Rhetoric, Evidence, and Sources: Study Notes

Evidence, Sources, and Support

  • Core question the instructor keeps returning to: What counts as evidence, and where should you get it from?
  • Evidence should be specific to the topic being discussed; you can’t rely on vague or generic claims. The question "What kind of evidence? What kind of research?" pushes you to name concrete types and sources.
  • Evidence in class context comes from reliable sources and established research, not just personal opinion.
  • Sources can be categorized and evaluated; you should know what counts as a suitable source in your field and for your assignment.

Academic journals and peer-reviewed sources

  • Academic journals are periodicals published by academic presses (UP = University Press). They are written and edited by academics, typically with PhDs.
  • When you submit a manuscript to an academic journal, it undergoes a vetting process: peer review by other experts in the field who read for quality, gaps, clarity, and rigor.
  • Possible outcomes from peer review:
    • Acceptance (publish as is or with minor revisions)
    • Revision needed (address gaps, clarify arguments, strengthen sections)
    • Rejection (not deemed rigorous enough or not a fit)
  • Implication: academic journals represent high-quality, vetted research, but they also have disciplinary focuses and varying levels of depth.
  • In notes: indicate how credibility is established: author credentials, editorial board, peer-review status, and publication venue.

Other sources and the World Wide Web

  • The World Wide Web is a valid source pool but requires verification of reliability and date of publication.
  • Reliability checks include: author expertise, publication venue, cited sources, timeliness, and transparency of methods.
  • Magazines and popular press (examples below) are more accessible but vary in depth and objectivity; you should assess them critically.

Popular press (examples)

  • Includes: Wall Street Journal, New York Times, Los Angeles Times, Time Magazine, Slate, Atlantic, etc.
  • Publisher type: journalism outlets with varying editorial practices; some offer long-form, investigative pieces, others provide quick news items.
  • Journalists often have a "beat": a subject area they cover in depth over years (e.g., politics, economics, culture).
  • Trust and reliability often depend on the journalist’s track record on a given beat, not just a single article.
  • How to assess reliability:
    • Check the journalist’s background and whether they regularly publish on the topic.
    • Look for a public profile that reveals their beat and history (useful for evaluating expertise).
    • Use Google or other sources to verify their area of expertise and previous work.
  • Freelance vs. staff:
    • Freelance journalists are contract workers who move between outlets; pay and stability can be variable.
    • Staff (full-time) journalists are employed by a press and tend to have more continuity on a beat.
  • Depth and length:
    • Some outlets (e.g., New York Times, LA Times) may present shorter pieces (two pages or less), offering less depth.
    • Other outlets (e.g., Slate) may offer longer, more in-depth articles (e.g., ten pages).
  • Objectivity and bias:
    • All outlets have some level of bias or slant; acknowledge potential biases when using any source and disclose them.
    • Recognize how publication conventions shape the presentation of information.
  • Reader expectations:
    • Readers expect a thesis, a topic sentence, and supporting evidence. If support is questionable, readers will pause or stop engaging.

Using the web wisely

  • Useful criteria for web sources include publication date, author credentials, citations, and whether the site provides verifiable evidence.
  • Always verify dates: old information may be superseded by newer research.

Other forms of support beyond published data

  • Interviews:
    • Can be valuable for first-hand, person-to-person perspectives and for details that aren’t in the public record.
    • Reliability depends on the interviewee’s expertise, relationship to the subject, and potential biases.
    • In coursework, you may conduct interviews; plan how many you need and how you’ll cite them.
  • Personal experience:
    • Personal narrative can add depth and illustrate data, especially when data alone isn’t enough to convey lived realities.
    • It helps connect with readers who have had similar experiences, but you must distinguish personal experience from generalized claims and avoid overgeneralizing.
  • Use of self:
    • Writers can responsibly use their own experiences to build ethos and relate to the audience, as long as it’s relevant and clearly contextualized.
  • Interviews and credibility:
    • The credibility of interview data relies on transparency about the interviewee’s relationship to the subject and on corroboration with other sources.
  • Logos, ethos, and pathos:
    • Logos: logic and evidence-based reasoning.
    • Ethos: credibility and character of the author or speaker.
    • Pathos: emotional appeal intended to move an audience.
    • These appeals are often used together; identify how they’re deployed and how they interact.

Ethos, Pathos, and Logos: deeper understanding

  • Ethos (credibility): where the author’s credibility comes from (ethics, trustworthiness).
    • Factors that influence ethos: education, expertise, background, tone, word choice, and consistent fairness.
    • Direct appeals (credentials, authority) and indirect appeals (calm, measured tone, balanced presentation).
  • Pathos (emotional appeal): generates an emotion to persuade.
    • Important distinction: pathos is not merely emotion; it is the strategic mobilization of emotion to support a value or argument.
    • Two subtypes discussed: value proof and motivational proof.
    • Value proof: relies on a shared value between writer and audience (e.g., equality, safety).
      • Often expressed via keywords or phrases signaling a shared value; reader must infer the alignment.
    • Motivational proof: aligns with what the audience wants or is persuaded to do; often involves a call to action.
      • In advertisements and commercials, multiple motivational appeals may be used to steer toward the same goal (buying a product).
  • Logos (logic): logical appeals based on evidence and reasoning.
    • There are seven kinds of logical proofs commonly taught in rhetoric.
    • The speaker or writer should be able to identify them and show how they support the argument.
    • Tone and fairness influence whether the logos-based appeal is persuasive if the reasoning is rigorous and transparent.

