Unit 5: Postmodernism
Postmodernism
- Coined in 1949 and refers to post WWII period
- Encompasses a range of developments in philosophy, film, architecture, art, literature, and culture
- Eg Catch 22 and Slaughterhouse-Five
- Postmodern authors abandon, often playfully, the possibility of meaning and the novel is often a parody of this quest
- There is no absolute truth, each individual and societal group makes his/her own meaning
- Similarities to modernist literature:
- Break from realism
- Stylistically innovative
- Explore external reality to examine the inner states of consciousness
- Employ fragmentation in narrative and character construction
- Regularly use an omniscient but often unreliable narrator
- Different to modernist literature:
- A problem that must be solved
- chaos is insurmountable, the artist is impotent
- Playfulness becomes central and the actual achievement of order and meaning becomes unlikely
- Common themes and techniques:
- Irony, playfulness, black humor
- Treating serious subjects in a playful and humorous way
- Pastiche and Intertextuality
- To combine or paste together multiple elements
- Collage and/or parody
- Representation of the chaotic, pluralistic, or information drenched aspects of postmodern society
- Metafiction
- Writing about writing, art about art
- Aware of artist and artificiality
- Paranoia and absurdism
- The belief that there is something out of the ordinary while everything appears the same
- Temporal distortion - distortions in time
- Central features: fragmentation and non-linear narratives
- Temporal distortion for the sake of irony
- Technoculture and hyperreality
- People are inundated with information
- Technology is a central focus in many lives