Study Notes on Abolitionism, Religion, and American Romanticism

Opposition to Force and Perfectionism

  • The individual discussed demonstrates an unwavering opposition to force of any kind, including against criminals and invading armies.

  • This ideology reflects traits of perfectionism and postmillennialism.

  • Most leading abolitionists of the period were also postmillennialist Christians.

The Burned-Over District

  • The Burned-Over District emerged as a significant center for antislavery activism.

  • Key abolitionist reformers:

    • Theodore Weld:

    • Background: Son of ministers, older brother a minister; attended Lane Seminary in Cincinnati; involved in the temperance movement.

    • Charismatic leader who led student revolts against seminary administration over abolitionist activism.

    • Organized educational initiatives for local African-Americans, despite facing violence from mobs (e.g., being pelted with rocks, eggs, and vegetables).

    • Toured regions (New England, New York, Pennsylvania, and Ohio) advocating for abolitionism.

    • Collaborated with wife, Angelina Grimke, to publish American Slavery As It Is (1839):

      • An investigative book based on thousands of accounts detailing the cruelties of slaveholders, including material sourced from Southern publications.

      • Sold 100,000 copies within one year, influencing notable figures such as Harriet Beecher Stowe during the writing of Uncle Tom's Cabin.

Ideological Beliefs of Grimke and Weld

  • Angelina Grimke:

    • Converted to Quakerism, shared Weld's postmillennial fervor.

    • Expressed empathy towards Adventists regarding the Second Coming of Christ, asserting that visibility was not necessary for Christ's reign in the world.

    • Suggested the commencement of a new era through internal transformation and emphasized the ongoing struggle against slavery as a crime against God and humanity.

    • Sister Sarah Grimke stated: "No abolitionism is of any value which is not accompanied with deep, heartfelt repentance."

The Tappan Brothers and Religion

  • The Tappan brothers, notable abolitionists, imposed strict moral codes on their employees including mandatory prayers and abstaining from various activities (e.g., smoking, drinking, late-night outings).

  • Lewis Tappan emphasized his concern for his brother Benjamin's eternal damnation due to his stance on religion.

  • Arthur Tappan attempted to persuade Presbyterian churches to deny communion to individuals involved with alcohol.

  • The antislavery movement gradually absorbed most reform movements due to shared zeal.

Fragmentation of Churches Due to Slavery

  • The issue of slavery led to notable schisms within churches:

    • Methodist Church split in 1844, not reuniting for nearly a century.

    • Baptist Church split in 1845, never reuniting.

  • This fragmentation created significant challenges for national unity in the United States.

  • Henry Clay expressed deep concern regarding the Methodist Church's division, highlighting the pain caused by such schisms.

  • Southern denominations gradually abandoned early abolitionist principles, adopting pro-slavery positions as they became integral parts of the southern establishment.

Romanticism Movement and Literature

  • A national literature emerged in reaction to Enlightenment rationalism, where American authors critiqued the glorification of reason over intuition.

  • Most American romantics originated from New England and often rebelled against the materialism and rationalism of their parents.

  • A longing for the spiritualism characteristic of Puritan ancestors was a common thread among these writers, despite rejecting Calvinist doctrines.

Transcendentalists vs. Other Romantics

  • Different views on human nature were held among American romantics:

    • Transcendentalists believed in the inherent goodness of human nature.

    • Notable novelists/short-story writers (Nathaniel Hawthorne, Herman Melville, Edgar Allan Poe) believed human nature to be inherently bad.

  • Irony observed as the latter group, despite their unorthodox beliefs, resonated more closely with orthodox Christian views of original sin than did the postmillennialist reformers of the time.

  • Works of Hawthorne, Melville, and Poe were less popular than those of Stowe and other uplifting authors, surviving through a later, more pessimistic literary phase.

Focus on Fiction Writers: Hawthorne, Melville, and Poe

  • Nathaniel Hawthorne:

    • Descendant of a Salem Witch Trials judge, published The Scarlet Letter (1850), a narrative of sin, guilt, and revenge.

    • The novel centers on Hester Prynne, an adulteress punished by Puritan authorities, showcasing themes of redemption versus destruction.

    • Hawthorne emphasized the balance between sin/punishment and self-righteousness of Puritan leaders.

    • In Earth's Holocaust, he critiques the futility of external reform when human nature remains unchanged.

  • Herman Melville:

    • Melville viewed Hawthorne's work through a lens of original sin and depravity, recognizing the darkness in human nature.

    • His greatest work, the novel Moby-Dick (1851), tells the story of Captain Ahab's vengeful quest against the titular whale, reflecting deep existential themes.

    • Presentation of Captain Ahab:

    • His obsession with revenge is cataclysmic for himself and his crew.

    • Warning from first mate Starbuck, "Let Ahab beware of Ahab,” symbolizes internal conflict with madness.

    • The narrator Ishmael expresses a bleak perspective of humanity and existence, noting universal suffering and existential dread:

    • Defined notions of human roles in relation to nature and life's inherent struggles: "Who ain't a slave?"

    • Commentary on the balance of joy and sorrow: "All is vanity" and the constant struggle against oppression and despair.

  • Thematic implications:

    • Ahab's struggle represents a larger human condition, misunderstood and mired in suffering.

    • Overall narratives from these authors highlight the complexities of humanity, intertwining sin, redemption, and existential despair in their storytelling.