The seven logical proofs (sign, induction, cause, deduction, analogy, definition, statistics)

  • Sign (visible sign): uses a direct, observable sign as evidence when direct data is unavailable.
    • Example: a protest sign or a visible demonstration depicting a claim.
    • If you cannot provide a photo, you should describe the sign in detail.
  • Induction: reasoning from specific cases to a general conclusion.
    • Form: A = B, B = C, therefore A = C.
    • Example: multiple customers are overcharged at the same shop; this suggests the shop is overcharging generally.
  • Cause (causal reasoning): argues that one event (cause) leads to another event (effect) and suggests a causal link.
    • If this pattern occurs regularly, you infer a causation, not just correlation.
    • Example: energy drinks cause sweating, which can lead to dehydration; thus, energy drinks cause dehydration (illustrative causal chain).
  • Deduction: reasoning from general principles to specific conclusions, acknowledging conditionality.
    • Not universal; depends on conditions. Example: "If studying leads to grades, then attending class may be unnecessary under some circumstances." (Not true for everyone; depends on individual circumstances.)
  • Analogy: comparing two dissimilar things to highlight a shared property or relation, with explicit justification.
    • Example: passwords are like bubble gum—strongest when fresh, should be used by individuals, and left in the environment can create a mess; the analogy supports best practices but requires explicit explanation of the mapping.
  • Definition: uses clearly stated definitions to set the terms of the argument.
    • Essential when terms are contested or ambiguous; you must specify what you mean by key terms (e.g., "argument" as a back-and-forth defense of a claim with specific conditions).
  • Statistics: uses numerical data and quantitative evidence.
    • Always explain context, caveats, and the conditions under which the numbers hold.
    • Purely presenting numbers without context can be misleading; provide the explanatory framework for interpretation.

Note on using all seven: In practice, speakers often blend several proofs within a single argument. Your job as a reader or writer is to identify how and why each proof is used and how they interact or overlap.

Definitions and basic concepts for arguments

  • Claim: the assertion you want the audience to accept (the thesis).
  • Evidence: the body of information supporting the claim (data, sources, examples).
  • Argument: the combination of the claim and its supporting evidence; the reasoning that links evidence to the claim.
  • Aristotle and Rhetoric: the foundational origin of these ideas; the term comes from Aristotle’s work, Rhetoric, written about two thousand years ago.
  • The audience and conventions:
    • Readers expect a clear thesis, topic sentence, and supporting evidence.
    • If the support is weak or misaligned with conventions, readers may disengage.

Practical implications for your coursework

  • Be explicit about source credibility and origin:
    • When using academic journals, indicate the peer-review status and the author’s credentials.
    • When using popular press, acknowledge potential bias and the limitations of depth.
  • Acknowledge biases and maintain fairness:
    • If a source skews conservative or liberal, name the bias and assess how it affects the argument.
    • Distinguish between investigative depth (longer articles) and breadth (short pieces).
  • Use a mix of support types:
    • Data (statistics), interviews, expert testimony, and personal experience where appropriate.
    • Be transparent about the role of each type of evidence in your argument.
  • Ethical implications:
    • Consider the manipulation potential in appeals to emotion or authority.
    • Be mindful of presenting information in a way that respects the audience and avoids unfair manipulation.
  • Upcoming assignment notes:
    • Thursday: watch a movie clip and analyze how the on-screen argument motivates action.
    • Prepare to identify which appeals (logos, ethos, pathos) are used, how they’re used, and whether they are effective given the context.

Quick recap and study tips

  • Distinguish sources by type: academic journals (highly vetted) vs. popular press (accessible, varied depth) vs. web sources (verify reliability and date).
  • Always evaluate the credibility of a source: author expertise, track record on the beat, and transparency of methods.
  • Recognize all three rhetorical appeals in any argument: Logos (logic), Ethos (credibility), Pathos (emotional influence).
  • Be able to identify the seven logical proofs and explain how they support a claim, with examples and caveats about conditions and context.
  • Use personal experience judiciously to connect with readers, but don't let it replace robust evidence.
  • Expect and analyze how authors might blend multiple appeals to persuade; practice breaking down complex arguments into their components.

Question prompts to prepare for Thursday

  • How does the clip use logos to persuade? Are the logical steps explicit and transparent?
  • What kind of ethos does the clip establish for the speaker or subject? What background or tone contributes to credibility?
  • Is any pathos used? What emotions are targeted, and what values or motivations do they appeal to?
  • What kinds of evidence are presented (sign, induction, cause, deduction, analogy, definition, statistics)? Are they used effectively and fairly?
  • Are there biases or limitations in the sources cited? How would you acknowledge and account for them in your analysis?
  • How would you argue against the clip’s claim, using alternative evidence and/or counter-arguments grounded in the seven logical proofs?