AP Lit Poetry Terms
AP Literature Poetry Terms 2025
Literary Device | Definition | |
DICTION | the writer’s word choice | |
1. | connotation | the imaginative associations we make with words |
2. | denotation | the dictionary definition of a word |
3. | etymology | the origin of a word and the historical development of its meaning |
SOUND | ||
4. | alliteration | repetition of similar consonant sounds at the beginning of words in a line or lines of poetry or prose |
5. | assonance | repetition of similar vowel sounds in a line or lines of poetry or prose |
6. | consonance | repetition of similar consonant sounds at the ends of words in a line or lines of poetry or prose |
7. | onomatopoeia | the use of words that supposedly mimic their meaning in their sound ex. boom, click, pop |
8. | euphony | a smooth, pleasant sounding choice and arrangement of sounds |
9. | cacophony | a harsh, discordant, unpleasant-sounding choice and arrangement of sounds |
IMAGERY | language that expresses sense experience (sight, sound, taste, touch, smell) | |
10. | olfactory | smell imagery |
11. | tactile | touch imagery |
12. | visual | sight imagery |
13. | auditory | sound imagery |
14. | gustatory | taste imagery |
15. | organic | internal imagery (fluttering in the stomach) |
16. | synesthesia | when one sense is blended with another: the buzzing red dress |
FIGURATIVE LANGUAGE | Language that cannot be taken literally or only literally | |
17. | simile | comparison of two dissimilar things using like, as, as if, seems, etc. |
18. | metaphor | comparison of two dissimilar things without using like, as, as if, seems, etc. |
19. | extended metaphor | a metaphor sustained or developed through a considerable number of lines or through a whole poem |
20. | personification | a figure of speech in which human attributes are given to an animal, object, or concept. |
21. | metonymy | a person or thing is represented by something closely associated with it. “brass” = high military officers, “the crown” = royalty, “the suits” = CEOs, Hollywood = movie industry, White House = executive branch |
22. | synecdoche | a part of a thing or person is used to represent the whole (attached): “wheels” = car, “head” = cattle, “a hand” = applause |
23. | symbol | an object, person, situation, or action that represents an abstract idea |
24. | allegory | a narrative or description having a second meaning beneath the surface |
25. | allusion | a reference to a famous person, place, thing, idea in literature or history |
26. | paradox | two ideas that appear contradictory but create a kind of truth |
27. | oxymoron | two words side-by-side that contract but tell a truth: jumbo shrimp |
28. | apostrophe | a figure of speech in which someone absent or dead or something nonhuman is addressed as if it were alive and present and could reply. |
29. | understatement | a figure of speech that consists of saying less than one means, or of saying what one means with less force than the occasion warrants |
30. | hyperbole/overstatement | a figure of speech in which exaggeration is used in service of the truth |
31. | irony | a situation, or a use of language, involving some kind of incongruity or discrepancy (when the opposite of what is expected happens) |
32. | verbal irony | when what is said it the opposite of what is meant |
RHYME and METER | ||
33. | iambic pentameter | a meter in which the majority of feet are iambs and the lines contain five iambic feet total |
34. | blank verse | unrhymed iambic pentameter |
35. | free verse | non-metrical verse |
36. | iambic foot | a metered food in which there is a series of two syllables that follow this pattern of emphasis: unstressed stressed (ta TUM) |
37. | scansion | the system used to count feet and accented & unaccented syllables in a line of verse |
38. | caesura | a pause near the middle of a poetic line. The house was silent. The house, the small house. |
39. | true rhyme/rhyme | a word that has the same sound as another (usually created when the ending consonant letter and ending vowel sounds of a word are the same). |
40. | slant rhyme, near-rhyme, imperfect rhyme | a rhyme in which the ending consonant sounds are similar |
41. | internal rhyme | rhyme that occurs within the lines of the poem: “In mist or cloud, on mast or shroud.” “Sister, my sister, O fleet sweet swallow.” |
42. | eye rhyme | words that look alike but do not rhyme at all (bough/cough; brow/blow, prove/love) |
43. | rhyme scheme | Any fixed pattern of rhymes in a poem |
FORM | the external pattern or shape of a poem, describable without reference to its content | |
44. | sonnet | see FORMS sheet |
45. | ode | a poem written in praise of someone or something |
46. | homage | special honor or respect shown publicly |
47. | ballad | a fairly short narrative poem written in songlike stanza form |
48. | elegy/elegiac/lament | a poem written for the dead or someone who has died |
49. | pastoral | a romanticization of rural life; the images portray shepherds and farmers nostalgically |
50. | terza rima | tercets that are interlinked by a particular rhyme scheme: aba, bcb, cdc |
51. | couplet | two line stanza (can rhyme)--implies relationship between two things |
52. | tercet | three line stanza--implies instability or a relationship among three things |
53. | quatrain | four line stanza--implies stability |
54. | quintet | five line stanza |
55. | sestet | six line stanza |
56. | septet | seven line stanza |
57. | octave | eight line stanza |
MISCELLANEOUS TERMS | ||
58. | narrative poem | a poem that contains a “story” or elements of a story |
59. | lyric poem | a poem in which the poet’s feelings and thoughts are the main focus of the poem |
60. | point of view | point of view can be an element in poetry--usually referred to only as first, second, third person. POV can sometimes shift in a poem for a particular purpose by the poet |
61. | repetition | repetition of diction, imagery, figurative language, or syntactical elements--enhances emotions |
62. | anaphora | repetition of words or phrases at the beginning of lines of poetry |
63. | selection of detail | specific details used in description that help to develop character or enhance theme |
64. | syntax | sentence structure |
65. | stanza | a grouping of lines into which poems are separated |
66. | line break | the place at which the poet ends a line |
67. | end-stopped line | a line that ends with a natural syntactical pause, usually marked by punctuation such as a comma, period, semi-colon, colon, etc. End-stopped lines slow the pace. |
68. | enjambment /enjamed lines | The running-over of a sentence or phrase from one poetic line to the next, without using any punctuation enjamed lines quicken the pace, create irony, surprise, or double meaning |
69. | tone | the writer’s attitude toward his/her subject |
70. | speaker | the narrator of the poem (can’t assume the writer is the author) |