Copyright © 2024 by Author/s and Licensed by Kuey.
Open access article under the Creative Commons Attribution License.
Citation: Lombard, J., Lekganyane, M. (2024). Unveiling intrigue: A comparative analysis of detective stories in Sepedi and Afrikaans, Nnete Fela and Ikarus/Prooi. Educational Administration: Theory and Practice, 30(6), 3168-3173. DOI: 10.53555/kuey.v30i6.6008
Authors: Joanne Lombard and Matemane Lekganyane, Language Unit, University of Pretoria, South Africa.
Comparative Literature Studies: Promotes multilingual education by engaging students with texts from different languages.
Enhances proficiency in multiple languages, linguistic skills, and cultural nuances.
The study compares a Sepedi detective story with an Afrikaans detective series, focusing on suspense and mystery.
Key Characters: Ariel Meso (Nnete Fela) vs. Bennie Griessel (Ikarus/Prooi).
Ariel: Lucky, successful in love and personal relationships.
Bennie: Struggles with misfortune, personal turmoil, and alcoholism.
Both act as moral anchors in their narratives but embody contrasting archetypes.
Purpose: The goal is to understand multilingualism through comparative literature.
Cultural Nuances: Tötösy de Zepetnek (1998): The concept of cultural nuances in language learning and literary engagement.
Historical Context: Comparative literature in South African universities has evolved to reflect societal changes since the 1980s.
Early courses aimed at promoting democracy and changing the ideological curriculum.
Ongoing contributions by younger scholars are broadening perspectives in South African literature.
Scholars have increasingly compared texts from diverse South African languages to enhance understanding of national literature.
Notable studies include comparisons of biographical aspects in Xhosa praise poems and urban experiences in English and Zulu literature.
Diversity Call: There is a necessity for more inclusive research on South African literatures (van Niekerk 2016:270).
The proposed comparison will dissect the genres of Sepedi and Afrikaans detective stories.
Suspense: Arises from the protagonist's threat perception; explored by Vorderer et al. (1996) and Zillmann (1996).
Reader involvement is key; emotional responses enhance narrative investment.
Mystery: Defined as the suspense between protagonists and antagonists, culminating in resolution at the story's end (Turco 1999:59).
Five elements are fundamental in mystery investigation: investigator, criminal, victim, evidence, and the investigative process.
Utilizes qualitative research methods focusing on close textual analysis to understand literary narratives and their emotional impacts.
Characteristics of detectives shape narrative tone and suspense.
Energetic, optimistic detectives increase action and engagement, while flawed detectives add depth and moral complexity.
Examples include Matlala's Serapeng sa Badimo, which introduces a fraudster as an investigator, twisting traditional roles.
Ariel Meso (Nnete Fela): Represents persistence and success in personal matters.
Bennie Griessel (Ikarus/Prooi): Portrayed as a flawed hero, struggling with professional and personal demons.
His narrative aligns with the hard-boiled detective genre, featuring complications that obscure the case's simplicity.
Comparison Results: Highlights both the similarities and differences in character archetypes and narrative techniques of the two texts.
Suspense Creation: The necessity of complex protagonists in maintaining reader engagement.
Significance of Comparative Studies: Advocates for the promotion of multilingual education and literary diversity in South Africa.
Literature Insights: Highlights techniques that create suspense and mystery relevant to the reader's experience, focusing on emotional engagement with protagonists.
Amid, J. (2015). LitNet Akademies-resensie-essay: Ikarus deur Deon Meyer.
Boileau, S.A. & Narçejac, T. (1964). Le roman policier. Paris: Payot.
Carroll, N. (1996). The Paradox of Suspense. In Vorderer, P., Wulff, H.J., & Friedrichsen, M. (eds). New Jersey: Lawrence Erlbaum Associates.
Cawelti, J. (1976). Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. Chicago: University of Chicago Press.
de Kock, L. (2005). ‘Does South African Literature Still Exist?’. English in Africa 32(2): 69–83.
Dove, G.N. (1989). Suspense in the Formula Story. Bowling Green: Bowling Green State University Popular Press.
Frenkel, R & MacKenzie, C. (2010). Conceptualising ‘Posttransitional’ South African Literature In English.
Groenewald, P.S. (1993). Thutadingwalo ya Sesotho sa Leboa, 2. Pretoria: Via Afrika.
Gregersdotter, K. (2018). Detective Benny Griessel. In: Sandberg, E. (ed). 2018. 100 Greatest Literary Detectives.
Kekana, M.A. (1989). Nnete Fela. Johannesburg: Publishers.
Lazarus, A. & Smith, H.W. (1983). A glossary of literature and composition. Illinois: National Council of Teachers.
Machiu, J.Z.O. (1994). Nnete Fela: Northern Sotho detective story: a critical evaluation.
Matlala, W.T. (1969). Hlokwa-la-tsela. Johannesburg: Afrikaanse Pers.
Meyer, D. (2015). Ikarus. Kaapstad: NB Publishers.
Naidu, S. (2013). Crime Fiction, South Africa: A Critical Introduction. Current Writing: Text and Reception 25(2): 124–135.
Shapiro, W.E. (1979). The new book of knowledge. New York: Growlier.
Turco, L. (1999). The book of literary terms. Hanover: University Press of New England.