift in defining success:

    • Value being able to express oneself, regardless of fluency.

  • Self-Advocacy:

    • Individuals learn to be advocates for themselves, shedding the need to mask their stuttering.

    • Utilizing self-disclosure provides permission to stutter and presents a positive view of their condition to others.

Culture of ARTS® and the Process of Change

  • Quote: "If you don’t like something, change it. If you can’t change it, change your attitude.” – Maya Angelou

Key Concepts and Values of ARTS®

  • Promotion of comfortable, forward-moving speech and struggle-free disfluency.

  • Emphasizing self-acceptance and exercising choice regarding stuttering.

  • Important shifts include:

    • How one stutters is prioritized over if one stutters.

    • Focus on conveying messages rather than concealing stuttering.

    • Tolerance of shame considered a success.

    • Expression over avoidance is encouraged.

Tools and Techniques

  • Avoid reliance on “tools” or techniques to manage stuttering; focus instead on natural communication processes.

  • Therapy emphasizes the significance of spontaneous communication and self-expression without barriers.

Outcomes and Recovery in ARTS®

  • Recovery is defined by outcomes such as:

    • Self-acceptance as a person who stutters.

    • Achievement of spontaneous and confident communication, with minimal life interference due to stuttering.

  • Patients resonate with the idea of recovery as being able to communicate freely without the baggage of shame or worry about listener reactions.

  • Quote: "I say exactly what I want to say, when I want to say it, comfortably, efficiently and spontaneously. I no longer carry around negative mental baggage or worry about listener reaction. I am free to be who I am."

References

  • Beilby, Byrnes, Yaruss (2012) Acceptance and Commitment Therapy for adults who stutter: Psychosocial adjustment and speech fluency.

  • Brutten, G.J. & Shoemaker, D.J. (1967). The Modification of Stuttering. Englewood Cliffs, NJ: Prentice Hall.

  • Reitzes, P. (Producer). (2015, March 27). “Use Your Tools!” And Other Ineffective Nagging: featuring Vivian Sisskin. Episode 507. Audio Podcast, Stutter Talk. Retrieved from http://stuttertalk.com/use-your-tools-and-other-ineffective-nagging-ep-507/

  • Sheehan J. G. (1953). Theory and treatment of stuttering as an approach-avoidance conflict. Journal of Psych, 36, 27-49.

  • Sheehan, J.G. (1968). Stuttering as a self-role conflict. In H.H. Gregory (Ed.) Learning theory and stuttering therapy. Evanston, IL: Northwestern University Press.

  • Sheehan, J.G. (1974). Stuttering: Research and treatment. New York: Harper and Row.

  • Sheehan, V.M., & Sisskin, V. (2001). The creative process in avoidance reduction therapy for stuttering. Perspectives on Fluency and Fluency Disorders, 11(1), 7-11.

  • Williams, D.E. (1959). A point of view about stuttering. JSHD, 22(3), 390-397.

Citation

  • Sisskin, V. & Baer, M. (2016, March-April). Treb: éliminer la lutte contre le bégaiment. Ortho Magazine (Elsevier). Vol. 22(123), 14-17.

© 2017, Sisskin Stuttering Center. All Rights Reserved