Khyentse Norbu: Filmmaker and adept of esoteric Buddhism.
Film Style: Blends genres with rich Buddhist allusions; uses parallel plots and contrasting characters in a road movie format.
Neorealism: Explores the pragmatic portrayal of desire against the backdrop of a journey.
Outer Story: Focuses on Dondup's desire for a better life and the transition from Tibetan-Himalayan culture to modern consumerism.
Inner Story: Centers on Tashi, Deki, and Agay, exploring sexual desire, obsession, and deeper emotional struggles.
Secret Story: Presents interpretations not immediately apparent; challenges dual nature of reality and illusion.
Dukkha: Highlights the concept of suffering and its necessity for enlightenment.
Impermanence: Recognizes the transient nature of existence as a fast track to liberation from delusion and attachment.
Quote from the storyteller monk: "A peach blossom is beautiful... because it is temporary."
Reality vs. Illusion: Khyentse Norbu's perspective on truth; everything perceived is dependent on context and interpretation.
Disruption of Order: Blurs the lines between Dondup’s reality and Tashi’s dream-state, emphasizing the illusory nature of life and cinema.
Subjective Perspective: Reality is seen through multiple levels (nature, dreams, rituals).
Dondup's Growth: Takes place along a journey, moving away from his previous narcissistic mindset.
Saṃsāra: Dondup’s transformation is closely linked to the six embodied states of mind in Buddhism.
Significance of the Journey: The journey is as important as the destination; it is ongoing and full of possibilities.
Vajrayāna Buddhism: Enlightenment is intrinsic, not solely dependent on formal training; recognizing the non-dual nature of experiences leads to awakening.
Comparison to Odysseus: The journey itself brings wisdom and understanding, regardless of the outcome (reference to Konstantinos Kavafis).
Life Lessons: Experiences obtained during the journey emphasize the essence over the end goal; Ithaka symbolizes the journey rather than the final destination.