Anthology - Sonnet 29 - 'I think of thee!'
I think of thee! - my thoughts do twine and bud
About thee, as wild vines, about a tree,
Put out broad leaves, and soon there’s nought to see
Except the straggling green which hides the wood.
Yet, O my palm-tree, be it understood
I will not have my thoughts instead of thee
Who art dearer, better! Rather instantly
Renew thy presence; as a strong tree should,
Rustle thy boughs and set thy trunk all bare,
And let these bands of greenery which insphere thee
Drop heavily down, - burst, shattered, everywhere!
Because, in this deep joy to see and to hear thee
And breathe within thy shadow a new air,
I do not think of thee - I am too near thee.
THEMES:
romantic relationships
sexual relationships
religion
nature
gender roles
FORM:
Petrarchan sonnet
usually used in context of unrequited, unreachable love
here, unconventionally used for attainable and reciprocated love
regular structure implies regularity of love
STRUCTURE:
volta
at line 5
breaks from tradition and symbolises rebellion against gender roles
iambic pentameter
heartbeat rhythm represents passion and inherent love
occasionally broken suggesting intensity of love and unconventional love
ABBA to CDCD rhyme scheme
ABBA represents embrace/suffocation?
CDCD represents integration into one another
circular structure
represents endless and ongoing love
LANGUAGE:
intimate language
objective personal pronoun, direct address, exclamative - “I think of thee!”
superlative, exclamative, asyndeton - “who art dearer, better!“
tricolon, exclamative, asyndeton, auditory imagery - “burst, shattered, everywhere!“
natural imagery
simile - “as wild vines, about a tree“
extended metaphor, ecphonesis, religious imagery - “O my palm-tree“
extended metaphor, imperative, auditory imagery - “renew thy presence; as a strong tree should // rustle thy boughs and set thy trunk all bare“
repetition, circular structure, adverb - “I do not think of thee - I am too near thee.“
assonance, internal rhyme - “deep joy, to see and hear thee“
CONTEXT:
written by Elizabeth Barrett Browning
in Victorian era when female sexuality was major taboo
her marriage to Robert Browning was secret as her father disapproved - she was disinherited