Chords in Context I

Supertonic Seventh

ii7 in Major Keys

  • Quality is minor seventh - minor triad with a minor seventh function is pre-dominant - typically goes to V

  • Chord seventh resolves down by step often found in first inversion

    • same bass note as IV

iio7 in minor Keys

  • quality is half-diminished seventh typically goes to V

    • diminished triad with a minor seventh is pre-dominant

  • chord seventh resolved down by step often found in first inversion

    • same bass note as iv

Supertonic Triad

  • minor triad in major keys

  • diminished triad in minor keys

    • functions as pre-dominant

    • often used in first inversion

    • “never” found in second inversion

Leading-Tone Triad

  • quality is diminished in both major and minor keys

  • leading tone (root) must be raised in minor

  • typically moves to tonic

  • the triad can be heard as a V7 without its root

  • usually found in first inversion (viio6)

Leading-Tone Seventh

Part writing

  • chord seventh resolves down

  • chord root (leading tone) resolves up

  • all voices should move by step

  • irregular doubling of tonic chord is OK

minor keys viio7

  • quality is fully diminished - diminished triad with seventh (all minor 3rds)

    • don’t worry about parallel 5th when resolving

major keys viio7

  • quality is half-diminished seventh

    • diminished triad with minor seventh (m3,m3, M3)

half-diminished can produce parralell 5ths when resolving to I, any of these options will avoid these:

  • resolve viio6/5 to I6 (cannot move to root position I)

  • voice the chord as fourths (3rd above 7th)

  • borrow viio7 from parallel minor (lower la to le)

Practice

  • find the leading tone of the key and spell indicated chord from that root note

    • be sure to distinguish o7 VS o7

    • o7 = all minor 3rds

    • o7 = mmm

    • o do not exist

    • for viio triad, double chords 3rd

  • raise the LT when in minor keys

  • lower the chord seventh for fully diminished in major keys

  • move all voices by step when resolving to I or i

  • resolve chord root up and chord seventh down