Perception

perception

  • the process of interpreting sensory information to understand our environment

Influences on perception

bottom up processing

  • relies on external sensory information from the environment

    • sensory receptors detect stimuli and send signals to the brain for interpretation

    • focuses on the detailed and individual elements of a stimulus

  • starts with sensory input

  • details first → big picture

  • ex. reading unfamiliar handwriting, hearing a new language

top down processing

  • uses internal prior expectations, knowledge, and experiences to interpret sensory information

    • influenced by schemas, memories, and context

    • focus on the bigger picture and overall meaning of a stimulus

  • brain first → details second

  • ~guessing

  • ex. reading messy text, seeing a blurry picture

schemas

  • mental frameworks that organize and interpret information based on prior knowledge and experiences

    • help simplify and categorize complex information (person schemas, event schemas)

    • can lead to biases and stereotypes when applied too rigidly

  • how we understand how the world works

  • ex. Restaurant schema: you expect to sit, look at menu, order food, eat, pay

perceptual sets

  • mental predispositions or expectations that influence perception

    • cause individuals to perceive stimuli in a certain way based on what they expect or want to see

    • can lead to selective attention and misinterpretation of ambiguous stimuli

External factors in perception

  • context, such as physical setting or social situation

    • the same behavior may be interpreted differently in different contexts (laughing at a funeral vs. a comedy show)

  • personal experiences, including upbringing, education, and past events

    • a child raised in a loving home may perceive others as trustworthy; while a child from an abusive background may be more suspicious

  • cultural experiences and expectations provide a lens through which individuals perceive the world

    • different cultures may have varying norms, values, and beliefs that affect perception (personal space, eye contact)

Gestalt principles of perception

  • Gestalt psychology emphasizes that the whole is different from the sum of its parts

    • Explain how we visually organize information into meaningful patterns and structures 

    • help us make sense of complex visual stimuli and understand the world in a coherent and efficient manner

  1. form perception

Figure and ground

  • the tendency to perceive objects as either the focus of attention (figure) or the background

    • the figure stands out from the background and i smore easily recognized (a tree against a sky background)

  • allows us to recognize objects as distinct from their surrounding environment

  • applies to our hearing

  • fundamental to our visual perception

    • enabling us to identify and focus on specific elements in a complex scene

    • aiding in tasks like reading text on a page or recognizing faces in a crowd

Cocktail party effect

  • same idea as figure and ground

  • at a crowded party, you listen to one voice as the figure and teh rest of sound becomes the ground

Grouping

  • organize the world into a meaningful form

three principles of grouping

proximity

  • we group nearby figures together

  • the tendency to perceive objects that are close together as part of the same gruup

    • items arranged close together are seen as related or belonging together

  • ex. a row of dots is perceived as a line

similarity

  • we group objects according to how similar they are to each other

  • tendency to perceive objects that share similar characteristics as part of the same group

    • items that look alike are grouped together

  • a collection of red squares among blue circles is seen as a distinct group

closure

  • we fill in gaps to create complete, whole object

  • the tendency to perceive incomplete or partial objects as complete and whole

    • the brain fills in missing information to create a complete image

  • ex. a partially drawn circle is perceived as a whole circle

  1. depth perception

  • ability to perceive the world in three dimensions and to judge the distance of objects

is depth perception learned or innate?

  • Eleanor Gibson and Richard Walk

  • infants are placed on a platform with a “visual cliff”

    • an apparent drop-off created by a sheet of glass covering a patterned surface

  • studies revealed that most infants hesitate to crawl over the cliff

    • indicating that an inherent ability to perceive depth to avoid potential and danger

  • findings highlight how depth perception is an essential and early-developing aspect of human vision

binocular cue

  • depend on the use of two eyes

  • convergence

    • retinal images are combined by the brain

    • the inward turning of the eyes to focus on a nearby object

      • the brain uses the degree of convergence to estimate the distance of the object

      • closer objects require more convergence, while distant objects require less

  • rental disparity

    • the slight difference in the images projected onto the left and right retinas due to the eyes’ different positions

      • the brain compare these differences to create a perception of depth and three dimensionally

      • the brain can judge how close an object is to you

    • the greater the disparity (difference) between the two retinal images, the closer the object

monocular cues

  • can be perceived with just one eye

  • helpful when we only have one eye open

  • complement binocular cues to provide a richer and more accurate perception of depth and distance

    • helping us better understand and navigate our three-dimensional environment

  • relative clarity

    • objects that appear clearer and more detailed are perceived as closer than those that appear blurry or less detailed

    • more light passes through objects that are farther away, we perceive these objects as blurry, whereas nearby objects by contrast appear clear

  • relative size

    • objects that appear larger are perceived as closer than those that appear smaller

    • ex. a person standing next to a building appears smaller than a person standing closer to the viewer

  • texture gradient

    • the gradual change in the appearance of a surface’s texture from coarse (near) to fine (far)

    • moving toward or far away from an object changes our perception of its smoothness or texture

    • we see more texture when things are closer

    • ex. a grassy field appears more detailed and distinct in the foreground and becomes smoother and less detailed in the distance

  • linear perspective

    • parallel lines appear to meet in the distance

    • the sharper the angle of convergence, the greater the perceived distance is

  • interposition

    • if one object partially blocks our view of another

      • we perceive as closer

    • ex. a tree branch in front of a house is seen as closer than the house itself

attention in perception

  • attention is the process of selectively focusing on specific aspects of the environment while ignoring others

    • allows individuals to prioritize and process important information

    • can be influenced by both internal factors (goals, interests) and external factors (salience, novelty)

  • selective attention, such as the cocktail party effect

    • involves focusing on specific stimuli while filtering out irrelevant information

      • people can attend to their name or a topic of interest even in a noisy, distracting environments

  • inattention can lead to perceptual “blindness" or failure to notice changes in the environment

    • change blindness occurs when individuals fail to detect changes in a visual scene due to lack of attention

    • demonstrates the importance of attention in accurately perceiving and processing information

  1. motion perception

  • normally, your brain calculates motion based on the assumption that shrinking objects are moving away and enlarging objects are getting closer

  • however, our brains can sometimes be deceived by visual illusions

  • for instance, when large and small objects move at the same speed

    • the larger objets appear to move more slowly than the smaller ones

  • stroboscopic movement

    • a series of still images presented in rapid succession creates the illusion of continuous motion

      • movies and animations rely on this principle, presenting a series of slightly different frames to create the perception of movement

  • Phi phenomenon

    • the perception of movement created by rapidly presenting two or more stationary stimuli in succession

      • a blinking light that alternates between two positions can create the illusion of a single light moving back and forth

  1. perceptual constancy

  • the brain’s ability to recognize objects as having consistent shape, size, color, and brightness despite changes in perspective, distance, or lighting conditions

  • important because it allows us to maintain a stable and consistent view of thw world

  • enabling us to recognize objects and people reliably despite varying conditions and changes in our environment

  • size constancy

    • to recognize that an object maintains a consistent size despite changes in its distance from us

      • which affects the size of the image projected on our retinas

    • ex. when a person walks away from us

      • they appear smaller in our visual field

      • but we understand that their actual size hasn’t changed

  • shape constancy

    • to recognize that an object’s shape as remaining the same despite changes in the angle or perspective from which it is viewed

    • ex. a door is perceived as rectangular whether it is open, closed, or partially ajar

      • even though its retinal image changes

  • brightness constancy

    • to perceive the brightness of an object as constant

      • even when the lighting conditions change

    • means that an object will appear to have the same level of brightness whether it is in shadow or in direct sunlight

      • because our brain adjusts for the varying amounts of light

    • ex. a white sheet of paper appears white whether viewed in bright sunlight or in shade

  • color constancy

    • perceive the colors of objects as relativey constant

      • even under varying lighting conditions

    • ex. a white shirt will still look white whether you see it under the yellow light of a lamp or blue light of the sky

Müller-Lyer Illusion

  • where two lines that are actually the same length look different because of the arrow shapes at the ends

Poggendorf Illusion

  • diagonal line looks misaligned or shifted when it passes behind another shape (usually a rectangle or bars), even though the line is actually straight

Stroop effect

  • when it is harder and slower to say the color of a word when the word itself names a different color

perceptual adaptation

  • brains remarkable ability to adjust to changes in the sensory environment

    • ensuring that we can maintain consistent perception even under altered conditions

  • allows us to become accustomed to new visual, auditory, or other sensory inputs over time

  • highlights the brain’s flexibility and its capacity to recalibrate sensory processing to accommodate new or unusual situations, maintaining a coherent and stable experience of the world

  • ex. when people wear inversion goggles that flip the visual field upside down, they initially experience disorientation

    • however with continued exposure, the brain gradually adapts and they can function relatively normal, interpreting the inverted visual information correctly